I've dreamt in my life dreams that have stayed with me ever after, and changed my ideas: they've gone through and through me, like wine through water, and altered the color of my mind.
Emily Bronte
Wuthering Heights

vrijdag 3 augustus 2012

A reader asked me: Is er ook iets bekend over breiwerk in die tijd ( Victoriaanse lace ? In the Victorian age, what kind of knitting did women do?)


If the end of the 18th Century heralded the decline of the handknitting industry
The 19th century heralded the beginning of the craft of home-knitting for pleasure rather than profit. 

This was the time of white cotton work, doilies, chair backs, curtains, shelf edgings etc.
If an article could be knitted, then the Victorian lady knitted it.

  • By 1835 knitting had become a very fashionable hobby for middle class drawing rooms of England and Scotland
  • Between 1835-40, English knitting books appeared in large numbers, these were very popular
  • New imported yarns, fine wools and improved quality needles now became available
  • 1836 is the date of first known pattern publication, this was by Jane Gaugain.
  • In 1837, Jane produced a small slim book on family knitting
  • In 1840, she published a bookThe Ladies Assistant which included crochet as well as knitting
  • between 1852-3, she produced lots of books, they contained patterns for
    caps, counterpanes, purses, baby clothes, shawls, bags, pin cushions, doyleys, cuffs, spencers, blankets,
    muffs, scarfs, mittens, and stockings
  • It was in about 1837, in Gaitloch, Scotland that the first Argyle or Tartan stockings were produced Mini knitting stuff
Lacy and lush, with delightful flower patterns and lovely colors – that is what the Victorian look is all about; it is what Victorian knitting and crochet were all about, too. From delightfully flattering clothes to wonderfully luxurious bed coverings, Victorian women loved to stitch gorgeous items in dainty patterns. Nowadays, it’s easy to make the same kinds of wonderful pieces yourself. Sources abound for yarns and patterns with that unmistakable Victorian appeal.

Coverlets were one of the most exquisite knitted items in any Victorian home. They were a lavish mix of many floral lace patterns, creating a look of opulence. According to legendary knitting expert Mary Thomas’s Book of Knitting Patterns, “lace knitting” is “the height of the knitter’s art,” and to achieve the best results “knitters used the finest of knitting needles and the doilyfinest of knitting yarns.” Delicate designs such as bluebell, laburnum, and beech-leaf captured the beauty of the garden with leaf and flower motifs. 
Another essential for any Victorian knitter was the doily. Ladies of the era pulled out all the stops when they crafted these delightful accents, using often a dozen lace designs in a single piece. Crochet was also a popular method for crafting doilies, as well as similar items such as vase mats – thicker and smaller doilies meant to keep furniture free of water spots. Three-dimensional flowers graced the edges of many crocheted doilies, with the same styles of leaf motifs found in knitting – adding to it flowered charm.
 
Knit and Crochet Fashions: Stepping Out in Lace and Luxury
 
knitted shawl
Clothes were another way for a Victorian lady to enjoy hand-knit lace.  Shawls were a favorite accessory. Some were simple one-stitch designs, while others were lavish, with ornate patterns, scalloped edges, and long fringe. For more warmth, shawls were often crafted from non-lacy patterns, such as garter stitch or double crochet, and then enhanced with a lacy edge. Whether they were lacy or cozy, shawls were often trimmed with ribbon and made in fashionable hues of red, mauve, and blue. Victoriana/VictorianCrafts/knitting

Charlotte Bronte in Jane Eyre:
Women are supposed to be very calm generally; but women feel just as men feel; they need exercise for their faculties and a field for their efforts as much as their brothers do; they suffer from too rigid a restraint, too absolute a stagnation, precisely as men would suffer; and it is narrow-minded in their more privileged fellow-creatures to say that they ought to confine themselves to making puddings and knitting stockings, to playing on the piano and embroidering bags. It is thoughtless to condemn them, or laugh at them, if they seek to do more or learn more than custom has pronounced necessary for their sex.  

The Professor: Next day was appropriated to the first class; on my arrival, I found the directress seated, as usual, in a chair between the two estrades, and before her was standing Mdlle. Henri, in an attitude (as it seemed to me) of somewhat reluctant attention. The directress was knitting and talking at the same time.

2 opmerkingen:

  1. mijn complimenten en petje af. Ik vind het knap hoeveel feitenkennis jij vergaard. Er is zo veel info om te lezen! Enorm interessant! mieke

