I've dreamt in my life dreams that have stayed with me ever after, and changed my ideas: they've gone through and through me, like wine through water, and altered the color of my mind.
Emily Bronte
Wuthering Heights

zaterdag 26 mei 2012

Weblogs and Jane Eyre


 
(Fritz Eichenberg, ‘A long grace was said an a hymn sung’, illustration for 1943 Random House edition, filched from Jane Eyre Illustrated which is a fascinating site)
 
Jane Eyre and the fairy folk - "Mademoiselle is a fairy," he said, whispering mysteriously


vrijdag 25 mei 2012

From the Royal Archives: Queen Victoria


A message from HM Queen Elizabeth II
 
In this the year of my Diamond Jubilee, I am delighted to be able to present, for the first time, the complete on-line collection of Queen Victoria's journals from the Royal Archives.
These diaries cover the period from Queen Victoria's childhood days to her Accession to the Throne, marriage to Prince Albert, and later, her Golden and Diamond Jubilees.
Thirteen volumes in Victoria's own hand survive, and the majority of the remaining volumes were transcribed after Queen Victoria's death by her youngest daughter, Princess Beatrice, on her mother's instructions.
It seems fitting that the subject of the first major public release of material from the Royal Archives is Queen Victoria, who was the first Monarch to celebrate a Diamond Jubilee.
It is hoped that this historic collection will make a valuable addition to the unique material already held by the Bodleian Libraries at Oxford University, and will be used to enhance our knowledge and understanding of the past.

woensdag 23 mei 2012

Magic sisters realise Chelsea Flower Show golden dream


They tried ever so hard once, and got silver. Then they tried ever so hard again, and got silver again. But this year the Yorkshire garden at Chelsea has finally achieved its ambition, and been awarded a Royal Horticultural Society gold medal.
That's what the biggest and brashest of England's counties naturally expects; (actually – interesting fact - historic Yorkshire also contains England's second-biggest county: the West Riding on its own beats Devon, Lincolnshire and other such rivals). But the organisers made the mistake of not enlisting the magical powers of the Mighty Sisters until now.
In 2010, the garden was themed on rhubarb and custard, picking up the lore and legend of the 'rhubarb-growing triangle' between Wakefield, Pontefract and Leeds. Last year, a rather architectural construction of drystone walls and the like drew on Yorkshire Artists, with references toDavid HockneyBarbara Hepworth and Henry Moore.
charlotte bronte pixie Not to be outdone. Charlotte Bronte. Photograph: Hulton Getty
But at last, this year, Charlotte, Emily and Bronte appeared in a dream to Gary Verity, the chief executive of Welcome to Yorkshire which organises the garden, and said: "Daft ha'porth. It's us you need."
So it has proved. The massive metropolitan cliché mill grinds out unswerving descriptions of the sisters and their moors as wuthering and howling, but we who live here know better. Charlotte herself wrote of Emily after her death and how:
There is not a knoll of heather, not a branch of fern, not a young bilberry leaf, not a fluttering lark or linnet, but reminds me of her
And Emily carolled in one of her perhaps less original poems:
May flowers are opening
And leaves unfolding free
There are bees in every blossom
And birds in every tree.
Anyway, Verity arose and his staff carried out the ghostly instructions, recreating the 'Bronte bridge' which crosses the Bronte beck by the Bronte waterfalls on the way to Top Withens (aka Wuthering Heights) above the sisters' home village of Haworth. They also crammed in a goodly stock of plants, making the composition more garden than artificial construction. Although the Brontes were not actually very good gardeners themselves, as the Guardian Northerner recently described, they would surely have approved.
Verity says:
The garden has had a non-stop stream of admirers since The Chelsea Flower Show opened but this was the ultimate goal, taking gold back to Yorkshire. This is the third time we've entered and we're delighted to be going home with a gold medal for the first time. We hope to convert thousands of well-wishers into tourists over the course of the week. 
Tracy Foster, the garden's designer from Leeds, worked closely with theBrontë Parsonage Museum in Haworth throughout the project, describes how the garden tried to source materials from nearby, including boulders from Dove Stones moor:
The stone is beautiful. We have deliberately not cleaned it so it has aged naturally and it is of the period when the girls would have been walking around the Yorkshire Moors and writing their novels. The stone still has its original lichens and mosses attached which look just perfect in the garden and really give a sense of the beauty and bleakness that epitomise the wonderful moorland landscape.
She is properly over the moon, deservedly:
My first Chelsea and I get gold, it doesn't get much better than this! I'm so proud of what we have achieved. I hope the high profile medal inspires more people to come to Yorkshire to see for themselves the landscape that brought gold to the garden.
Yorkshire garden wins Chelsea gold. Gary Verity, Tracy Foster being handed gold from Nicky ChapmanYorkshire garden wins Chelsea gold. Gary Verity and Tracy Foster get their gold from Nicky Chapman. Photograph: Welcome to Yorkshire


Always good at linking things, Welcome to Yorkshire has just unveiled a gardens campaign which highlights some of the best gardens to visit in Yorkshire. You can also seethree films here which the Guardian Northernerteam made last year of the progress of the Art of Yorkshire entry.
Yorkshire garden wins Chelsea gold. Gary Verity, Tracy Foster being handed gold from Nicky ChapmanYorkshire garden wins Chelsea gold. Gary Verity and Tracy Foster get 

