zaterdag 30 december 2017
zondag 17 december 2017
Over the last few years it has become increasingly apparent that something is rotten in the state of Haworth’s Brontë Society.
Here, you can read an article of Nick Holland:
Please read it all on his blog, there is more to read.....
I cannot agree more
Over the last few years it has become increasingly apparent that something is rotten in the state of Haworth’s Brontë Society. Annual General Meetings have descended into open warfare between modernisers and traditionalists, but it seems now that the council is being run along the lines of BBC farce W1A. For the last two years or so, a consultancy has been advising the Brontë Society on what to do – with pathetic results.
The drive now is for one thing – attracting a young audience. Being trendy is the ultimate aim, with the Brontës themselves relegated to the sidelines. The museum has a wealth of Brontë treasures, but they are now favouring the display of artificial items they feel will appeal to a modern audience. For this reason rather than seeing Branwell’s items in his anniversary year, we see a mock up, TV style, guess of what his studio would have looked like.
In 2016, Charlotte’s year, a large display area was given up to a modern artwork of miniature pieces that had been fabricated in some sort of bizarre tributes – including a miniscule pair of shoes with a sign underneath saying that Charlotte had sewn them together using hair from her sisters. From what I heard at the time, and what I’ve seen shared on social media, many people believed these ridiculous items were authentic, when the fact was the authentic items were locked away in storage. The rot had set in.
The drive to attract younger members to the Brontë Society is a pointless one. We hear people say, echoing the consultants, that the membership is too old – ‘look at the events, look at the meetings, everyone is old!’ In today’s society it has become a crime to be old.
Where is the problem in the majority of members being middle aged or older? Yes they will eventually wither and fade from this world, but they will then be succeeded by another generation if middle aged and old society members. It is the way it always has been and always will be, unless they drive loyal members away, as they have done with me.
This is in no way a denigration of many of the brilliant staff at the Brontë Parsonage Museum, and their wonderful volunteers who give up their time not to attract a certain demographic but because of their passion for the Brontës. They are heroes, but it brings to mind the fate of our World War One soldiers who were lions led by donkeys.
I am obviously completely out of kilter with the Brontë Society and it’s aims, but I am afraid I shall stay in my old fashioned world where I can continue to gain immense pleasure from the words of Anne, Emily and Charlotte Brontë – and it is their words above all else that are their true museum and testimonial. I will certainly still continue to visit the Brontë Parsonage Museum, it is a place I love more than any other, but I can no longer continue to be a member of the Brontë Society whose leaders’ views are so opposed to my own. It’s best that I leave the society now, before they announce James Corden as the creative partner for 2019, a year in which Patrick Brontë is being remembered, and Rita Ora as organiser for Anne Brontë’s celebrations in 2020.
vrijdag 15 december 2017
zondag 10 december 2017
Snow would not have stopped Emily walking upon the moors she loved.......
Snow would not have stopped Emily walking upon the moors she loved, though it may have prevented Anne from accompanying her as she liked to do. Worse even than the snow were the cold winter winds that blew, rattling window panes and creeping under doors. They often brought ill health with them, as Anne Brontë revealed in an 1848 letter to Ellen Nussey:
‘We are all cut up by this cruel east wind, most of us i.e. Charlotte, Emily, and I have had the influenza or a bad cold instead, twice over within the space of a few weeks; Papa has had it once, Tabby has hitherto escaped it altogether.’
Snow features in all the sisters’ books, but it is almost a character itself in Emily Brontë’s Wuthering Heights – gone is the white purity normally associated with snow; it is instead dark, blinding, incredibly dangerous – snow is in effect nature’s Heathcliff.
donderdag 7 december 2017
Haworth, Christmas decorations and Bronte Treasures by Candlelight
I was searching on Facebook and Twitter
for beautiful photographs about
Haworth and the Bronte Parsonage
Haworth and the Bronte Parsonage
preparing themselves for Christmas
These photographes are from
Yarnbombed wreath Haworth
Pull out and save the @HaworthXmas events pages this month. Let the season begin!
Yule Window, The Apothecary, Haworth
(c) Karen Hild facebook/Karenarthilder
One evening in Haworth...
