zaterdag 17 september 2011

Voice of the Valleys

We want to introduce a new monthly community newspaper serving the Haworth area: Voice of the Valleys.The changing world of the media means that most of us now look online for our news, views and information. Here at Voice of the Valleys we aim to bring you the best of all worlds by combining an online magazine with some of the traditional newspaper values. Our first Voice of the Valleys newspaper is now available. It is a free full colour, tabloid which is "by the community for the community". Read it HERE , the pages will take a few minutes to load depending on your connection speed but it's worth waiting for!
We will bring you local news and features, pictures and sounds from an area including Keighley, Haworth, Oakworth, Oxenhope, Cross Roads, Stanbury and beyond. Areas rich in history, tourism and business which attract visitors from all over the world. Our readership will be world-wide meaning that advertisers have an outlet which no single hard copy publication can ever give with a much longer shelf life and at a fraction of the cost charged by low circulation traditional media.
We want everyone to be involved and will accept contributions from across the broad spectrum of our communities to make us a publication "by the people for the people".
E-mail us on voiceofthevalleys@gmail.com or call 07092 103738 so we can hear your voice.
Voice of the Valleys

Haworth, Oxenhope & Stanbury From Old Photographs Volume 1. A Review


The pictures and Steven Wood's concise yet thorough descriptions take us to places that no longer exist (as elsewhere in England the 1960s were demolishing-crazy in Haworth) and which would have been familiar to the Brontës, a regular feature of their daily lives, particularly with their father's profession. Of particular interest are the pictures connected to Haworth's old church, the church where the Brontë family worshipped. Some of the pictures we hadn't seen before and we certainly didn't know a few things about it and what became of some of its parts. Likewise, some very interesting pictures of the first Brontë Museum are to be seen.

woensdag 14 september 2011

Wuthering Heights



A production of Emily Brontë's classic Wuthering Heights backed by Screen Yorkshire has scooped accolades at an international film festival.
Wuthering Heights was shot throughout North Yorkshire and supported by Screen Yorkshire, which invested in the production as well as providing crewing and locations support.
Andrea Arnold's interpretation of Wuthering Heights has won Best Cinematography at the 68th Venice International Film Festival with the Yorkshire landscape being described as "another character".
Locations that feature in the film include: Thwaite, Cotescue Park, Coverham, and Moor Close Farm, Muker, Swaledale.
Hugo Heppell, head of production at Screen Yorkshire, said: "Andrea was absolute in her desire to make the film in Yorkshire and this award shows how important it was to her vision for this unique film. We are looking forward to this film being talked about throughout the autumn."

Brontë Studies. Volume 36, Issue 3

The new issue of Brontë Studies (Volume 36, Issue 3, September 2011) is already available online.

dinsdag 13 september 2011


The day I visit, the people of Haworth will enjoy an advance screening of the new big-screen version of Charlotte Brontë’s novel Jane Eyre, starring Mia Wasikowska as a not-so-plain Jane and Michael Fassbender as her brooding employer, Mr Rochester. To celebrate the film’s release, the Sunday Express was given exclusive access to the archives of the family’s former home, now the Brontë Parsonage Museum.
Library and collections officer Sarah Laycock has raided the archives for a selection of treasured artefacts off limits to the public, displayed in plastic folders on tissue-covered lecterns and handled by Sarah wearing surgical gloves. Only about two per cent of the collection is on display at any one time.
The Brontë legend grew up in the wake of Charlotte’s 1847 classic novel Jane Eyre; Emily Brontë’s Wuthering Heights was published in the same year as was their sister Anne’s Agnes Grey. The novels of Currer, Ellis and Acton Bell, their male alter egos, represented an unprecedented outpouring of talent from one household.
The most moving piece of memorabilia in the Parsonage collection is the only known letter in which Charlotte refers to the fact that her siblings died in such close succession, written on black-bordered mourning stationery to her friend Letitia Wheelwright. The Brontë Society paid £70,000 for the letter when it came up for auction, its tiny, faded script barely decipherable.
“We are also shown two of the miniscule books, about 1.5ins long, that Charlotte and Branwell made out of sugar bags or wallpaper fragments and hand-bound themselves. Unless you were among the collection of toy soldiers for whom the stories were intended, you would need a magnifying glass to decipher the minute script. Their size serves a dual purpose. “Sometimes the content was a little bit inappropriate, quite gruesome, like children being hanged. They didn’t want their father to be able to read it!”
Charlotte’s talent for drawing and painting is also relatively unknown but evident on a pencil drawing of Bolton Abbey, which was even exhibited in a Leeds art gallery, and a watercolour, Wild Roses From Nature.
A letter written to her best friend Ellen Nussey in 1843 shows a small caricature of them both in which Charlotte portrays herself as an ugly dwarf character.