zaterdag 20 november 2010

Haworth Christmas Festival


Haworth Christmas Festival
Sat 27, Sun 28 Nov 2010
Pipes, Bows and Bells at Main Street, Haworth
Santa Specials at Keighley and Worth Valley Railway
Sat 4, Sun 5 Dec 2010
Pantomime Weekend at Main Street, Haworth
Santa Specials at Keighley and Worth Valley Railway
Sat 11, Sun 12 Dec 2010
Santa Specials at Keighley and Worth Valley Railway
Torchlight Procession Weekend at Main Street, Haworth
Sat 18, Sun 19 Dec 2010
Nativity Weekend at Main Street, Haworth
Santa Specials at Keighley and Worth Valley Railway

The Jenkinses’ house in Ixelles

Brian Bracken reports on an important discovery concerning the location of the house of the Rev. Evan Jenkins, the British chaplain in Brussels whose home was so often visited by the Brontë sisters.

The Jenkins family played an important role in the Brontë Brussels story, introducing Emily and Charlotte to the Hegers and their Pensionnat, yet the only concrete address we've ever had for the family's home in Ixelles is from W. Gérin's famous biography of Charlotte Brontë, wherein she cites the address as Chaussée d'Ixelles, 304. This lies near the Place Flagey end of the Chaussée. It would have proved a long enough walk for the Brontës, coming from downtown Brussels on their Sunday visits to the Jenkinses. However, our new research has shown that the address provided by Gérin is incorrect.The Brontë biographer repeats an erroneous address listed in the 1840 Indicateur Belge, used by her as a source book. If one looks at other Indicateurs, or address books, for Brussels in the period 1838-1848, the Jenkins address is clearly given as Ch.d'Ixelles, 388. The Ixelles Commune's Population Census for 1846 confirms this address.

However the Chaussée d'Ixelles we know today ends at number 359. So where was number 388? This has a simple explanation - the houses of Ixelles underwent a major numbering change between the years 1846 and 1850. Chaussée d'Ixelles 388, in the new numbering system became Chaussée d'Ixelles, 138. The death certificate of the Rev. Evan Jenkins, issued by the Ixelles Commune, confirms this. He died at this address, on 23 September 1849.

Where was number 138 located exactly on the Chaussée? Reading the 1846 and 1856 Census Registers for Ixelles, it's clear that the house bearing this number lay between the Rue de la Paix and the Rue de la Tulipe, on the left hand side as one goes from the Porte de Namur to Place Fernand Cocq. It was located about eight or nine houses before the corner of Rue de la Tulipe. The Ixelles cadastral maps of 1836 and 1866 also show this position. On their Sunday afternoon visits here, the Brontë sisters, accompanied by the Rev. Jenkins' sons, John and Edward, would have walked up from the Place Royale in half an hour at the most.

We must note, however, that the Ch. d'Ixelles,138 of the 1840s is not the 138 we see today. There were further minor house number changes on the Chaussée over the last 160 years, with the result that the house would have stood somewhere between the present day 144 and 148, still on the same section of the Chaussée d'Ixelles, between the Rues de la Paix and de la Tulipe. It's impossible to be more precise for the moment. The street has seen a lot of new constuction over the years, and old houses have been swallowed up by new blocks of flats. Numbers 144 and 146 today are neoclassical houses of 19th century origin, with transformations, and it's possible either one of the two is the Jenkins house.

In any case, even if no further information can be attained, it's certain that the Jenkins family's home, whose whereabouts has long since been a puzzle, was located on this part of the Chaussée d'Ixelles. Our research also offers one of those mysterious coincidences sometimes found in Brontë studies - the house we have been patiently seeking, and which Charlotte and Emily often visited many years ago, may in fact be the house now occupied by a shoe shop called … Pronti !http://brusselsbronte.blogspot.com/2010/11/jenkinses-house-in-ixelles.html

woensdag 17 november 2010

Lesson from Mr. Heger to Charlotte and Emily/ Caterpillar / Butterfly

In the twin essays Caterpillar (Charlotte) and Butterfly (Emily) it seems M. Heger has asked the sisters to write about an insect’s metamorphosis and to draw a moral lesson from their description. For Charlotte the caterpillar is like man, he eats and crawls through a miserable existence, the chrysalis is the tomb, and the butterfly resurrection. Charlotte’s French is good but the parable conventional.