(c) Karen Hild
(c) Karen Hild
Bronte Treasures by Candlelight
08-12-2017. In this special hour-long session, a member of our curatorial team will share facts and stories about a number of carefully-selected objects, offering a specialist insight into the lives and work of the inspirational Brontë family. You will also have the chance to experience the historic rooms of the Parsonage by candlelight. Fascinating and moving in equal measure, this Brontë Treasures by Candlelight is a not-to-bemissed experience. Places are limited to 12 so please book early to avoid disappointment.
Tickets £85 per person which includes a glass of wine. Please book in advance at www.bronte.org.uk/whats-on or by calling 01535 642323.
Tickets £85 per person which includes a glass of wine. Please book in advance at www.bronte.org.uk/whats-on or by calling 01535 642323.
woensdag 6 december 2017
Christmas with the Gaskells.
This reference to the absence of a Christmas tree is followed, in a letter to Elizabeth Holland by the words: “Our Xmas days are always very quiet, principally a jollification for the servants.”[10] This has sometimes been taken to indicate that the Gaskells always had a quiet Christmas, but the significant factor in 1852 was that both the older daughters were away from home. In a letter to Marianne, at the same time, Elizabeth writes: “I wish you were at home, though it will be exceedingly quiet here. No one coming, nor going out, except to Chapel. Flossy & Julia send their very very very best loves; we are not going to keep Xmas day till New Years day, partly because you won’t be here, partly because the presents are not ready.”[11] They evidently did not feel they had to make a big thing of Christmas, but they duly enjoyed it: “we are all deep in preparations for Christmas”, Elizabeth wrote in 1849”.[12] Doubtless they shared the common Victorian view that Christmas was a family festival, and their celebrations were affected by which members of the family were at home or away.[13]
A vivid memory of Christmas that remained in Elizabeth’s memory from her childhood was of country children singing carols. “At Knutsford we have Christmas carols, such a pretty custom, calling one from dreamland to almost as mystic a state of mind; half awake and half asleep, blending reality so strangely with the fading visions; and children’s voices too in the dead of the night with their old words of bygone times.”[14] Such a carol is quoted in Elizabeth’s story, “Christmas storms and Christmas sunshine” (1848). Anthony Burton, Volunteer and Trustee at Elizabeth Gaskell’s House
Read all: elizabethgaskellhouse/christmas-with-the-gaskells
zondag 3 december 2017
A Brontë Advent – Haworth Christmas Events
What a beautiful photograph
I found it on the weblog from Nick Holland
‘Music I love – but never strain
Could kindle raptures so divine,
So grief assuage, so conquer pain,
And rouse this pensive heart of mine –
As that we hear on Christmas morn,
Upon the wintry breezes born.’
Could kindle raptures so divine,
So grief assuage, so conquer pain,
And rouse this pensive heart of mine –
As that we hear on Christmas morn,
Upon the wintry breezes born.’
The village of Haworth also loves music at Christmas – and indeed the Advent Christmas period as a whole is one of particular joy in this beautiful moorside village. In recent decades the modern tradition of ‘scroggling the holly’ has drawn the crowds, but there is no scroggling this year – fear not, for there are lots of other exciting activities coming that are great for Brontë lovers and families alike.
This weekend is ‘choral weekend’ – one the whole Brontë family would surely have enjoyed. The 9th of December is the night of the torchlight procession, a moving spectacle as folks in Victorian attire process up the steep and picturesque Main Street. Sunday the 10th is even more spectacular, as a there is a candelit carol procession from 4.30 which culminates in a traditional carol service at St. Michael and All Angels’ Church.
The Brontë Parsonage Museum is also particularly magical throughout December – particularly on Thursday 8th December – as there’s a chance to experience the parsonage by candlelight and then look at some of the Brontë treasures including manuscripts by Charlotte, Emily and Anne. It’s a tour I’ve done myself, and it truly is thrilling. Places are limited but you can find out more at the Brontë Society website here – where you’ll also find details of other events including Christmas wreath making workshops.
It’s certainly beginning to feel a lot like Christmas here in Yorkshire, by which I mean that it’s absolutely freezing of course, but life feels good when you wrap up warm and read a Brontë book with a warm drink near to hand!
