'A remarkable, gritty quality'

Source

The Daily Mail features Sally Wainwright and her forthcoming To Walk Invisible.

Sally Wainwright, who wrote TV hits Happy Valley and Last Tango In Halifax, has slammed period shows for projecting a ‘very sanitised, 21st-century television view of history’.
Wainwright made the comments while discussing her new BBC film To Walk Invisible, about the Bronte siblings — Charlotte, Emily, Anne and brother Branwell — and their clergyman father Patrick, who is played by Jonathan Pryce.
I noted that the marvellously acted movie, which will be shown on BBC1 later this winter, has a remarkable, gritty quality to it.
‘Well, I really didn’t want to create a Sunday evening chocolate box thing,’ she said. ‘We have a slightly manicured view of what the past was like.
‘Often history is about wealthy rich people — and about men. We get so many costume dramas, which are very popular and people love them.
‘But they’ve all got very white teeth! They’re all immaculate,’ she complained of the period programmes on both the BBC and ITV.
‘It’s a very sanitised, 21st- century television view of history. When I watch certain period dramas, I often feel it wouldn’t be weird if someone whipped out a mobile phone. It wouldn’t look out of place, because everything is so clean and slick and polished — and healthy and hygienic.
‘I don’t want people to feel like that,’ she added.
Sally Wainwright, a daughter of Yorkshire — raised in Sowerby Bridge ten miles from Haworth, home of the Brontes — said that Charlotte and Emily both had poor teeth
Wainwright, a daughter of Yorkshire — raised in Sowerby Bridge ten miles from Haworth, home of the Brontes — said that Charlotte and Emily both had poor teeth.
The portrait that Wainwright presents in her film, which she also directed, certainly feels authentic. I was struck by how the actors captured the sense of a proper family: one who argued, and swore at each other — yes, even in the 1840s.
Wainwright established a kind of Bronte boot camp at a rented house on the moors at Haworth, where cast members Finn Atkins (Charlotte), Chloe Pirrie (Emily), Charlie Murphy (Anne) and Adam Nagaitis as Branwell did Bronte things for a week.
‘I wanted them together, so they’d feel like a family,’ she explained.
They were shown around the Bronte Parsonage Museum by principal curator Ann Dinsdale; and one evening they had dinner with Juliet Barker, who wrote a biography of the Brontes in 1995.
‘And somebody came and told them how to write with ink. We had a whole afternoon of getting our fingers covered in ink,’ Wainwright recalled gleefully.
‘By the end of the week they were so bonded.’
The film’s focus is about how well Branwell bonded with alcohol and opium — and how his sisters had to tip-toe around him for much of the time, ‘probably half-loving and half-hating him’.
But somehow, the sisters managed to produce great works of literature, including Jane Eyre and Wuthering Heights; while Branwell, who had undeniable talent, produced nothing and has, Wainwright said, become famous ‘for failing’. (Baz Bamigboye)

bronteblog 

Photographs of the exposition in The Morgan Library in New York. In honor of Charlotte Brontë 's 200th birthday

I am happy to show you these photographes from Anne Lloyd

She visited the exposition in The Morgan Library in New York

Here's what Anne is blogging about it

""In honor of Charlotte Brontë 's 200th birthday, The Morgan Library in New York is having, what can only be called an historic exhibit.  On display, for the first time in American, are both the George Richmond 1850 portrait of Charlotte and the famous " column"  portrait of the three sisters by their brother Branwell.

I  never expected they would leave the UK. Branwell's  portrait of his  three sisters is usually always on display at the National Portrait Galley in London. But because it is subject to fading, the 1850  chalk  portrait of CB  Richmond is not normally on display even in the UK...but here it is in New York!. Read more  on stayathomeartist

Close up of CB's dress

Charlotte Brontë 's writing desk

themorgan.org/exhibitions/charlotte-bronte

Red House Museum will close by 31 March 2017

So Kirklees Council voted to close the Red House Museum. Shame on you. No budget adjustment, no austerity fundamentalism can justify to sell your own history.  From The Telegraph and Argus:

A final decision has been taken today to close a museum with strong links to the Brontës amid cuts to the museums and galleries budget in Kirklees.
Red House Museum in Gomersal is one of two museums that will close by the end of March next year at the latest as Kirklees Council centres on retaining three museum venues under its new vision for culture in the district.
The authority’s museums and galleries budget is being cut by half from April next year, and plans were therefore drawn up to restructure the service.
The decision was taken yesterday by the council’s cabinet to close historic Red House, where Charlotte Brontë was a frequent visitor, immortalising the house in her second novel, Shirley, as well as Dewsbury Museum. [...]
Last week, John Thirwell, chairman of the Brontë Society, said it was “concerned and saddened” to learn of the likely closure of Red House, but said it would continue conversations with the authority to explore how the Brontës’ links with the building could be maintained.
But, during yesterday’s meeting, Graham Turner, cabinet member for Creative Kirklees, said the society were “not interested” in taking on the site.
He said: “We have spoken to many organisations in the museums and heritage sector, and no-one has expressed an interest in taking on any of the sites.”
On Red House, he said: “We have spoken to the Brontë Society, they are not interested.”
He said that cuts to Government funding had led to the budget for the museums service being cut by £531,000.
“No-one in this chamber wants to cut the museums service,” he said.
“But, this is not a statutory service, we didn’t have to do a consultation but we went out of our way to engage with the public.
“If anyone has any ideas on how we can save these services, then please speak to us, immediately.” (Rob Lowson)

BBC News reports it as well:

A museum with close links to the Brontës is set to close under plans to restructure museums and galleries in an area of West Yorkshire.
Kirklees Council voted to close Dewsbury Museum and Red House Museum in Gomersal at a cabinet meeting. [...]
Opponents said the Red House Museum building should be protected because of its history and links to the Brontës.
Charlotte Brontë often visited Red House and featured it in her novel Shirley.
As well as an exhibition in honour of the author, the museum, which was once home to a cloth merchant, charts what life was like in the 1830s.
Supporters of Dewsbury Museum, which has recently been renovated, urged officials to keep it open.
The town's museum is the oldest in the district, opening to visitors in 1896.
It features a toy gallery and a recreation of a classroom in the 1940s.
The Labour-led authority said its hands were tied due to austerity measures, and Dewsbury and Red House would close by 31 March 2017.
It said it was willing to hold talks with any group, or interested parties about future uses for the museum buildings.
Both museums have seen a sharp fall in visitors in recent years.
In 2011-12, Red House had 26,665 visitors, compared to 6,679 in 2015/16

March 31 being the anniversary of the death of Charlotte Brontë. bronteblog