I've dreamt in my life dreams that have stayed with me ever after, and changed my ideas: they've gone through and through me, like wine through water, and altered the color of my mind.
Emily Bronte
Wuthering Heights

vrijdag 7 november 2014

Visit the Bronte Parsonage Museum in December

 
Visit the Bronte Parsonage Museum in December to see the house decked with its traditional decorations, and celebrate Christmas with talks, walks, workshops, carols and candlelit tours. It's a wonderfully festive time of the year to visit Haworth.
 
Saturday 6 December, 10.30 - 12.30pm
Make a festive wreath for your front door inspired by the traditional Christmas decorations at the Museum.
Tickets are £20 and booking essential, places are limited. Ticket price includes all materials, refreshments (mince pies and mulled wine) and admission to the Bronte Parsonage Museum.
Saturday 6 & Sunday 7 December
Visit our stall at the Haworth Christmas Market - we will be there all weekend. On Sunday 7 December, arrive at the Parsonage for 2.20pm to watch children from Haworth Primary School singing carols in the garden. A traditional carol service will follow at St Michaels and All Angels Church in Haworth at 3pm. All welcome.
These events are FREE - but please note that usual Museum admission charge will apply.
Friday 12 December, 7pm
A candlelit tour of the Museum with Collections Manager Ann Dinsdale, to see the house lit by candles and dressed with its traditional decorations. This special atmospheric evening will include mince pies and mulled wine and the opportunity to ask all you have ever wanted to know about the Brontes and christmas!
Tickets £15 and places are limited so booking is essential. Book online at http://www.bronte.org.uk/whats-on
Christmas at the Parsonage
Saturday 13 and Sunday 14 December
A festive weekend of activites for Museum visitors, including talks and walks, readings of Christmassy passages from classic literature in the rooms of the Parsonage, and drop-in craft activity to create baubles for your Christmas tree.
Free with admission to the Museum
Events will vary across the weekend so please ring for more details if there is something you specifically wish to take part in. All activities are drop-in.
Friday 12 December, 7pm
A candlelit tour of the Museum with Collections Manager Ann Dinsdale, to see the house lit by candles and dressed with its traditional decorations. This special atmospheric evening will include mince pies and mulled wine and the opportunity to ask all you have ever wanted to know about the Brontes and christmas!
Tickets £15 and places are limited so booking is essential. Book online at http://www.bronte.org.uk/whats-on
Christmas at the Parsonage

Saturday 13 and Sunday 14 December
A festive weekend of activites for Museum visitors, including talks and walks, readings of Christmassy passages from classic literature in the rooms of the Parsonage, and drop-in craft activity to create baubles for your Christmas tree.
Free with admission to the Museum
Events will vary across the weekend so please ring for more details if there is something you specifically wish to take part in. All activities are drop-in.
from the E-news letter december bronte.org.uk
 

Haworth councillor calls for Bronte Society to forge closer ties with village following its recent internal wrangles

by
A HAWORTH politician has called on the Brontë Society to improve its links with the local community. Parish council chairman John Huxley urged the long-established literary society to forge closer ties once it had overcome its current internal problems. Complaints that the society -- which runs the Brontë Parsonage Museum in Haworth -- had lost its way culminated in an extraordinary general meeting last month when 53 members called for a change of leadership. Cllr Huxley suspected this internal strife had affected the society’s communication with the wider community in recent months, but said the situation been “patchy” for many years. He said: “We’ve been through several directors in the past few years, and initiatives where the Society has wanted to engage with the community, but there have been several false starts. “We would like a regular communication with the Brontë Society for activities that would sustain jobs and the tourism industry. “There’s an important legacy which I feel many people in the community would like to take part in. We want to be supportive.” Cllr Huxley welcomed new moves by the Society to work closely with the community, as part of a £99,178 Arts Council England-funded contemporary arts programme.  He said: “I have met the new operations manager, but we’ll have to wait until management has settled down. “A well-coordinated Brontë Society is an important and integral part of Haworth. It would have spin-offs for the whole community if they could get themselves together. “ A spokesman for the Bronte Society this week said that discussions about several forthcoming bicentenary celebrations – funded with the Arts Council grant -- had involved society members, museum staff and representatives from Haworth. She added: “This will assist in developing and delivering an exciting and innovative programme of events and exhibitions around the bicentenaries. She said: “We are also currently in recruiting a project manager to co-ordinate the bicentenary plans, with a focus on working closely with local people, businesses and community groups as well as with the newly-appointed membership officer and the marketing and communications officer. “The leadership team at the Parsonage and the trustees are determined to renew and develop relationships with local, national and international partners to ensure that we not only continue to safeguard the legacy of the Brontë family, but add valuable new chapters and interpretations to it over the coming years.”keighleynews/Haworth_councillor_calls_for_Bronte_Society

a group from Oxenhope are trying to find the real locations behind the Brontës' work in order to make a documentary.