Book launch by Helen MacEwan, 7 December, 2017
As we continue to celebrate the Brontë bicentenaries (2016-20), I’d like to invite you to the launch of my new book Through Belgian Eyes: Charlotte Brontë’s Troubled Brussels Legacy, which is being published next month (Information here):
Thursday 7 December at 19.00 at Waterstones bookstore, Boulevard Adolphe Max 71, 1000 Brussels.
Those of you who were at my talks on 1 April and 14 October have had a preview of some of the aspects explored in the book. It does two things. It is the first book to look at how Belgian commentators have responded to Charlotte Brontë’s depiction of Brussels and Belgian life in Villette and The Professor. Their reactions cover a wide range: hostile, humorous, enthusiastic. At the same time, to provide context for Belgian readers’ reactions, the book fills in the background to the novels by exploring the Brussels world that Charlotte experienced in 1842-43. Her views are contrasted with those of other foreign visitors and of the Belgians themselves.
The book offers a new way of reading Villette and The Professor as well as new perspectives on Charlotte Brontë.
I also look at ways in which the Brontës’ stay in Brussels has entered the literary mythology of Brussels and fired imaginations. Did you know that in the nineteenth century there were tales of sightings of Charlotte’s ghost in the Belgian capital? Or that all three Brontë sisters lived in a house in Grand Place in 1852 – at least according to some guide books!
The book has around 60 illustrations, some in colour. Those who were at my talk earlier this month saw a sample of them.
Read all: brusselsbronte/book-launch-by-helen-macewan-7-december
woensdag 29 november 2017
Coming Soon Without the Veil Between Anne Brontë A Fine And Subtle Spirit Book Trailer
donderdag 23 november 2017
My earth, my women, my colors and practices, my manners were different—outlandishly so—from that of the Brontës’ and what they wrote.”
Read all of this beautiful story about the impact of the Bronte Sisters: lithub/chasing-the-bronte-sisters-from-south-india-to-the-yorkshire-moors/
My questions about the Brontës began in the small town of Madikeri, up in the hills of southern India where I was born and raised. The whole town is nestled at the bottom of a nearly round valley, with tall, green, imperfect mountains circling its corners. The district of Kodagu, of which the town is a part, is funnily enough, called the “Scotland of India,” a sobriquet from when the British took over and started the first coffee plantations there in the mid-1800s. The excessive rain, the verdant rolling hills, the dense impenetrable forests and the opaque mist that rarely parted would have reminded them of home.
Kodagu remains coffee country. We have words for our place-names in many languages, for this landscape that runs in the blood. But we do not have words for grey—grey weather, grey rain, grey hills. Moors and marshes are just as alien. The monsoons are hard, but desolation is incomprehensible. There is enough color to counter it in our kitchens, our wardrobes, our window views.
“In the 1990s, there was not a single bookstore in town. (There still isn’t.) But when my grandfather died, no one wanted his vast library, and I inherited it—even though I hadn’t been born yet. In those dark, antiqued bookshelves, many summers before I was meant to, I would meet and fall in awe and love with the Brontë sisters and the fiery women and brooding men they created. In a pre-Google world, reading their books opened a world that did not seem part of this earth. For my earth, my women, my colors and practices, my manners were different—outlandishly so—from that of the Brontës’ and what they wrote.
My questions about the Brontës began in the small town of Madikeri, up in the hills of southern India where I was born and raised. The whole town is nestled at the bottom of a nearly round valley, with tall, green, imperfect mountains circling its corners. The district of Kodagu, of which the town is a part, is funnily enough, called the “Scotland of India,” a sobriquet from when the British took over and started the first coffee plantations there in the mid-1800s. The excessive rain, the verdant rolling hills, the dense impenetrable forests and the opaque mist that rarely parted would have reminded them of home.
Kodagu remains coffee country. We have words for our place-names in many languages, for this landscape that runs in the blood. But we do not have words for grey—grey weather, grey rain, grey hills. Moors and marshes are just as alien. The monsoons are hard, but desolation is incomprehensible. There is enough color to counter it in our kitchens, our wardrobes, our window views.
