Charlotte Brontë's second published novel, Shirley (1849), followed by two years the very popular Jane Eyre: An Autobiography. In Shirley, Brontë abandoned first-person narration by the main female character—which she had successfully employed in the earlier effort and which would reappear in Villette (1853)—in favor of an omniscient third-person narrator and not one, but two, principle characters, Shirley Keeldar and Caroline Helstone. In a further departure from her earlier success, Brontë moved out of the realm of the purely personal to include elements of the social and political as well. Set in Yorkshire during the time of the Luddite unrest—a labor movement that began in 1811-1812 in an effort to protect the interests of the working class—the novel consists of two narrative strands woven together, one involving the struggles of workers against mill owners, and the other involving the romantic entanglements of the two heroines.
e text /brontec/shirley/Work in progres /scharlotte-brontes-shirley
http://en.wikipedia.org/wiki/Luddite
It was not all machinery that the Luddites opposed, but rather "all machinery hurtful to commonality".
www.mindfully.org/Reform/Luddite-History
yas.org.uk/content/treasures/luddites
Charlotte Bronte, of all people, gives the best description of the Luddites’ motivation in her novel Shirley. She describes how at the same time as the war closed export markets for Yorkshire’s woollen mills, “…certain inventions in machinery were introduced into the staple manufactures of the north, which, greatly reducing the number of hands necessary to be employed, threw thousands out of work, and left them without legitimate means of sustaining life.”
She then goes on to give a short lesson that every political and business leader should learn by heart. “Misery generates hate. These sufferers hated the machines which they believed took their bread from them; they hated the buildings which contained those machines; they hated the manufacturers who owned those buildings.” in-praise-of-the-luddites
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