 Keighkey News reports that a group from Oxenhope are trying to find the real locations behind the Brontës' work in order to make a documentary.

An Oxenhope man is on a mission to track down some of the real life locations which inspired the works of the Bronte sisters. Ian Howard, who began his research in earnest 12 months ago, received a major boost when his friend Josh Chapman provided him with the memoirs of his grandmother, Joanna Hutton, who was the first female curator of the Bronte Parsonage Museum in the 1960s.
Also included amongst the memoirs was an unpublished manuscript by a woman called Dorothy Van Ghent, who died in 1968. Mr Howard, who works as a landscape gardener, said Dorothy had been trying to locate the same locations he is hunting for. "It was really nice to find out that there was someone else who wasn't sticking to the better known story of which locations the Brontes had used," he said. "It showed that my own ideas weren't just a wild goose chase! "She is very specific about the places she thought the Brontes were referring to, and she was definitely onto something."
He said Josh Chapman's brother Oliver, who like Josh and Ian also lives in Oxenhope, would be making a documentary about the project. Mr Howard said: "Josh has been looking at Google images to spot likely locations on the moors. One of the interesting things about the Brontes was how they were inspired by local legends. "Their books are very cleverly written with a lot of layers of meaning." Oliver Chapman said his grandmother, who was the last person to actually live in the parsonage, had a fascinating story to tell. "She talks about rich Americans turning up at nine or ten o'clock at night wanting a tour of the parsonage," he said. "The Brontes were her vocation, and it was a subject she spoke very passionately about." He said his grandmother had talked about souvenir hunters damaging items in the parsonage, because they were so keen to grab and make off with fragments of this historic site. He said it had been revealing to find out how much opposition there had been in his grandmother's time to the idea of a female curator of the parsonage. He noted that some of this opposition had even come from other women. "The documentary is only in its initial phases so far," he said. "We'll start with a five-minute film and see how that goes. "It'll be very interesting, not least because this is about someone whose ideas about the Brontes are so different from the official version." (Miran Rahman)

The Parlour

The Parlour

Parsonage

Parsonage

Charlotte Bronte

Presently the door opened, and in came a superannuated mastiff, followed by an old gentleman very like Miss Bronte, who shook hands with us, and then went to call his daughter. A long interval, during which we coaxed the old dog, and looked at a picture of Miss Bronte, by Richmond, the solitary ornament of the room, looking strangely out of place on the bare walls, and at the books on the little shelves, most of them evidently the gift of the authors since Miss Bronte's celebrity. Presently she came in, and welcomed us very kindly, and took me upstairs to take off my bonnet, and herself brought me water and towels. The uncarpeted stone stairs and floors, the old drawers propped on wood, were all scrupulously clean and neat. When we went into the parlour again, we began talking very comfortably, when the door opened and Mr. Bronte looked in; seeing his daughter there, I suppose he thought it was all right, and he retreated to his study on the opposite side of the passage; presently emerging again to bring W---- a country newspaper. This was his last appearance till we went. Miss Bronte spoke with the greatest warmth of Miss Martineau, and of the good she had gained from her. Well! we talked about various things; the character of the people, - about her solitude, etc., till she left the room to help about dinner, I suppose, for she did not return for an age. The old dog had vanished; a fat curly-haired dog honoured us with his company for some time, but finally manifested a wish to get out, so we were left alone. At last she returned, followed by the maid and dinner, which made us all more comfortable; and we had some very pleasant conversation, in the midst of which time passed quicker than we supposed, for at last W---- found that it was half-past three, and we had fourteen or fifteen miles before us. So we hurried off, having obtained from her a promise to pay us a visit in the spring... ------------------- "She cannot see well, and does little beside knitting. The way she weakened her eyesight was this: When she was sixteen or seventeen, she wanted much to draw; and she copied nimini-pimini copper-plate engravings out of annuals, ('stippling,' don't the artists call it?) every little point put in, till at the end of six months she had produced an exquisitely faithful copy of the engraving. She wanted to learn to express her ideas by drawing. After she had tried to draw stories, and not succeeded, she took the better mode of writing; but in so small a hand, that it is almost impossible to decipher what she wrote at this time.