“In the 1990s, there was not a single bookstore in town. (There still isn’t.) But when my grandfather died, no one wanted his vast library, and I inherited it—even though I hadn’t been born yet. In those dark, antiqued bookshelves, many summers before I was meant to, I would meet and fall in awe and love with the Brontë sisters and the fiery women and brooding men they created. In a pre-Google world, reading their books opened a world that did not seem part of this earth. For my earth, my women, my colors and practices, my manners were different—outlandishly so—from that of the Brontës’ and what they wrote.
zondag 19 november 2017
Paper conservator at the Parsonage working on some Charlotte Bronte manuscripts.
We have a paper conservator at the Parsonage working on some Charlotte Bronte manuscripts.
Display of Aunt Branwell items at the Bronte Parsonage Museum.
Here is the display of Aunt Branwell items at the Bronte Parsonage Museum, including her nightcap & salts bottle. Nick Holland
This was a time of great political change, with Manchester as a centre of radical political activity.
Manchester was a great cultural and intellectual centre, with institutions like the Literary and Philosophical Society, the Mechanics Institute and the Portico Library, all of which William was involved in. It was also Britain’s first major industrial city, creating much wealth as well as extreme poverty and squalor. Friedrich Engels described the homes of the factory operatives in The Conditions of the Working Class in England in 1844 writing:- “The workers’ dwellings of Manchester are dirty, miserable and wholly lacking in comforts. In such houses only inhuman, degraded and unhealthy creatures would feel at home.”This was a time of great political change, with Manchester as a centre of radical political activity.
Elizabeth Gaskell observed all this closely, and used what she saw in her novels Mary Barton and North and South. elizabethgaskellhouse
donderdag 16 november 2017
Civic group proposes new 'blue plaque' scheme for Bradford's significant buildings.
The scheme would operate in a similar way to the English Heritage plaques, with are attached to buildings that have links to a famous event or person.
Many are found on the birthplaces or family homes of significant historical figures, although they are not installed outside of London, leaving it up to local groups or councils to run their own plaque schemes.
The idea has been inspired by Marc De Luca, who owns the Bronte Birthplace in Thornton, and has been pushing for a blue plaque to be installed on the building for several years.
The Market Street building, now a cafe, is where the Bronte siblings, Charlotte, Anne, Emily and Branwell were born, making it one of the most literary significant buildings in the world. Plans are underway by the De Luca family to install the plaque in time for the the 200th anniversary of Emily’s birth.
Si Cunningham, Chair of the Bradford Civic Society, said the group also hope St George’s Hall could have a plaque installed after the current refurbishment of the hall, the country’s first purpose-built concert hall, is complete. The group will start looking for funding in early 2018, as well as holding public meetings to discuss what buildings could be marked. thetelegraphandargus
It's Book Week in Scotland and they have an online poll to find out people's favourite songs with a literary connection as The Guardian reports:
Will it be The Invisible Man or Bell Jar, The Dark Is Rising or For Whom the Bell Tolls? Scottish Book Trust is celebrating Book Week Scotland with an online poll, of course. But this year’s vote isn’t looking for readers’ favourite books, instead it is trying to find our favourite songs with a literary connection.
Some of the songs on their 40-strong list of possible choices wear their bookish credentials on their sleeves. There are songs where no attempt has been made at obliqueness or subtlety, with titles lifted directly from the works that inspired them. Step forward Kate Bush’s Wuthering Heights (Emily Brontë) and the Velvet Underground’s Venus in Furs (Leopold von Sacher-Masoch). For others, the connection is almost as direct. Bright Eyes by Art Garfunkel was the lead song from the movie adaptation of Richard Adams’s Watership Down, while Leonard Nimoy’s The Ballad of Bilbo Baggins does exactly what it says on the pipeweed tin. And Radiohead’s Paranoid Android takes its title from Douglas Adams’s depressive robot in The Hitchhiker’s Guide to the Galaxy. (David Barnett) bronteblog
vrijdag 13 oktober 2017
New book about Charlotte Bronte and Arthur Nicolls Bell upcoming.
Anne Lloyd of the stayathomeartist.blog
Is creating a book about Charlotte Bronte and Arthur Bell Nicolls
On her blog you can read a lot
about the process of creating a novel
And about the visits
Anne and her husband made to Bronte places ( Haworth Parsonage, Bannagher etc.)