    BeantwoordenVerwijderen

Parsonage

Parsonage

Charlotte Bronte

Presently the door opened, and in came a superannuated mastiff, followed by an old gentleman very like Miss Bronte, who shook hands with us, and then went to call his daughter. A long interval, during which we coaxed the old dog, and looked at a picture of Miss Bronte, by Richmond, the solitary ornament of the room, looking strangely out of place on the bare walls, and at the books on the little shelves, most of them evidently the gift of the authors since Miss Bronte's celebrity. Presently she came in, and welcomed us very kindly, and took me upstairs to take off my bonnet, and herself brought me water and towels. The uncarpeted stone stairs and floors, the old drawers propped on wood, were all scrupulously clean and neat. When we went into the parlour again, we began talking very comfortably, when the door opened and Mr. Bronte looked in; seeing his daughter there, I suppose he thought it was all right, and he retreated to his study on the opposite side of the passage; presently emerging again to bring W---- a country newspaper. This was his last appearance till we went. Miss Bronte spoke with the greatest warmth of Miss Martineau, and of the good she had gained from her. Well! we talked about various things; the character of the people, - about her solitude, etc., till she left the room to help about dinner, I suppose, for she did not return for an age. The old dog had vanished; a fat curly-haired dog honoured us with his company for some time, but finally manifested a wish to get out, so we were left alone. At last she returned, followed by the maid and dinner, which made us all more comfortable; and we had some very pleasant conversation, in the midst of which time passed quicker than we supposed, for at last W---- found that it was half-past three, and we had fourteen or fifteen miles before us. So we hurried off, having obtained from her a promise to pay us a visit in the spring... ------------------- "She cannot see well, and does little beside knitting. The way she weakened her eyesight was this: When she was sixteen or seventeen, she wanted much to draw; and she copied nimini-pimini copper-plate engravings out of annuals, ('stippling,' don't the artists call it?) every little point put in, till at the end of six months she had produced an exquisitely faithful copy of the engraving. She wanted to learn to express her ideas by drawing. After she had tried to draw stories, and not succeeded, she took the better mode of writing; but in so small a hand, that it is almost impossible to decipher what she wrote at this time.

I asked her whether she had ever taken opium, as the description given of its effects in Villette was so exactly like what I had experienced, - vivid and exaggerated presence of objects, of which the outlines were indistinct, or lost in golden mist, etc. She replied, that she had never, to her knowledge, taken a grain of it in any shape, but that she had followed the process she always adopted when she had to describe anything which had not fallen within her own experience; she had thought intently on it for many and many a night before falling to sleep, - wondering what it was like, or how it would be, - till at length, sometimes after the progress of her story had been arrested at this one point for weeks, she wakened up in the morning with all clear before her, as if she had in reality gone through the experience, and then could describe it, word for word, as it had happened. I cannot account for this psychologically; I only am sure that it was so, because she said it. ----------------------She thought much of her duty, and had loftier and clearer notions of it than most people, and held fast to them with more success. It was done, it seems to me, with much more difficulty than people have of stronger nerves, and better fortunes. All her life was but labour and pain; and she never threw down the burden for the sake of present pleasure. I don't know what use you can make of all I have said. I have written it with the strong desire to obtain appreciation for her. Yet, what does it matter? She herself appealed to the world's judgement for her use of some of the faculties she had, - not the best, - but still the only ones she could turn to strangers' benefit. They heartily, greedily enjoyed the fruits of her labours, and then found out she was much to be blamed for possessing such faculties. Why ask for a judgement on her from such a world?" elizabeth gaskell/charlotte bronte



Poem: No coward soul is mine

No coward soul is mine,
No trembler in the worlds storm-troubled sphere:
I see Heavens glories shine,
And faith shines equal, arming me from fear.


O God within my breast.
Almighty, ever-present Deity!
Life -- that in me has rest,
As I -- Undying Life -- have power in Thee!


Vain are the thousand creeds
That move mens hearts: unutterably vain;
Worthless as withered weeds,
Or idlest froth amid the boundless main,


To waken doubt in one
Holding so fast by Thine infinity;
So surely anchored on
The steadfast Rock of immortality.


With wide-embracing love
Thy Spirit animates eternal years,
Pervades and broods above,
Changes, sustains, dissolves, creates, and rears.


Though earth and man were gone,
And suns and universes ceased to be,
And Thou wert left alone,
Every existence would exist in Thee.


There is not room for Death,
Nor atom that his might could render void:
Thou -- Thou art Being and Breath,
And what Thou art may never be destroyed.


--
Emily Bronte

Family tree

The Bronte Family

Grandparents - paternal
Hugh Brunty was born 1755 and died circa 1808. He married Eleanor McClory, known as Alice in 1776.

Grandparents - maternal
Thomas Branwell (born 1746 died 5th April 1808) was married in 1768 to Anne Carne (baptised 27th April 1744 and died 19th December 1809).

Parents
Father was Patrick Bronte, the eldest of 10 children born to Hugh Brunty and Eleanor (Alice) McClory. He was born 17th March 1777 and died on 7th June 1861. Mother was Maria Branwell, who was born on 15th April 1783 and died on 15th September 1821.

Maria had a sister, Elizabeth who was known as Aunt Branwell. She was born in 1776 and died on 29th October 1842.

Patrick Bronte married Maria Branwell on 29th December 1812.

The Bronte Children
Patrick and Maria Bronte had six children.
The first child was Maria, who was born in 1814 and died on 6th June 1825.
The second daughter, Elizabeth was born on 8th February 1815 and died shortly after Maria on 15th June 1825. Charlotte was the third daughter, born on 21st April 1816.

Charlotte married Arthur Bell Nicholls (born 1818) on 29th June 1854. Charlotte died on 31st March 1855. Arthur lived until 2nd December 1906.

The first and only son born to Patrick and Maria was Patrick Branwell, who was born on 26th June 1817 and died on 24th September 1848.

Emily Jane, the fourth daughter was born on 30th July 1818 and died on 19th December 1848.

The sixth and last child was Anne, born on 17th January 1820 who died on 28th May 1849.

Blogarchief

LinkWithin

Related Posts with Thumbnails

The Parlour

The Parlour