I asked her whether she had ever taken opium, as the description given of its effects in Villette was so exactly like what I had experienced, - vivid and exaggerated presence of objects, of which the outlines were indistinct, or lost in golden mist, etc. She replied, that she had never, to her knowledge, taken a grain of it in any shape, but that she had followed the process she always adopted when she had to describe anything which had not fallen within her own experience; she had thought intently on it for many and many a night before falling to sleep, - wondering what it was like, or how it would be, - till at length, sometimes after the progress of her story had been arrested at this one point for weeks, she wakened up in the morning with all clear before her, as if she had in reality gone through the experience, and then could describe it, word for word, as it had happened. I cannot account for this psychologically; I only am sure that it was so, because she said it. ----------------------She thought much of her duty, and had loftier and clearer notions of it than most people, and held fast to them with more success. It was done, it seems to me, with much more difficulty than people have of stronger nerves, and better fortunes. All her life was but labour and pain; and she never threw down the burden for the sake of present pleasure. I don't know what use you can make of all I have said. I have written it with the strong desire to obtain appreciation for her. Yet, what does it matter? She herself appealed to the world's judgement for her use of some of the faculties she had, - not the best, - but still the only ones she could turn to strangers' benefit. They heartily, greedily enjoyed the fruits of her labours, and then found out she was much to be blamed for possessing such faculties. Why ask for a judgement on her from such a world?" elizabeth gaskell/charlotte bronte



Poem: No coward soul is mine

No coward soul is mine,
No trembler in the worlds storm-troubled sphere:
I see Heavens glories shine,
And faith shines equal, arming me from fear.


O God within my breast.
Almighty, ever-present Deity!
Life -- that in me has rest,
As I -- Undying Life -- have power in Thee!


Vain are the thousand creeds
That move mens hearts: unutterably vain;
Worthless as withered weeds,
Or idlest froth amid the boundless main,


To waken doubt in one
Holding so fast by Thine infinity;
So surely anchored on
The steadfast Rock of immortality.


With wide-embracing love
Thy Spirit animates eternal years,
Pervades and broods above,
Changes, sustains, dissolves, creates, and rears.


Though earth and man were gone,
And suns and universes ceased to be,
And Thou wert left alone,
Every existence would exist in Thee.


There is not room for Death,
Nor atom that his might could render void:
Thou -- Thou art Being and Breath,
And what Thou art may never be destroyed.


--
Emily Bronte

Family tree

The Bronte Family

Grandparents - paternal
Hugh Brunty was born 1755 and died circa 1808. He married Eleanor McClory, known as Alice in 1776.

Grandparents - maternal
Thomas Branwell (born 1746 died 5th April 1808) was married in 1768 to Anne Carne (baptised 27th April 1744 and died 19th December 1809).

Parents
Father was Patrick Bronte, the eldest of 10 children born to Hugh Brunty and Eleanor (Alice) McClory. He was born 17th March 1777 and died on 7th June 1861. Mother was Maria Branwell, who was born on 15th April 1783 and died on 15th September 1821.

Maria had a sister, Elizabeth who was known as Aunt Branwell. She was born in 1776 and died on 29th October 1842.

Patrick Bronte married Maria Branwell on 29th December 1812.

The Bronte Children
Patrick and Maria Bronte had six children.
The first child was Maria, who was born in 1814 and died on 6th June 1825.
The second daughter, Elizabeth was born on 8th February 1815 and died shortly after Maria on 15th June 1825. Charlotte was the third daughter, born on 21st April 1816.

Charlotte married Arthur Bell Nicholls (born 1818) on 29th June 1854. Charlotte died on 31st March 1855. Arthur lived until 2nd December 1906.

The first and only son born to Patrick and Maria was Patrick Branwell, who was born on 26th June 1817 and died on 24th September 1848.

Emily Jane, the fourth daughter was born on 30th July 1818 and died on 19th December 1848.

The sixth and last child was Anne, born on 17th January 1820 who died on 28th May 1849.

Top Withens in the snow.

Top Withens in the snow.

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