It is very interesting reading
zondag 8 oktober 2017
vrijdag 6 oktober 2017
“It is in vain to say human beings ought to be satisfied with tranquility: they must have action; and they will make it if they cannot find it." ―from JANE EYRE (1847)
Charlotte Brontë's JANE EYRE was published in England on this day in 1847 under the pseudonym Currer Bell.
“It is in vain to say human beings ought to be satisfied with tranquility: they must have action; and they will make it if they cannot find it."
―from JANE EYRE (1847)
...
Charlotte Brontë’s most beloved novel describes the passionate love between the courageous orphan Jane Eyre and the brilliant, brooding, and domineering Rochester. The loneliness and cruelty of Jane’s childhood strengthens her natural independence and spirit, which prove invaluable when she takes a position as a governess at Thornfield Hall. But after she falls in love with her sardonic employer, her discovery of his terrible secret forces her to make a heart-wrenching choice. Ever since its publication in 1847, Jane Eyre has enthralled every kind of reader, from the most critical and cultivated to the youngest and most unabashedly romantic. It lives as one of the great triumphs of storytelling and as a moving and unforgettable portrayal of a woman’s quest for self-respect.
A final glimpse of Patrick Bronte, thanks to a letter he sent to his niece in Cornwall.
Nick Holland
A final glimpse of Patrick Bronte, thanks to a letter he sent to his niece in Cornwall:
vrijdag 15 september 2017
'The Bank-Bill reached me safely: I assure you I felt rather proud of its amount;
I read this on the Facebook page of the Bronte Society.
Does anyone know what this 500 pound would be worth now?
After receiving news that Shirley has been accepted for publication, Charlotte writes the following to George Smith on 14 September 1849:
'The Bank-Bill reached me safely: I assure you I felt rather proud of its amount; I am pleased to be able to earn so much, for Papa will be pleased too when I tell him. I should like to take care of this money: it is Papa's great wish that I should realize a small independency if you could give me a word of advice respecting the wisest and safest manner of investing this £500, I should be very much obliged to you. I have already a few shares in a Railway, but these are so much fallen in value of late that I hardly like to venture on so uncertain an investment a second time. A hint on the subject - provided it costs you no trouble - would be very acceptable to me.'
woensdag 13 september 2017
THE BRONTË Society will return to its original home.
THE BRONTË Society will return to its original home after winning the chance to run Haworth’s Visitor Information Centre. Bradford Council today rubber-stamped the bid by the society to run the Main Street facility in addition to its existing Brontë Parsonage Museum. The museum devoted to the Brontës’ lives and works was first housed in the small stone-built building at the junction with Changegate. The council’s ruling Executive voted to allow the society to take on the threatened service, which for many years has provided information to tourists about local attractions and accommodation.
The council had Brontë Society executive director Kitty Wright said: “We welcome the council’s decision and the opportunity to work with them to continue the delivery of visitor services in Haworth. “The museum is an award-winning attraction currently welcoming over 70,000 visitors a year and we look forward to stepping up to the challenge of ensuring that visitors old and new discover all that the Bradford area has to offer. “The museum’s first home was in the building which now houses the Visitor Information Centre on Main Street and it seems particularly fitting that we will return there during our bicentenary celebrations to promote this corner of Yorkshire to the world.”
The Brontë Society is currently in the second year of its five-year celebration of the 200th anniversaries of the births of the Brontë siblings, Charlotte, Branwell, Emily and Anne.
Bradford Council launched a public consultation earlier this year regarding the future of its tourism service as it bid to slash costs. Campaigners vowed to fight any attempt to close the Haworth facility.
Under the plan approved this week, the Brontë Society will take over the lease of the Haworth VIC building in Main Street. Provision will be based on the current seven-day opening and a full range of Discover and Visit Bradford guides would be carried. The promotion of local and district events and accommodation providers in Haworth would continue, as well as a ticket agency service.
Bradford Council launched a public consultation earlier this year regarding the future of its tourism service as it bid to slash costs.
As part of district-wide changes, also approved by the Executive, Ilkley VIC will be funded by the town’s parish council, Shipley College will have an information point in Victoria Hall at Saltaire and Bradford VIC will remain in its current location until 2019 while new options are developed.
There will also be a team of ‘pop up’ volunteers at key events across the district to act as ambassadors, and a tourism digital media officer. Cllr Sarah Ferriby, the council’s executive member for environment, sport and culture, said the ‘visitor economy’ currently generated around £612 million for the district
woensdag 30 augustus 2017
Photographs from Mark de Luca, inside the Bronte Birthplace Thornton.