Parsonage

Parsonage

Charlotte Bronte

Presently the door opened, and in came a superannuated mastiff, followed by an old gentleman very like Miss Bronte, who shook hands with us, and then went to call his daughter. A long interval, during which we coaxed the old dog, and looked at a picture of Miss Bronte, by Richmond, the solitary ornament of the room, looking strangely out of place on the bare walls, and at the books on the little shelves, most of them evidently the gift of the authors since Miss Bronte's celebrity. Presently she came in, and welcomed us very kindly, and took me upstairs to take off my bonnet, and herself brought me water and towels. The uncarpeted stone stairs and floors, the old drawers propped on wood, were all scrupulously clean and neat. When we went into the parlour again, we began talking very comfortably, when the door opened and Mr. Bronte looked in; seeing his daughter there, I suppose he thought it was all right, and he retreated to his study on the opposite side of the passage; presently emerging again to bring W---- a country newspaper. This was his last appearance till we went. Miss Bronte spoke with the greatest warmth of Miss Martineau, and of the good she had gained from her. Well! we talked about various things; the character of the people, - about her solitude, etc., till she left the room to help about dinner, I suppose, for she did not return for an age. The old dog had vanished; a fat curly-haired dog honoured us with his company for some time, but finally manifested a wish to get out, so we were left alone. At last she returned, followed by the maid and dinner, which made us all more comfortable; and we had some very pleasant conversation, in the midst of which time passed quicker than we supposed, for at last W---- found that it was half-past three, and we had fourteen or fifteen miles before us. So we hurried off, having obtained from her a promise to pay us a visit in the spring... ------------------- "She cannot see well, and does little beside knitting. The way she weakened her eyesight was this: When she was sixteen or seventeen, she wanted much to draw; and she copied nimini-pimini copper-plate engravings out of annuals, ('stippling,' don't the artists call it?) every little point put in, till at the end of six months she had produced an exquisitely faithful copy of the engraving. She wanted to learn to express her ideas by drawing. After she had tried to draw stories, and not succeeded, she took the better mode of writing; but in so small a hand, that it is almost impossible to decipher what she wrote at this time.

I asked her whether she had ever taken opium, as the description given of its effects in Villette was so exactly like what I had experienced, - vivid and exaggerated presence of objects, of which the outlines were indistinct, or lost in golden mist, etc. She replied, that she had never, to her knowledge, taken a grain of it in any shape, but that she had followed the process she always adopted when she had to describe anything which had not fallen within her own experience; she had thought intently on it for many and many a night before falling to sleep, - wondering what it was like, or how it would be, - till at length, sometimes after the progress of her story had been arrested at this one point for weeks, she wakened up in the morning with all clear before her, as if she had in reality gone through the experience, and then could describe it, word for word, as it had happened. I cannot account for this psychologically; I only am sure that it was so, because she said it. ----------------------She thought much of her duty, and had loftier and clearer notions of it than most people, and held fast to them with more success. It was done, it seems to me, with much more difficulty than people have of stronger nerves, and better fortunes. All her life was but labour and pain; and she never threw down the burden for the sake of present pleasure. I don't know what use you can make of all I have said. I have written it with the strong desire to obtain appreciation for her. Yet, what does it matter? She herself appealed to the world's judgement for her use of some of the faculties she had, - not the best, - but still the only ones she could turn to strangers' benefit. They heartily, greedily enjoyed the fruits of her labours, and then found out she was much to be blamed for possessing such faculties. Why ask for a judgement on her from such a world?" elizabeth gaskell/charlotte bronte



Poem: No coward soul is mine

No coward soul is mine,
No trembler in the worlds storm-troubled sphere:
I see Heavens glories shine,
And faith shines equal, arming me from fear.


O God within my breast.
Almighty, ever-present Deity!
Life -- that in me has rest,
As I -- Undying Life -- have power in Thee!


Vain are the thousand creeds
That move mens hearts: unutterably vain;
Worthless as withered weeds,
Or idlest froth amid the boundless main,


To waken doubt in one
Holding so fast by Thine infinity;
So surely anchored on
The steadfast Rock of immortality.


With wide-embracing love
Thy Spirit animates eternal years,
Pervades and broods above,
Changes, sustains, dissolves, creates, and rears.


Though earth and man were gone,
And suns and universes ceased to be,
And Thou wert left alone,
Every existence would exist in Thee.


There is not room for Death,
Nor atom that his might could render void:
Thou -- Thou art Being and Breath,
And what Thou art may never be destroyed.


--
Emily Bronte

Family tree

The Bronte Family

Grandparents - paternal
Hugh Brunty was born 1755 and died circa 1808. He married Eleanor McClory, known as Alice in 1776.

Grandparents - maternal
Thomas Branwell (born 1746 died 5th April 1808) was married in 1768 to Anne Carne (baptised 27th April 1744 and died 19th December 1809).

Parents
Father was Patrick Bronte, the eldest of 10 children born to Hugh Brunty and Eleanor (Alice) McClory. He was born 17th March 1777 and died on 7th June 1861. Mother was Maria Branwell, who was born on 15th April 1783 and died on 15th September 1821.

Maria had a sister, Elizabeth who was known as Aunt Branwell. She was born in 1776 and died on 29th October 1842.

Patrick Bronte married Maria Branwell on 29th December 1812.

The Bronte Children
Patrick and Maria Bronte had six children.
The first child was Maria, who was born in 1814 and died on 6th June 1825.
The second daughter, Elizabeth was born on 8th February 1815 and died shortly after Maria on 15th June 1825. Charlotte was the third daughter, born on 21st April 1816.

Charlotte married Arthur Bell Nicholls (born 1818) on 29th June 1854. Charlotte died on 31st March 1855. Arthur lived until 2nd December 1906.

The first and only son born to Patrick and Maria was Patrick Branwell, who was born on 26th June 1817 and died on 24th September 1848.

Emily Jane, the fourth daughter was born on 30th July 1818 and died on 19th December 1848.

The sixth and last child was Anne, born on 17th January 1820 who died on 28th May 1849.

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