Emily meanwhile rages imperfectly but unnervingly that “All creation is equally mad” [La création entière est également insensée], before squashing the caterpillar she finds eating a plant. A last-minute butterfly flies past to make her wonder if there might be something other than her dark thoughts, but the reader is left with her impression that “Every being must be the tireless instrument of death to others, or itself must cease to live”.

maandag 15 november 2010

Cary Fukunaga’s Jane Eyre

The Bronte sisters were pretty amazing young ladies – Charlotte and Emily, especially. Both have their classic works up for adaptation again, but we’ll be getting Cary Fukunaga’s Jane Eyre first. Andrea Arnold is busy working away on Wuthering Heights as I type.
A wonderful and very moody poster has debuted on the film’s Facebook page. The lead has been taken by Alice in Wonderland star Mia Wasikowska and expect Michael Fassbender to be all mean and aloof as Mr. Rochester in this Focus Pictures adaptation due in March 2011.

There’s fine support on offer in the forms of Jamie Bell and Judi Dench. If you’ve never read the book – get yourself to a library and prepare to be wowed. And no, it’s not a chick’s book, either but one of the finest stories written in English. One has high hopes for this given the cast and director.
Synopsis:
Based on Charlotte Brontë’s classic novel, the romantic drama stars Mia Wasikowska (“Alice in Wonderland”) and Michael Fassbender (“Inglourious Basterds”) in the lead roles. In the story, Jane Eyre flees Thornfield House, where she works as a governess for wealthy Edward Rochester. The isolated and imposing residence – and Mr. Rochester’s coldness – have sorely tested the young woman’s resilience, forged years earlier when she was orphaned. As Jane reflects upon her past and recovers her natural curiosity, she will return to Mr. Rochester – and the terrible secret that he is hiding…

Exhibit explores dark lives, bright talent of the Brontes - LancasterOnline.com Entertainment

Exhibit explores dark lives, bright talent of the Brontes - LancasterOnline.com Entertainment

When it comes to literary families, is any one more fascinating, more talented and more tragic than the Brontes?

Between the three sisters, Charlotte, Emily and Anne, they wrote some of the greatest literature of the 19th century, including "Jane Eyre" (Charlotte), "Wuthering Heights" (Emily) and "The Tenant of Wildfell Hall" (Anne).
But their talents went beyond the printed word. The sisters and their brother, Branwell, were all gifted artists.
The Lancaster Literary Guild has put the Brontes in the spotlight with their new exhibit, "A Portrait of the Family as Artists," which runs through Dec. 17. (Call for hours.)
A year in the making, the exhibit features reproductions of family letters, poems and numerous sketches and paintings of and by the family, as well as a narrative of their all-too-brief lives.
The exhibit has been a labor of love for Betsy Hurley, the executive director of the Lancaster Literary Guild, who put it together with the help of interns Constance Renfrow and Hillary Flynn.
"The Brontes are the reason I am doing what I am doing," Hurley says.

She became fascinated by them when she was attending the Nightingale-Bamford School, a girl's prep school in New York City. One of her teachers was a Bronte scholar who introduced her to their story and their work.

Read more: http://articles.lancasteronline.com/local/4/311301#ixzz15GZOpiLd

Jane Eyre Reader Guide

An accessible guide to Jane Eyre that explores its literary and historical contexts and discusses its critical reception.
Charlotte Brontë's Jane Eyre is one of the most famous literary works of the nineteenth century and has inspired generations of students. This concise but comprehensive guide to the text introduces its contexts, language, reception and adaptation from its first publication to the present. It includes points for discussion, suggestions for further study and an annotated guide to relevant reading. This introduction to the text is the ideal companion to study, offering guidance on:

• Literary and historical context
• Language, style and form
• Reading the text
• Critical reception and publishing history
• Adaptation and interpretation
• Further reading


Jane Eyre Reader Guide