Situated on Market Street in the village of Thornton on the outskirts of Bradford in the heart of West Yorkshire's Bronte Country is the Bronte Birthplace, where the Bronte Sisters (along with their brother Branwell) were born before moving to Haworth. Patrick and Maria Bronte moved in to the property with their infant child (Elizabeth, who was born in 1815 at their previous home in Hartshead), with Charlotte, Branwell, Emily and Anne being born in 1816, 1817, 1818 and 1820 respectively. During this time Patrick was curate at the Old Bell Chapel in Thornton. In 1820 the family moved to the parsonage in Haworth bronte-country/bronte-birthplace. Since then the Bronte Birthplace has undergone several changes of use.
In the late 1990s the property was purchased and lovingly restored by the crime novelist Barbara Whitehead, who (with the support of the Bronte Birthplace Trust) opened the property as a museum before having to sell up in 2007. The historical home had been rented as bedsits to tenants in search of cheap accommodation but the plaques commemorating the births of the four gifted children outside the faded front door were barely noticed.
Businessman Mark de Luca and his wife Michelle spotted the near-derelict property believing it to be an unpolished tourism gem. Acquired following repossession, the birthplace has been sympathetically renovated with the ground floor Market Street south facing rooms being converted to commercial use, now a well regarded and established coffee bar known as Emily's.
Beautiful photo's of the interior
The Birthplace again for sale
Now, thanks to photographs taken by Mark, we can see parts of the building normally out of bounds to the public, and he has kindly allowed me to reproduce some of them here. Comments on the photo's from Mark de Luca.
- Home and birthplace to what became one of the worlds most famous families - literary geniuses - The Brontë's. Here the family was complete and unite for 6 years, and Charlotte (1816), Patrick Branwell (1817), Emily (1818) and Anne (1820) were all born here in the former dining room (ground floor windows to the right of the entrance).
(Note: Photo is a collage of what remains and gives the impression of what the original building would of looked like at the time of The Brontë Family. No original photo, to date, exists) - There's no photo in existence, but this is what the property here in Thornton would of looked like when the Brontë Sisters were born here before the extension to the front in 1898.
It would be a good assumption that the land levels to this area have changed as properties to the sides and rear have been constructed in years past, between 1830-1840 - you can picture the wilderness... Sarah and Nancy Garrs would of been exposed to in the winter months to the north facing section of the building, their workplace!
The view from the former
Servants and Nursemaids Bedroom
I'm sure as Sarah and Nancy would of laid down to rest as dawn came in, they would of been blessed with a very different view to what we now see - although 'Coffin End' is a beautiful, landmark property in Thornton.
Stone staircase
No wonder these stairs are showing so much wear with four children under 5 in The Brontë's final year in Thornton - you can still just about hear the constant steps of Sarah and Nancy up and down these stairs!
The drawing room
- The fireplace in the former Drawing Room (ground floor windows to the left of the entrance). This fireplace is not original to the time of The Brontë's, although is of the period and as believed to be installed by author Barbara Whitehead, the proprietor at the time the birthplace was a small museum (1996-2006)
The dining room
- The fireplace in the dining room, the original fireplace in the room when the Brontë children were born.....that's Charlotte, Branwell, Emily and Anne- this fireplace is now 215 years old, assuming it was the original to when the property was built in 1802!
Feature stonework header and corbel detail to now an internal doorway from the former Dining Room to what we are sure is an extension to the property to the far right.
Judging by the thickness of the wall and this stonework detailing, this was once the external wall and door - remember no properties either side of the property existed until 1830-40. In essence, this property stood completely alon...e; hard to visualise now as it stands central in a built up village.
Judging by the thickness of the wall and this stonework detailing, this was once the external wall and door - remember no properties either side of the property existed until 1830-40. In essence, this property stood completely alon...e; hard to visualise now as it stands central in a built up village.
Patrick and Maria's bedroom
- The fireplace in the Rev. Patrick and Maria's bedroom, the parents of Charlotte, Branwell, Emily and Anne Brontë.....a prominent feature in this room. First floor windows to the right of the entrance).
