HAWORTH Old Hall.

 

First published Thursday 18 December 2014 in Memory Lane by Alistair Shand                

HAWORTH Old Hall, one of the village's oldest surviving buildings, is seen here in its more mundane guise as a farm. It is sometimes called Emmot Hall, having been bought in the 18th century by the Emmot family from over the Lancashire border, who however never lived in it but rented it out. In 1884 oatbread baker James Greenwood was living there. The hall's history remains obscure. "It is as though a sponge has been drawn across the records of Haworth Old Hall," comments an earlier local guide, "leaving its story empty." The poster on the wooden hut on the left is advertising a sale of quarry plant – a reminder of one of Haworth's former industries. keighleynews

brontesisters/haworth-old-hall

On December 19, 1848 Emily Brontë died of tuberculosis at her home at Haworth, Yorkshire, England at the age of thirty.

On December 19, 1848, English novelist and poet, Emily Brontë died of tuberculosis at her home at Haworth, Yorkshire, England at the age of thirty. 

Emily Brontë caught cold during her brother Branwell’s funeral and soon grew very thin and ill. Until the last moment, she said she would have “no poisoning doctor” near her. She is buried in the Church of St. Michael and All Angels family vault, Haworth, West Yorkshire.
Charlotte Brontë wrote about her younger sister’s death in a letter on Christmas Day, saying that she tried not to hear Emily’s constant “deep hollow cough”. literarycornercafe

Charlotte Brontë herself firmly believed that her sister had wanted to survive, regardless of brave words spoken in public about inexorable wills and no coward souls. "It was very terrible," she wrote to her friend Ellen concerning Emily's death. "She was torn conscious, panting, reluctant though resolute out of a happy life." (Letters, 229) In her grief, Charlotte could find only one consolation: that her sister no longer suffered.

... I will not now ask why Emily was torn from us in the fulness of our attachment, rooted up in the prime of her own days, in the promise of her powers – why her existence now lies like a field of green corn trodden down – like a tree in full bearing – struck at the root; I will only say, sweet is rest after labour and calm after tempest, and repeat again and again that Emily knows that now. (Letters, 219) claredunkle

Bronte museum's first home

By Alistair Shand .
THE Bronte Society, founded in 1893, housed its first museum on the upper floor of this prominent building at the top of Haworth Main Street, formerly the Yorkshire Penny Bank and now the Tourist Information Centre, before moving into the Parsonage in 1928.

The building at the top of Haworth Main Street where the Bronte Society housed its first museum. From 1889 there had been a privately-run Museum of Bronte Relics at Brown's Temperance Hotel and Refreshment Rooms in Main Street, an enterprise which also catered for picnic parties and sold Haworth views. Bronte tourism was getting into its stride by then, with hyperbolic touting of "the wildest and bleakest moors of Yorkshire" and a little village "consisting of a church and a few grey stone cottages", although one guide of 1899 more realistically called Haworth "an ever-expanding colony bisected by a railway". Advertisers played on the Brontes. The Black Bull Hotel was "close to the church and Bronte Museum", the King's Arms "opposite Bronte Museum and church" and the White Lion "next door to Bronte Museum". Notice, on the left side of the antique shop, the sign pointing towards Colne – a reminder of the narrow corners the traffic negotiated before the opening of the Main Street by-pass in 1974. The photograph has been supplied by Mr Kevin Seaton, of Shann Lane, Keighley. thetelegraphandargus

Sharon Griffiths talks to author Juliet Barker

Sharon Griffiths talks to author Juliet Barker about research, awards and why she will never leave Yorkshire
Juliet Barker is a Yorkshire woman through and through. Despite the fame and success she has achieved through her writing, she has never been even slightly tempted to move further than from the West Riding to Wensleydale. “Never,” she says firmly. “I can’t imagine living anywhere other than Yorkshire.”
It’s certainly been inspirational.
From her study window in a converted hay loft, she could gaze out at Penhill – “I couldn’t work anywhere without a view,” – and get down to work, usually at 4am, finishing her latest book. “The swallows would swoop in and around and out again as I worked.”Read all: thenorthernecho

The house of Elizabeth Gaskell

 

lancashirelife

Charlotte's letters

The Letters of Charlotte Brontë: Volume Three 1852-1855 ed Margaret Smith

A sorry tale of deceit, corruption and literary con men

By Mark Bostridge

At the centre of it lies Ellen Nussey's disastrous decision to entrust her valuable cache of Charlotte's letters to the literary forger T J Wise. Ellen was a schoolgirl friend of Charlotte's from their days at Roe Head, and possessed the largest collection of her correspondence: 394 letters received from Charlotte over more than two decades.

