donderdag 10 juli 2014
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July day
wiki/North_York_Moors
woensdag 9 juli 2014
The teeny tiny Bronte books
In 1829-30, Charlotte Brontë was 13 and her brother Branwell Brontë 12. Creating fantasy worlds they called Angria and Glass Town, the siblings made teeny tiny books.
Measuring less than 1 inch by 2 inches, the books were made from scraps of paper and constructed by hand. Despite their diminutive size, the books contained big adventures, written in ink in careful script.
Twenty books, all by Charlotte and Branwell, remain. Similar books created by the other sisters, Anne and Emily, did not survive. Nine of the existing books, known as Bronte juvenalia, are in the collection at the Houghton Library at Harvard University.
Scholars have long had access to the book, but the library has now made them more broadly available by digitizing them and putting them online.
“Seeing the physical object brings home the effort and intelligence it took to create them and why they created them. Having grown up with Brontë, it’s a way of connecting with the past through objects,” Houghton curator Leslie Morris told the Harvard Gazette.
“What is extraordinary is the extent to which they imitated a professional publication, the variety of the content, and the perseverance it required,” said Priscilla Anderson, who restored the books at Harvard’s Weissman Preservation Center. “The ability to make these volumes from start to finish out of scraps is impressive.”
The Brontë sisters, of course, grew up to write some of the most lasting novels in English literature. Emily penned "Wuthering Heights" and Charlotte was the author of "Jane Eyre." Charismatic Branwell's efforts to be a tutor, clerk and artist failed, and he died of tuberculosis after struggling with alcohol and opium.
Charlotte and Branwell's juvenalia can be found online here:
By Charlotte Brontë:
Scenes on the great bridge, November 1829
The silver cup: a tale, October 1829
Blackwoods young mens magazine, August 1829
An interesting passage in the lives of some eminent personages of the present age, June 1830
The poetaster: a drama in two volumes, July 1830
The adventures of Mon. Edouard de Crack, February 1830
By Patrick Branwell Brontë:
Branwells Blackwoods magazine, June 1829
Magazine, January 1829
Branwells Blackwoods magazine, July 1829
Measuring less than 1 inch by 2 inches, the books were made from scraps of paper and constructed by hand. Despite their diminutive size, the books contained big adventures, written in ink in careful script.
Twenty books, all by Charlotte and Branwell, remain. Similar books created by the other sisters, Anne and Emily, did not survive. Nine of the existing books, known as Bronte juvenalia, are in the collection at the Houghton Library at Harvard University.
Scholars have long had access to the book, but the library has now made them more broadly available by digitizing them and putting them online.
“What is extraordinary is the extent to which they imitated a professional publication, the variety of the content, and the perseverance it required,” said Priscilla Anderson, who restored the books at Harvard’s Weissman Preservation Center. “The ability to make these volumes from start to finish out of scraps is impressive.”
The Brontë sisters, of course, grew up to write some of the most lasting novels in English literature. Emily penned "Wuthering Heights" and Charlotte was the author of "Jane Eyre." Charismatic Branwell's efforts to be a tutor, clerk and artist failed, and he died of tuberculosis after struggling with alcohol and opium.
Charlotte and Branwell's juvenalia can be found online here:
By Charlotte Brontë:
Scenes on the great bridge, November 1829
The silver cup: a tale, October 1829
Blackwoods young mens magazine, August 1829
An interesting passage in the lives of some eminent personages of the present age, June 1830
The poetaster: a drama in two volumes, July 1830
The adventures of Mon. Edouard de Crack, February 1830
By Patrick Branwell Brontë:
Branwells Blackwoods magazine, June 1829
Magazine, January 1829
Branwells Blackwoods magazine, July 1829
dinsdag 8 juli 2014
Bronte Parsonage June enewsletter. The garden of the Parsonage.
'It was a little budding rose,Round like a fairy globe,
And shyly did its leaves unclose
Hid in their mossy robe,
But sweet was the slight and spicy smell
It breathed from its heart invisible.' (Emily Brontë)
For a few years now we have been growing rose bushes (with varying degrees of success) but we are not faint hearted and have persevered: three of the five roses we planted are doing really well, one is in intensive care but the other has sadly died so, all in all, not too bad and hopefully the survivors will be flowering soon.
This year we have majored on foxgloves which are perfect in our south border shaded by the graveyard trees. We have acquired our foxgloves for free − which is always a bonus – thanks to Anthony. Anthony looks after the gardens round the church and finding himself with too many foxgloves, he passes on his spares to us as part of a neighbourly quid pro quo.
The lawns have never looked better than they do now; not a weed in sight, and believe me I have looked closely as Geoff promised me 50p for every weed I could find. I'll not get rich out of Geoff!
The new planting at the back of the heather garden is filling up nicely and soon we will be able to gather flowers from there to decorate the Museum. Poppies will soon be in their full glory − fingers crossed that the rain does not spoil them, they are so easily flattened. The aquilegia are putting on a lovely show just now. You never know just what you are going to get from aquilegia as, like cowslips and primroses, they are very promiscuous and like to surprise us with their offspring − we have a lovely double-flowered one this year that we have not seen before.
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I could go on and on with this month’s diary, the garden is so full of lovely things but please come and see it for yourself. Try to keep Sunday 13th July free as it's our first Open Garden Day. If you have a plant in your garden that you can split, please bring us one, we too are potting up the Parsonage garden’s spare plants for a bring-and-buy stall. I hope we shall see you then.
London in the time of the Brontes
Yesterday during looking to the Tour de France in Yorkshire, I saw all those beautiful pictures from the modern London.
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Just behind Buckingham Palace the Grosvenor family developed the aristocratic Belgrave Square. In 1830 land just east of the palace was cleared of the royal stables to create Trafalgar Square, and the new National Gallery sprang up there just two years later.