Children's bedroom
- The fireplace in the Brontë children's bedroom.....with a vintage toy box for good measure!
- The floor to ceiling wardrobe in the former Children's Bedroom, and has been said to be original to the time of The Brontë's. You can just imagine the bed linen being stored here, and used frequently by the servants and nursemaids Sarah and Nancy Garrs.
Their room and stair access to the ground floor former scullery via an independent stone staircase is just through the door to the right of the photo.
- The original timber staircase and balustrade to the entrance corridor. The waterfall carpet was specially designed and made bespoke for the property when it was a museum between 1996 to 2007, and is a design of the period to when The Brontë Family lived here.
More on facebook/mark.deluca
vrijdag 4 augustus 2017
On this day in 1928, Haworth Parsonage opened to the public .
On this day in 1928, Haworth Parsonage opened to the public as the Bronte Parsonage Museum, having been bought by Sir James Roberts and presented to the Bronte Society.
Here you can read and see more photographes: brontesisters/ after+the+death+of+Charlotte+Bronte+
dinsdag 25 juli 2017
donderdag 20 juli 2017
THE birthplace of Haworth's legendary literary siblings is up for sale.
Anne, Charlotte and Emily Bronte – and their brother Branwell – were all born and raised in the Thornton building between 1815 and 1820, before the family moved to Haworth. Now the Market Street property, which has been Emily’s coffee shop delucaboutique since 2014, is being sold. After running it as a successful cafe, owner Marc De Luca has decided to sell the business, due to family commitments. Since the cafe opened he and his wife Michelle have had two children, and he said they were no longer able to devote enough time to family, Emily’s and their other business, De Luca Hair. He is planning to sell the business and building privately, which he says will help him make sure the building’s future is in safe hands. He has no plans to shut the business before a new buyer is found.
The unassuming terrace property was occupied by the Rev Patrick Bronte during his tenure at Thornton Chapel.
In the years before the coffee shop opened, the future of the building was uncertain – it had been shut for some time and efforts to re-open it as a museum never bore fruit.
Although Emily’s operated as a business, many of the features still remained, and customers could sit in front of the fireplace the siblings were said to have been born in front of. The business has become one of the best rated in the district on TripAdvisor.
Mr De Luca said: “The idea is for someone else to take the business on to take it to the next level. We’re not selling because the business is unsuccessful, we’re just struggling to be able to open more than four days a week because of commitments. When we bought the property and set the business up we didn’t have two young children. Running two businesses is something that requires your full attention. “Whoever buys it has to be the right calibre of person. We don’t want to sell it to a property developer from London. “We live in the village so we still want to make sure any new owner does the best for Thornton. It is a great starting point for anyone who wants to open a business here. Our intention is to keep it open until it is sold. keighleynews/Bronte_birthplace_for_sale
dinsdag 18 juli 2017
Literary legends: Jane Austen and the Brontë sisters.
18 July 2017 is a special day for literature aficionados across the globe, for it marks the 200th anniversary of the death of perhaps the most beloved writer of them all: Jane Austen.
Women like Elizabeth Gaskell, George Eliot, and especially the Brontë sisters. Charlotte, Emily and Anne are in the middle of 200th anniversaries of their own, as we remember the bicentenaries of their births in the years 1816 to 1820. Along with Austen they crafted brilliant works of genius that are the equal of any novels written by men, and in the public’s eye the Brontës and Jane have become inextricably linked.
I once asked one of the hard-working guides at the Brontë Parsonage Museum in Haworth what question they are asked more than any other. It was ‘Which of the Brontë sisters wrote Pride and Prejudice?’ followed closely by, ‘Is this where Jane Austen wrote her novels?’
It’s easy to see why the four writers should become mixed in the public’s perception. On a superficial level there are some similarities between Jane and the Brontës: Jane was after all an early nineteenth century writer who never married and lived with her family throughout her life. So far, so similar with Anne, Emily and Charlotte (who, admittedly, did marry aged 38, only to succumb to the effects of excessive morning sickness and die less than a year later). In other ways, however, Jane was very different to the Yorkshire triumvirate.
