woensdag 3 december 2014

May 11, 2015 new Bronte book

The Brontë Cabinet: Three Lives in Nine Objects
 by Deborah Lutz
May 11, 2015
9780393240085, 0393240088
$27.95 USD, $32.95 CAD, £17.99, €22.00
Hardcover 320 pages 8 pages of color illustrations.
Biography & Autobiography / Literary
W. W. Norton & Company

dinsdag 2 december 2014

Emigrant Spinsters and the Construction of Englishness in Charlotte Brontë’s Villette

NINETEENTH-CENTURY GENDER STUDIES 
ISSUE 4.3 (WINTER 2008) 

Emigrant Spinsters and the Construction of Englishness in Charlotte Brontë’s Villette

By Anne Longmuir, Kansas State University

Though Brontë claimed that Villette “touches on no matter of public interest” (qtd. in Gaskell 390), the position of single women in English society had become very much a matter of public interest by the mid-nineteenth century. The spinster had increasingly become a topic of concern to the state, as the disparity between the male and female populations became apparent. By 1851, for example, two years before the publication of Villette, there were more than a million unmarried women over the age of 25 (Gordon 9), and around 405,000 more women in Britain than men (Jeffreys 86).

Charlotte Brontë was sharply aware that nineteenth-century English society had no obvious role or place for the unmarried woman. As she wrote to her publisher, William Smith Williams: “When a woman has a little family to rear and educate and a household to conduct, her hands are full, her vocation is evident—when her destiny isolates her—I suppose she must do what she can—live as she can—complain as little—bear as much—work as well as possible” (Barker 189-90). While the vocation of the married woman was “evident,” the vocation of the single middle-class woman was not. As critics and historians often remind us, middle-class women had very few employment options, and could adopt only the professions of teacher, governess, or lady’s companion without a loss of class status. Unmarried until the age of 38, Brontë was clearly personally concerned with the question of what exactly unmarried women should do, though wary of discussing the issue publicly: “I often wish to say something about the ‘condition of women’ question—but it is one respecting which so much ‘cant’ has been talked, that one feels a sort of repugnance to approach it” (Barker 189).

In the 1830s, women received official government support for emigration, for example, which prompted a number of working class women to leave Britain, while in the mid-nineteenth century there was a flurry of plans to assist single, middle class women, just like Rose Yorke and Lucy Snowe, to emigrate.  In 1849 alone, the Governess Benevolent Institution tried to set up a emigration scheme for governesses, Hyde Clark drew up plans for a National Benevolent Emigration Fund for Widow and Orphan Daughters of Gentlemen, Clergymen, Professional Men, Officers, Bankers and Merchants and the British Ladies’ Female Emigrant Society was formed (Hammerton 94, 99).

Brontë was familiar with the notion of emigration as a solution to the “problem” of the spinster in practice as well as theory. Indeed, Shirley’s Rose Yorke is widely believed to have been based on Brontë’s friend, Mary Taylor, who emigrated to New Zealand in 1845.(1)  Taylor set up home in Wellington, which was itself one of the first settlements founded by the New Zealand Company, whose directors included Wakefield. However, Mary Taylor did not emigrate hoping to marry. Instead, the feminist Taylor explicitly rejected the normalising impulse of much discourse on spinster emigration by writers such as Wakefield. Indeed, she later indignantly responded to W. R. Greg’s suggestion that single women should emigrate in order to marry in her collection of essays, The First Duty of Women, arguing: “The men who emigrate without wives, do so because in their opinion, they cannot afford to marry. The curious idea that the women, whom they would not ask in England should run after them to persuade them would be laughable if it were not mischievous” (43). Taylor’s emigration was motivated not by marriage, but by her desire for a vocation and by her frustration at the limited options available to her in England. Read all: ncgsjournal

Governess Benevolent Institution
A body founded in 1843, usually referred to by Charlotte as the “Governess Institution.” It attempted to raise the status of governesses by the provision of lectures at Queen’s College, London, leading to oral examinations and a certificate of competence. Charlotte’s reactions were mixed. On the one hand she felt it was “absurd and cruel” to raise standards, when not a half or a quarter of governesses’ attainments are required in the teaching and are not reflected in their salaries (to WSW, 12 May 1848). Later, when his daughter was hoping to embark on a Queen’s College course, she told the same correspondent that “an education secured is an advantage gained . . . a step towards independency” (to WSW, 3 July 1849). Kathryn Hughes records in The Victorian Governess (1993) that no woman sat on the governing body of the GBI, or taught at Queen’s College above assistant level  blackwellreference

maandag 1 december 2014

New ideas for Haworth village to ‘set it buzzing’

BRONTE society president Bonnie Greer is to bring in special advisors to develop a strategy to boost visitor numbers to Haworth and “make it buzz all year round.”

The playwright and novelist is setting up an advisory group to discuss new ideas with the aim of refreshing the work of the literary society. She spoke exclusively to The Yorkshire Post yesterday following a long-running row among members about the direction of the 120-year-old society.
Critics have claimed that the Society needs to engage more with people in Haworth and must stop “micro-managing” the running of the Museum. Ms Greer has drafted in Helen Boaden, director of BBC Radio and a former producer with Radio Leeds, to be on a new president’s advisory group.
The president expects to recruit other experts as well as bringing in “one or two” Haworth residents to draw the Society closer to the village, home of the Museum. The Chicago-born writer plans to use connections in the United States to encourage more tourists and Bronte fans from across the Atlantic to visit Haworth. She also wants a younger Society membership and to increase the 1,750 membership to 2,000 within two years. Asked about her role as president, she said it was “ambassadorial, honorary” but that she now wanted to spend more time in Haworth and stimulate debate about new ideas. She is keen to work with “constructive critics”. “I think with the President’s Advisory Group, the first thing we will aim to do is work with those constructive critics - I’m very interested in them, the ones that say ‘let’s work together’. I’m not interested in the divisive ones.”
Ms Greer said the critics - who tried to force a change of leadership at a recent emergency meeting - had damaged the reputation of the Society and the Museum and leaks to the Press had upset her.
“My first concern is not me. What we have is a very fine museum, with very fine people. For critics to run amok and put them in professional jeopardy is untenable.” Her idea for an advisory group has been given informal support by members of the ruling Bronte Society Council, which meets today in Haworth. One of her main aims, she said, was to “bringing money into the village.” “I want to do a writers’ festival and exchange visits. I want this village filled 365 days a year with things that emanate from us.” On the subject of in-fighting, which led to 52 disgruntled members forcing an emergency meeting, she admitted she had not got to the bottom of it. “Whatever has been going on, I don’t even know all of it. I’m not saying it’s a bed of roses. I don’t know who they (the critics) are.”
Recent troubles had made up her mind about the need for change. “I feel I have permission to do it now. This crisis has given it to me...it’s a juncture for change. I’m interested in keeping the Society going and making it even greater. I’m interested in what people have to say. I’m not interested in those who undermine us.” yorkshirepost

zondag 30 november 2014

Haworth, England: The Tiny Town That Inspired Every Single Bronte Sister Novel


The cobbled streets of Haworth, a pretty little English village that clings to the edge of the West Yorkshire moors, wind up the hill, and are lined with pubs like the Fleece, Mrs Beighton’s Sweet Shop, selling black and white minds, the Old Lion Inn, Venables Bookshop. Read more:haworth-england-a-trip-into-literary-history