"There was no possibility of taking a walk that day."
From its haunting first line to its famous closer, "Reader, I married him", Charlotte Brontë takes her audience by the throat with a fierce narrative of great immediacy. Jane Eyre's voice on the page is almost hypnotic. The reader can hardly resist turning the next page, and the next…
In an extraordinary breakthrough for the English novel, borrowing the intimacy of the 18th-century epistolary tradition, Charlotte Brontë had found a way to mesmerise the reader through an intensely private communion with her audience. We, the author, and Jane Eyre become one. For this, she can be claimed as the forerunner of the novel of interior consciousness. Add to this a prose style of unvarnished simplicity and you have the Victorian novel that cast a spell over its generation. Even today, many readers will never forget the moment they first entered the strange, bleak world of this remarkable book.
The magic of Jane Eyre begins with Charlotte Brontë herself. She began to write her second novel
(The Professor had just been rejected) in August 1846. A year later it was done, much of it composed in a white heat. The reading public was spellbound. Thackeray's daughter says that the novel (which was dedicated to her father) "set all London talking, reading, speculating". She herself reports that she was "carried away by an undreamed-of and hitherto unimagined whirlwind".
There are three principal elements to Brontë's magic. First, the novel is cast, from the title page, as "an autobiography". This is a convention derived from Defoe's Robinson Crusoe (No 2 in this series). But the adventure offered by the author is an interior one. Jane Eyre portrays the urgent quest of its narrator for an identity. Jane, who cannot remember her parents, and as an orphan has no secure place in the world, is in search of her "self" as a young, downtrodden woman. (Robert McCrum) (Read more) bronteblog