Jane was writing earlier in the century than the Brontës, and in a century that changed so radically as the decades advanced, this made a huge difference. Jane Austen was very much a regency woman, familiar with the values and traditions of the late eighteenth century, whereas the Brontës grew up at the start of Queen Victoria’s reign, and witnessed the huge social impact brought by the industrial revolution in a way that Jane never did. As an example of this, Jane Austen travelled to London from Chawton, in Hampshire, in 1815 by horse drawn carriage. In 1848, Charlotte and Anne Brontë travelled from Keighley to London via train.
The purpose of these two meetings reveals another important difference between Jane Austen and the Brontë sisters: Jane was travelling to meet the Prince Regent, later George IV, who was a huge fan of her work; Charlotte and Anne Brontë were travelling to meet the publisher George Smith, where they would finally reveal their true identity away from the masks of Currer and Acton Bell that they had hidden behind.
Jane Austen’s writing made her famous in her lifetime, a success that Anne and Emily would never know or desire. The Brontë sisters needed money in a way that Jane never did, but they eschewed fame and preferred public anonymity, although after the death of her younger sisters Charlotte did, reluctantly, step into the limelight.
Another important distinction between Jane Austen and the Brontë sisters was their social position. Whilst the Brontës were respectable, thanks to their father Patrick’s position as a long established priest in the Church of England, they were never rich, and were solidly lower middle class, whereas Jane was from an upper middle class background. Her financial position, and her position in society, became even more secure when her brother Edward was adopted by the very wealthy Thomas Knight. Knight had no children of his own, and in 1783 chose his distant relative the 15 year old Edward Austen, afterwards Edward Austen Knight, to be his legal heir. Edward adopted a number of grand properties, including the beautiful Chawton House. He also obtained a nearby property at Chawton for Jane to live in, and it was there that she worked on some of her greatest masterpieces.
The contrast between Jane’s brother Edward and the Brontës’ brother Branwell could not be greater: Branwell seemed to be a promising talent in his own right, but there would be no wealthy patronage for him, and he died at the age of 31 after a long addiction to drink and opium.
Other than their brilliant writing, there is one striking similarity between Jane Austen and the Brontës: sisterly love. Emily and Anne Brontë in particular were very close, being referred to as being like inseparable twins, despite their age difference. A similar relationship existed between Jane Austen and her sister Cassandra, two years older than Jane and always by her side throughout her life.
In the 200 years since her death, Jane Austen’s reputation has grown, but just what did Charlotte Brontë think of her? In fact, Charlotte reported that she had never read Jane Austen’s work until she was urged to by the critic G. H. Lewes. She was far from impressed as we can see from her reply to Lewes:
‘Why do you like Miss Austen so very much? I am puzzled on that point... I had not seen Pride & Prejudice till I read that sentence of yours, and then I got the book and studied it. And what did I find? An accurate daguerreotyped portrait of a common-place face; a carefully-fenced, highly cultivated garden with neat borders and delicate flowers - but no glance of a bright vivid physiognomy - no open country - no fresh air - no blue hill - no bonny beck. I should hardly like to live with her ladies and gentlemen in their elegant but confined houses.’
Charlotte’s judgement should be seen in the light of her irritation that Jane Eyre was being compared to Austen novels. It was a fate that befell Anne Brontë’s first novel too, as we see from the following extract from a review: ‘Agnes Grey is a somewhat coarse imitation of one of Miss Austin’s charming stories.’ It’s a pity, of course, that the reviewer hadn’t found the stories so charming that he’d remembered how to spell Miss Austen’s name.
If we take a more dispassionate look than Charlotte did, we simply have to acknowledge that Jane Austen’s books are works of genius just like those of herself and her sisters. One early twentieth century writer, however, thought it was unfair that Anne Bronte in particular was being overlooked in favour of Jane Austen. In 1924, celebrated Irish author George Moore wrote:
‘If Anne Brontë had lived ten years longer, she would have taken a place beside Jane Austen, perhaps even a higher place.’
We can equally lament that Jane Austen did not live another ten years. Her novels will always be read and always be loved. While ever this planet of ours continues its restless orbit around the sun, readers will still swoon over Mr Darcy and root for Emma to find her Knightley. Times will change, but the novels of Jane Austen will remain timeless. On this special day, we should all give a silent thanks to Jane Austen for her novels, and her ground-breaking role in the history of literature.
By Nick Holland. Author of
