zaterdag 12 november 2016

To Walk Invisible has been finished


The York Press reports that To Walk Invisible has been finished: Now, the BBC has confirmed the one-off drama, which was filmed across Yorkshire, has been completed and a preview screening is being held.  It is not yet clear when the programme will be shown on television. Well, everything points out to it being broadcast this Christmas. Furthermore, the DVD release is announced for next January 2. Nevertheless, the fortunate people of Hebden Bridge will be able to watch it earlier. In Hebden Bridge Times:
It will be shown on BBC One later this year but people in Yorkshire can watch a preview of the programme, and hear from the writer and director Sally Wainwright, at the Hebden Bridge Picture House on December 13.
“I was absolutely determined to give people in Yorkshire a chance to see To Walk Invisible before everyone else because the Brontë sisters are such an important part of the county’s culture and heritage. “I also wanted to than all those people in Yorkshire who were so helpful while we were filming and who contributed to the film. I hope lots of people will join us for the screening.” The evening will be hosted by BBC Radio 5 live presenter Anna Foster, who will interview Sally Wainwright and executive producer Faith Penhale at the start of the screening. Members of the cast are expected to attend too.
Tickets can be requested here: www.bbc.co.uk/showsandtours/shows/to_walk_invisible_13dec16

Beautiful photographes of the Parsonage


Beautiful pictures
Sue Abarca Cardo put on her Facebook page
9 noviembre 2016
Fotos del interior de la casa de las hermanas Brontë en Haworth







vrijdag 11 november 2016

Passing Charlotte Bronte


I always love passing Charlotte Bronte on my way to work
Kimberley Eve of the blog Victorian Musings

dinsdag 8 november 2016

Shirley and the Northern Powerhouse.

From The Telegraph and Argus: Jacqueline Ryder, chairman of the Friends of Red House, said: “This is a very sad time for the Friends. It is particularly disappointing that the council made this decision in the year we are celebrating the 200th anniversary of Charlotte Bronte’s birth. It is not only the end of the museum but also the Friends’ group. However, we are determined to go out on a high, with an extra special Christmas event.”

The Friends are working with staff at the museum to plan the Red House Christmas event which will take place on Sunday, December 11, from noon to 4pm. The house will be dressed for a Victorian-style Christmas and there will be live music and festive refreshments. The Friends group had appealed to the council to allow them to stay open until Christmas so they could host the traditional event one last time. [...]

The process for gathering expressions of interest to take over the running of the buildings will start soon, with an information pack going online before the end of the month. The Council confirmed it expects to make decisions on expressions of interest in the spring. But if nobody from the community is willing to take over the running of the buildings, they will be put up for sale on the open market. Councillor Graham Turner, cabinet member for resources said: “Nobody wants to close museums but we do need to react to these times of austerity and make savings.” (Jo Winrow)

The Brontës. A Family Writes.

This is a companion book for the Morgan Gallery & Museum's exhibition on Charlotte Brontë:

The BrontësA Family WritesChristine Nelson
ISBN: 9781785510601
Scala Publishers
Binding: Paperback
Pages: 96
Images: 75

The Brontës of Haworth were a prodigiously imaginative literary family. From the earliest manuscripts of Charlotte, Branwell, Emily and Anne – written with a quill pen in a minuscule hand designed to mimic the printed page – to explosive novels, such as Wuthering Heights and Jane Eyre, written in adulthood by Emily and Charlotte, the family’s writings continue to fascinate. This elegantly designed, fully illustrated publication provides an intimate portrait of a singular family of writers through the manuscripts, rare printed books, personal documents, and private letters preserved in the Brontë collection of the Morgan Library & Museum, one of the world’s finest. It accompanies a major exhibition at the Morgan from 9 September 2016 to 2 January 2017. bronteblog

maandag 7 november 2016

Closure of the Red House Museum scheduled for December 21st.


BBC News features the closure of the Red House Museum scheduled for December 21st.
Kirklees Council said the Dewsbury Museum and Red House closures are part of its museums service reorganisation, which will save £531,000. The council will now see if anyone is willing to take over the running of the building and a decision will be announced next year. However, if no-one comes forward with a viable plan the building may be sold on the open market. Councillor Graham Turner said: "The council did not want to be in this position. Nobody wants to close museums but we do need to react to these times of austerity and make savings.

"I am sorry people will no longer be able to access these museums, but I can assure you we will do everything possible to look after the collections."
He added: "Museums are not just about buildings, it's about using the collections to tell the story of our past and how they influence what we do today."
The thing about the Red House Museum is that it is mostly about the building. If it is eventually sold as private property and turned into flats the whole point of it will be lost. Not to mention the stained glass windows. bronteblog

Red House and Charlotte Bronte

Red House in Gomersal, a village south of Bradford was once the home of Charlotte Brontë's close friend Mary Taylor. This former cloth merchant's residence is beautifully furnished as a family home of the 1830s, from the elegant parlour to the stone flagged kitchens. Charlotte often stayed there in the 1830s and the Taylors appear as the "Yorkes" and the house as "Briarmains" in her novel "Shirley".

Information and photographes of the Red House friendsofredhousegomersal

zondag 6 november 2016

“Mystery is irksome, and I was glad to shake it off”.

George Richmond: Charlotte Brontë, 1850

What the Brontës Made

Francine Prose


Even those who think they know all there is to know about the Brontë family will likely be surprised by many of the documents and artifacts included in “Charlotte Brontë: An Independent Will,” currently on view at New York’s Morgan Library.

Curated by Christine Nelson, the exhibition reinforces our notions of Charlotte Brontë’s daring, ambition, and courage, and of the tragic circumstances over which she prevailed. In one letter, Charlotte describes the 1848 visit to London during which she and her sisters Emily and Anne revealed to her publishers that the novels they had submitted under male pseudonyms (Currer, Acton and Ellis Bell) had in fact been written by women (“Mystery is irksome, and I was glad to shake it off”). The publisher was initially surprised, but nevertheless decided to show the sisters around London, introducing them not as authors but as his “country cousins” the Misses Brown. Read all: nybooks/what-the-brontes-made

Charlotte Brontë from the Beginnings.

Charlotte Brontë from the Beginnings
New Essays from the Juvenilia to the Major Works

Edited by Judith E. Pike, Lucy Morrison
Routledge
ISBN 9781472453686

Composed of serialized works, poems, short tales, and novellas, Charlotte Brontë's juvenilia merit serious scholarly attention as revelatory works in and of themselves as well as for what they tell us about the development of Brontë as a writer. This timely collection attends to both critical strands, positioning Brontë as an author whose career encompassed the Romantic and Victorian eras and delving into the developing nineteenth century's literary concerns as well as the growth of the writer's mind. As the contributors show, Brontë's authorship took shape among the pages of her juvenilia, as figures from Brontë's childhood experience of the world such as Wellington and Napoleon transmuted to her fictional pages, while her siblings' works and worlds both overlapped with and extended beyond her own. bronteblog