vrijdag 9 september 2011

Costumes for Jane Eyre


What inspired you when you were creating the costumes for Jane Eyre?
"Inspiration came firstly from Charlotte Brontë's novel and Jane's personal struggle. Inspiration also came from artists of the time including Ingres, Winterhalter and Mary Ellen Best also early victorian photographers such as Robert Adamson. i also found looking at original costumes to be very inspiring."  (...)
And when you're working on something like Jane Eyre, how important is historical accuracy?
"Historical accuracy was important to the project because it helped to keep a rule in terms of patterns of costume, making and the technique of making. The fun of projects like Jane Eyre is trying to understand the past. This doesn't mean that it restricts one totally but knowing how something was achieved and why can help with understanding the society of the time."
Lastly, what's your own favourite costume from the film?
"One of my favourite costumes is when, at the end of the film, Jane returns to Thornfield and wears a brown with ribbon print dress which was made from an imported american cotton print fabric based on prints of the time. She wears a bonnet made from a combination of antique and modern straw, fabricated in an openwork design to give it a lightness." (
Philippa Warr)

bronte blog brontemania-is-buzzing-this-week

dinsdag 6 september 2011

Crappy Book

Haworth, the hillside hamlet where the Brontes spent their lives, has rabidly tenuous links to the literary sisters coming out of its freezing, rain-sodden ears.
The Bronte Weaving Shed, for instance, promotes itself as very much the kind of weaving shed the Bronte sisters would have been into, had they been into weaving sheds – so much so, that it is perfectly acceptable to suggest it is, indeed, the Brontes’ own weaving shed. Having set foot within the establishment in question, we would beg to differ.
Allow us to explain why.
The Bronte Weaving Shed is, undoubtedly, a shop. Anyone taking a contrary position would be very hard-pressed to make a case. The signs of being a shop are everywhere – the shelves displaying items for sale, the blatant pricing information on the goods, the tills in front of people pressing them and receiving money in exchange for goods. A distant cousin of the Edinburgh Woollen Mill (which lives in exile in England), it sells goods designed to keep you warm when it’s a bit chilly out. However, it has absolutely nothing to do with Emily, Anne or Charlotte Bronte, so don’t even ask.

zondag 4 september 2011

SCARBOROUGH’S Royal Hotel


 
 Image of the plaques on the Grand Hotel, Scarborough. By John Stephenson, released to the Public domain.

SCARBOROUGH’S Royal Hotel has gone into administration, along with three other
 hotels, putting 159 jobs at risk.
 The famous hotel, built in the 1830s and stayed in by Prime Ministers Winston
 Churchill and Harold Wilson, along with the town’s 70-bedroom Clifton Hotel,
 appointed administrators MCR.
 The 118-bedroom Royal Hotel, which employs 77 people, is known for its famous
 staircase and atrium of the Regency style after the site used to be The Long
 Room, a social venue frequented by the upper classes in the 1700s. It was
 extended in 1863 over six or seven houses, one of which was where Anne Bronte
 died.

Brontë Parsonage Blog: The Brontës and the Bible - Conference Report

Brontë Parsonage Blog: The Brontës and the Bible - Conference Report: Maddalena De Leo writes: The Brontë Society Conference was held this year at Homerton College, Cambridge from Friday 26 to Sunday 28 Au...