I've dreamt in my life dreams that have stayed with me ever after, and changed my ideas: they've gone through and through me, like wine through water, and altered the color of my mind.
Emily Bronte
Wuthering Heights

woensdag 28 juli 2010

YORK and Scarborough IN THE 19th CENTURY

In 1801, at the time of the first census, York had a population of 16,846. By the standards of the time it was quite a large town but it declined in importance as the century drew on. The industrial revolution meant other Yorkshire towns boomed but York failed to industrialise. In the early 19th century it remained a market town with many craftsmen but no factories.

However the railway reached York in 1839. In 1842 a repair workshop opened. Soon afterwards York became famous for making railway carriages, largely through the efforts of known as the railway king. In the late 19th century confectionery and making cocoa also became a major industry in York. So did flour milling. Also in the late 19th century an industry of making optical instruments flourished.

In the 19th century the population of York grew rapidly and houses spread across the fields outside the walls. Part of the rise in population was due to an influx of Irish immigrants who arrived in the 1840s fleeing the potato famine. Many of the new houses were overcrowded and like all 19th century towns York was dirty and unsanitary. In 1832 and 1849 York suffered outbreaks of cholera. There was also an epidemic of typhus (a disease spread by lice) in 1847, which killed 403 people. However there were some improvements in the city during this century.

From 1824 the streets of York were lit by gas. In 1825 an Act of Parliament formed a body of men called the Improvement Commissioners who were responsible for paving, lighting and cleaning the streets. They were replaced by a Board of Health in 1850. In York some people were rich enough to afford a flushing lavatory connected to a sewer but until the end of the century the raw sewage was flushed into rivers. Most of the people in York used 'earth closets', which were really buckets that were emptied at night into carts by the 'night soil' men. The 'night soil' was sold as fertiliser. In 1890-95 the council built a proper sewage disposal system but it wasn't until the 1920s that all houses in York were connected.

Meanwhile the first modern police force in York was formed in 1836 and after 1880 horse drawn trams ran in the streets of York. York Art Gallery opened in 1892. The first public library in York opened in 1893.

SCARBOROUGH IN THE 19th CENTURY

In the 19th century Scarborough continued to be a genteel seaside resort. The fishing industry continued and Scarborough continued to be a busy port. However shipbuilding declined.

The population rose rapidly. In 1801 Scarborough had a population of about 6,000. To us it would seem tiny but by the standards of the time it was a respectably sized town. It grew rapidly during the 19th century. By 1851 the population of Scarborough was around 13,000. By the end of the 19th century the population more than doubled to over 30,000.

The 19th century saw a number of improvements to Scarborough. In 1805 an Act of Parliament formed a body of men called the Improvement Commissioners with powers to pave, clean and light the streets of Scarborough (with oil lamps).

The Rotunda Museum opened in 1829. A waterworks company was formed in Scarborough in 1844. A Market Hall was built in 1853 and the first cemetery opened in 1857. Meanwhile Cliff Bridge opened in 1827. Valley Bridge opened in 1865.

The railway reached Scarborough in 1845 which, of course, made it easier for visitors to reach the town and a hospital opened in Scarborough in 1893.

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Parsonage

Parsonage

Charlotte Bronte

Presently the door opened, and in came a superannuated mastiff, followed by an old gentleman very like Miss Bronte, who shook hands with us, and then went to call his daughter. A long interval, during which we coaxed the old dog, and looked at a picture of Miss Bronte, by Richmond, the solitary ornament of the room, looking strangely out of place on the bare walls, and at the books on the little shelves, most of them evidently the gift of the authors since Miss Bronte's celebrity. Presently she came in, and welcomed us very kindly, and took me upstairs to take off my bonnet, and herself brought me water and towels. The uncarpeted stone stairs and floors, the old drawers propped on wood, were all scrupulously clean and neat. When we went into the parlour again, we began talking very comfortably, when the door opened and Mr. Bronte looked in; seeing his daughter there, I suppose he thought it was all right, and he retreated to his study on the opposite side of the passage; presently emerging again to bring W---- a country newspaper. This was his last appearance till we went. Miss Bronte spoke with the greatest warmth of Miss Martineau, and of the good she had gained from her. Well! we talked about various things; the character of the people, - about her solitude, etc., till she left the room to help about dinner, I suppose, for she did not return for an age. The old dog had vanished; a fat curly-haired dog honoured us with his company for some time, but finally manifested a wish to get out, so we were left alone. At last she returned, followed by the maid and dinner, which made us all more comfortable; and we had some very pleasant conversation, in the midst of which time passed quicker than we supposed, for at last W---- found that it was half-past three, and we had fourteen or fifteen miles before us. So we hurried off, having obtained from her a promise to pay us a visit in the spring... ------------------- "She cannot see well, and does little beside knitting. The way she weakened her eyesight was this: When she was sixteen or seventeen, she wanted much to draw; and she copied nimini-pimini copper-plate engravings out of annuals, ('stippling,' don't the artists call it?) every little point put in, till at the end of six months she had produced an exquisitely faithful copy of the engraving. She wanted to learn to express her ideas by drawing. After she had tried to draw stories, and not succeeded, she took the better mode of writing; but in so small a hand, that it is almost impossible to decipher what she wrote at this time.