Ellen had already prepared a private edition of the letters she owned in the late 1880s, but had got cold feet about the project and then destroyed practically all the sets of 30,000 printed sheets in a huge bonfire over many weeks, assisted by the minister of her local church. This left her as easy prey for Wise and his front man, the biographer and critic-about-town Clement Shorter. Together they extracted the originals from her for £125 and the promise that they would be preserved in the South Kensington Museum "to enhance the honour & reputation of their gloriously gifted writer". In fact, within a couple of years it became evident that Wise was selling the manuscripts piecemeal at auction.

With Charlotte's letters scattered to the four winds, and often untraceable, an authoritative edition of all the surviving correspondence became, as the years passed, increasingly unlikely. Margaret Smith, therefore, deserves the highest praise for the sheer doggedness with which she has pursued bits and pieces of letters through salerooms and private collections (most strikingly, she pieced together one letter, cut up for autograph hunters, from scraps in five separate locations). She is also a model editor. The standard of her annotations is superb, and no worthwhile cross-reference to the Brontës' lives or works is allowed to slip through her net. Read miore: arlindo-correia/bronte

Houses and family of George Smith.

Smith and Elder was founded in 1816 by George Smith (senior) (1789-1846) and Alexander Elder.  Both were born and raised in Scotland, but had moved to England to pursue opportunities in the publishing industry.  Their first publication registered with the Stationer’s Company was Sermons and Expositions of interesting portions of scripture by the Revd Dr John Morison.

In 1824 Smith & Elder moved from its original premises in Fenchurch Street, London, to 65 Cornhill, an address that was to give its name to the company’s magazine.  A third Partner was added and the business took on the permanent name of Smith, Elder & Co.  1824 also marked the birth of Smith’s first son, also named George Smith, who was later to take over the business from his father. nineteenth_century_literary_manuscripts

Photo: 65 Cornhill

 George Smith, one of the great Victorian publishers, whose lists at one time or another included most of the notable writers of the day, apart from Dickens. The firm of Smith, Elder had been founded by his father in 1816, but he had begun to take charge at the onset of his father’s fatal illness in 1844. The firm’s doomed attempt to promote G. P. R. James as a potential best-seller was an embarrassment behind him when his reader handed on enthusiastically the manuscript of Jane Eyre in the autumn of 1847. From then on he managed Charlotte’s literary and financial affairs with commitment, tact and, after the meeting of July 1848, personal warmth. From the early days of the relationship Charlotte realized that the favors worked both ways, and that she was Smith, Elder’s first big success in the league of major publishers: “it would chagrin me” Charlotte wrote to Smith about the third edition of Jane Eyre , which she had feared might hang fire, “to think that any work of ‘Currer Bell’s’ acted as a drag on your progress; my wish is to serve a contrary purpose . . .” (7 Nov 1848). A year later she could tell Ellen “I am proud to be one of his props” (19 Dec 1849). Her early descriptions of him focus on his appearance: “a distinguished, handsome fellow” (to MT, 4 Sep 1848) she calls him, and “elegant, handsome . . . pleasant” (ibid). blackwellreference

George Smith (1824-1901); his mother, Elizabeth Murray Smith (1797-1878); and his wife, Elizabeth Blakeway Smith, the daughter of a London wine merchant who George Smith married in 1854. Mrs Gaskell described her (to EN, 9 July 1856) as George’s “very pretty, Paulina-like little wife. ( Pauline one of the figures in Villette)

Smith lived at , having bought the lease from Lady Hermione Graham, a daughter of the twelfth Duke of Somerset. The house became known as 40, Park Lane.^[3]
The lease continued in his family until 1915,^[8] his widow remaining living there until May 1914, but in 1906, negotiations began for the redevelopment of the Somerset House site together with Camelford House.^[10] The 2nd Duke of Westminster, as freeholder, was uneasy about allowing the two demolitions, "having regard to No. 40 having historical associations", but in the end he agreed to the scheme. Camelford House was demolished in 1913.^[11] When Mrs Murray Smith left she claimed that the house possessed "vaults with chains in them", including a cell said to have been used for prisoners being taken to Tyburn, but when this was investigated by the Grosvenor estate surveyor, Edmund Wimperis, he found nothing of the kind.^[1][12] 
wiki/Somerset_House,_Park_Lane
Somerset House (No. 40): Warren Hastings and the 11th and 12th Dukes of Somerset^[1]
wiki/Park_Lane,_London


He died at St. George's Hill, Byfleet, Surrey on 6 April 1901.
Photo: property/st-georges-hill/byfleet-road

Children of George Smith.

