In the twin essays Caterpillar (Charlotte) and Butterfly (Emily) it seems M. Heger has asked the sisters to write about an insect’s metamorphosis and to draw a moral lesson from their description. For Charlotte the caterpillar is like man, he eats and crawls through a miserable existence, the chrysalis is the tomb, and the butterfly resurrection. Charlotte’s French is good but the parable conventional.
Emily meanwhile rages imperfectly but unnervingly that “All creation is equally mad” [La création entière est également insensée], before squashing the caterpillar she finds eating a plant. A last-minute butterfly flies past to make her wonder if there might be something other than her dark thoughts, but the reader is left with her impression that “Every being must be the tireless instrument of death to others, or itself must cease to live”.
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