I asked her whether she had ever taken opium, as the description given of its effects in Villette was so exactly like what I had experienced, - vivid and exaggerated presence of objects, of which the outlines were indistinct, or lost in golden mist, etc. She replied, that she had never, to her knowledge, taken a grain of it in any shape, but that she had followed the process she always adopted when she had to describe anything which had not fallen within her own experience; she had thought intently on it for many and many a night before falling to sleep, - wondering what it was like, or how it would be, - till at length, sometimes after the progress of her story had been arrested at this one point for weeks, she wakened up in the morning with all clear before her, as if she had in reality gone through the experience, and then could describe it, word for word, as it had happened. I cannot account for this psychologically; I only am sure that it was so, because she said it. ----------------------She thought much of her duty, and had loftier and clearer notions of it than most people, and held fast to them with more success. It was done, it seems to me, with much more difficulty than people have of stronger nerves, and better fortunes. All her life was but labour and pain; and she never threw down the burden for the sake of present pleasure. I don't know what use you can make of all I have said. I have written it with the strong desire to obtain appreciation for her. Yet, what does it matter? She herself appealed to the world's judgement for her use of some of the faculties she had, - not the best, - but still the only ones she could turn to strangers' benefit. They heartily, greedily enjoyed the fruits of her labours, and then found out she was much to be blamed for possessing such faculties. Why ask for a judgement on her from such a world?" elizabeth gaskell/charlotte bronte



Poem: No coward soul is mine

No coward soul is mine,
No trembler in the worlds storm-troubled sphere:
I see Heavens glories shine,
And faith shines equal, arming me from fear.


O God within my breast.
Almighty, ever-present Deity!
Life -- that in me has rest,
As I -- Undying Life -- have power in Thee!


Vain are the thousand creeds
That move mens hearts: unutterably vain;
Worthless as withered weeds,
Or idlest froth amid the boundless main,


To waken doubt in one
Holding so fast by Thine infinity;
So surely anchored on
The steadfast Rock of immortality.


With wide-embracing love
Thy Spirit animates eternal years,
Pervades and broods above,
Changes, sustains, dissolves, creates, and rears.


Though earth and man were gone,
And suns and universes ceased to be,
And Thou wert left alone,
Every existence would exist in Thee.


There is not room for Death,
Nor atom that his might could render void:
Thou -- Thou art Being and Breath,
And what Thou art may never be destroyed.


--
Emily Bronte

Family tree

The Bronte Family

Grandparents - paternal
Hugh Brunty was born 1755 and died circa 1808. He married Eleanor McClory, known as Alice in 1776.

Grandparents - maternal
Thomas Branwell (born 1746 died 5th April 1808) was married in 1768 to Anne Carne (baptised 27th April 1744 and died 19th December 1809).

Parents
Father was Patrick Bronte, the eldest of 10 children born to Hugh Brunty and Eleanor (Alice) McClory. He was born 17th March 1777 and died on 7th June 1861. Mother was Maria Branwell, who was born on 15th April 1783 and died on 15th September 1821.

Maria had a sister, Elizabeth who was known as Aunt Branwell. She was born in 1776 and died on 29th October 1842.

Patrick Bronte married Maria Branwell on 29th December 1812.

The Bronte Children
Patrick and Maria Bronte had six children.
The first child was Maria, who was born in 1814 and died on 6th June 1825.
The second daughter, Elizabeth was born on 8th February 1815 and died shortly after Maria on 15th June 1825. Charlotte was the third daughter, born on 21st April 1816.

Charlotte married Arthur Bell Nicholls (born 1818) on 29th June 1854. Charlotte died on 31st March 1855. Arthur lived until 2nd December 1906.

The first and only son born to Patrick and Maria was Patrick Branwell, who was born on 26th June 1817 and died on 24th September 1848.

Emily Jane, the fourth daughter was born on 30th July 1818 and died on 19th December 1848.

The sixth and last child was Anne, born on 17th January 1820 who died on 28th May 1849.

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