When was the Square built?
Between 1825 and 1847. It was transformed from a large undeveloped area sometimes described as a swamp, a waste or a cess pit into one of the most fashionable districts of London. The marshy ground was partly filled with rubble from excavations in Dockland but the whole area is still not far above the level of the Thames.
The early part of the 19th century was the golden age of steam. The first railway in London was built from London Bridge to Greenwich in 1836, and a great railway boom followed. Major stations were built at Euston (1837), Paddington (1838), Fenchurch Street (1841), Waterloo (1848), and King's Cross (1850).
In 1834 the Houses of Parliament at Westminster Palace burned down. They were gradually replaced by the triumphant mock-Gothic Houses of Parliament designed by Charles Barry and A.W. Pugin.
For all the economic expansion of the Industrial Revolution, living conditions among London's poor were appalling. Children as young as 5 were often set to work begging or sweeping chimneys. Campaigners like Charles Dickens did much to make the plight of the poor in London known to the literate classes with his novels, notably Oliver Twist.
Upon this scene entered an unlikely hero, an engineer named Joseph Bazalgette. Bazalgette was responsible for the building of over 2100 km of tunnels and pipes to divert sewage outside the city. This made a drastic impact on the death rate, and outbreaks of cholera dropped dramatically after Bazlgette's work was finished. For an encore, Bazalgette also was responsible for the design of the Embankment, and the Battersea, Hammersmith, and Albert Bridges.
Before the engineering triumphs of Bazalgette came the architectural triumphs of George IV's
favorite designer, John Nash. Nash designed the broad avenues of Regent Street<, Piccadilly Circus, Carlton House Terrace, and Oxford Circus, as well as the ongoing creation of Buckingham transformation of Buckingham House into a palace worthy of a monarch. victorian-london
It brought me to the question:
What did Charlotte Bronte see of London?
Which buildings and streets (and so on) did exists in the time of Charlotte Bronte?
The Victorian city of London was a city of startling contrasts. New building and affluent development went hand in hand with horribly overcrowded slums where people lived in the worst conditions imaginable.
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The population surged during the 19th century, from about 1 million in 1800 to over 6 million a century later. A combination of coal-fired stoves and poor sanitation made the air heavy and foul-smelling. Immense amounts of raw sewage was dumped straight into the Thames River.
In 1829 Sir Robert Peel founded the Metropolitan Police to handle law and order in areas outside the City proper. These police became known as "Bobbies" after their founder. uk-england-In Pictures: Police reform from watchmen to bobbies
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Just behind Buckingham Palace the Grosvenor family developed the aristocratic Belgrave Square. In 1830 land just east of the palace was cleared of the royal stables to create Trafalgar Square, and the new National Gallery sprang up there just two years later.
When was the Square built?
Between 1825 and 1847. It was transformed from a large undeveloped area sometimes described as a swamp, a waste or a cess pit into one of the most fashionable districts of London. The marshy ground was partly filled with rubble from excavations in Dockland but the whole area is still not far above the level of the Thames.
What was here before it was built?
It was part of an uncultivated and marshy area between London and Knightsbridge, called the Five Fields which was thought to be very dangerous because of highwaymen.
It was part of an uncultivated and marshy area between London and Knightsbridge, called the Five Fields which was thought to be very dangerous because of highwaymen.
In 1834 the Houses of Parliament at Westminster Palace burned down. They were gradually replaced by the triumphant mock-Gothic Houses of Parliament designed by Charles Barry and A.W. Pugin.
For all the economic expansion of the Industrial Revolution, living conditions among London's poor were appalling. Children as young as 5 were often set to work begging or sweeping chimneys. Campaigners like Charles Dickens did much to make the plight of the poor in London known to the literate classes with his novels, notably Oliver Twist.
Upon this scene entered an unlikely hero, an engineer named Joseph Bazalgette. Bazalgette was responsible for the building of over 2100 km of tunnels and pipes to divert sewage outside the city. This made a drastic impact on the death rate, and outbreaks of cholera dropped dramatically after Bazlgette's work was finished. For an encore, Bazalgette also was responsible for the design of the Embankment, and the Battersea, Hammersmith, and Albert Bridges.
Regent Street rond 1850
Before the engineering triumphs of Bazalgette came the architectural triumphs of George IV's
favorite designer, John Nash. Nash designed the broad avenues of Regent Street<, Piccadilly Circus, Carlton House Terrace, and Oxford Circus, as well as the ongoing creation of Buckingham transformation of Buckingham House into a palace worthy of a monarch. victorian-london
zondag 6 juli 2014
Brontë Parsonage director Ann Sumner is leaving her post
Ann Sumner has stepped down as executive director of the Brontë Society, which runs the Brontë Parsonage Museum in Howarth [sic], after 16 months in the role. Her departure was announced at the society’s AGM last month. In a statement, the society said: “We regret to announce that Ann Sumner has decided to move on from the Brontë Society as she will be seeking a new part-time post. We thank Ann for her enthusiastic contribution to the society and wish her all the best for the future.”
A colleague described Sumner as a “breath of fresh air” who had done much to take the museum forward during her time in the role. Plans to recruit a replacement for the position are not yet clear. A spokeswoman from the institution said no further information was available. Museums Journal understands that Sumner’s departure comes at a time of upheaval in the Brontë Society. According to a source, some of the society’s members expressed concern about its direction and governance at last month's AGM, with a majority voting against two proposed motions to give the governing council greater power to expel members and extend the chairman of trustees’ term of office. (Geraldine Kendall)
bronteblog
Tour de France 2014 Haworth
The peloton rides up Main Street as stage two of the Tour de France passes through Haworth, Yorkshire. Pic: Martin Rickett/PA Wire