His son was George Murray Smith the Younger   George Murray Smith DL JP (4 February 1859 - 18 April 1919) was a chairman of the Midland Railway from 1911 until his death. He was educated at Harrow School; and Jesus College, Cambridge. In 1885 he married Ellen Strutt, youngest daughter of Edward Strutt, 1st Baron Belper. They had three sons, two of whom were killed during World War I, and a daughter. He was appointed a deputy lieutenant of Lancashire in April 1903.^[1]
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After 1894 Smith did leave the main control of the business in the hands of his younger son, Alexander Murray Smith (who retired from the partnership in 1899), and his youngest daughter’s husband, Reginald John Smith (1857–1916), who from 1899 was sole active partner and who, in 1908, rearranged the original 66 volumes of the Dictionary of National Biography into 22.  britannica

George Smith’s Brontëana collection

When George Smith died in 1901 he left to his widow the manuscripts of three of Charlotte’s novels: Jane Eyre, Shirley and Villette, as well as a large collection of letters, most from Charlotte, but also some from her father, and from Arthur Bell Nicholls. The manuscripts for Emily and Anne’s novels – published by Thomas Cautley Newby, and partly funded by them, to the tune of £50 per novel – have never been found, and were, presumably, destroyed by their publisher.

George Smith’s Brontëana collection eventually passed to his granddaughter Elizabeth Seton-Gordon, who in 1974 donated most of it to the Brontë Parsonage Museum. As well as the manuscripts and letters the collection included all the correspondence from Mrs Gaskell regarding her Life of Charlotte Brontë, and several drawings by Charlotte, passed on to George Smith’s son by Arthur Bell Nicholls’ second wife Mary.

With them was an astonishing find: a photograph, inscribed on the back: ‘Within a year of CB’s death’, and dated 1854, the year of Charlotte’s honeymoon. Whether it was a honeymoon picture, to match that of her husband taken at the same time, or whether it was intended by George Smith for an edition of one of Charlotte’s novels, is unknown. It is the only photograph in existence that is almost certainly of Charlotte. haworth-and-the-brontes/family-and-friends/george-smith

houseofsmithelde
Memoir_of_George_Smith

BRONTÉ CLUB.

Viola Case, a pioneer schoolteacher in Victoria, organized the Bronté Club, the oldest women's literary club in Texas, in 1855. The organization, originally named the Victoria Literary Club, was a literary society for the girls of her school, the Victoria Female Academy. The members collected eleven volumes of current literature, which were kept in a dry goods box under Mrs. Case's bed. On a certain day of each week the books were taken out and distributed to the girls. This embryonic lending library was the beginning of the Bronté Library, the predecessor of the Victoria Public Library. Until 1975, when it was placed under the management of the city and county of Victoria, the library was governed by the Library Committee of the Bronté Club.
During the 1860s the Bronté Club is said to have devoted more time to war relief than to literary study. The club was probably generally dormant until 1868, when the Sorosis Club was organized in New York City in protest against the all-male Press Club of New York City, which gave a banquet for the visiting Charles Dickens and invited no women. This event seems to have stirred up women's club spirit across the country. Though started as a school society, the Bronté Club was reorganized as a community club in 1873, became a school society again in 1878, and in 1880 was changed to a community club again. In 1880, because the literary club needed new members and wanted a more distinctive name, it accepted for the first time older girls and young married women and changed its name to Bronté Literary Club, in honor of Charlotte Brontë.
When the national movement for federation of women's clubs began, the Bronté Club sent a delegate, Mrs. A. B. Peticolas, wife of Alfred Brown Peticolas, to the first meeting of the Texas Federation of Women's Clubs, held in Tyler in 1898. The club's calendar for that year shows it as a member of this state organization, which joined the national General Federation of Women's Clubs in 1899. On May 9, 1884, the Bronté Club had authorized the Junior Bronté Literary Club, a new group that was reorganized as the Currer Bell Study Club, named after the pseudonym of Charlotte Brontë, on May 1, 1951.
The Bronté Club dropped "literary" from its title in its Year Book of 1901–02, although it continued to emphasize literature in its programs. The Year Book of 1905–06 stated that the club's objectives were to promote the "mental and social culture of its members," an "altruistic spirit," and philanthropic endeavors, as well as "the interests of State and Fifth District Federation." Due to its broadened purposes, the club offered a wide variety of programs through the years about subjects ranging from civics to philosophy. Among the Bronté Club's civic projects was the sponsorship of a lecture by Eleanor Roosevelt in December 1940, which a crowd of 2,500 attended. Mrs. Roosevelt subsequently wrote in her column "My Day" about her visit to Victoria and "one of the oldest women's clubs in the country." The club continued to contribute both funds and books to its original civic work, the Victoria Public Library. It was made an honorary member of the library, and an appointed club member serves on the library's advisory board. The Bronté Club celebrated its centennial on April 3, 1973.

BIBLIOGRAPHY: 

Bronté Club Files, Victoria, Texas. Leopold Morris, Pictorial History of Victoria and Victoria County (San Antonio, 1953). Victoria Advocate, April 6, 8, 1923, December 5, 1940. Texas Federation of Women's Clubs Year Book, 1935. articles/BRONTE CLUB

Bronte Parsonage Museum

Interesting to learn that the Bronte Club in Victoria, Texas, is nearly 40 years older than the Bronte Society in Haworth, West Yorkshire!