I've dreamt in my life dreams that have stayed with me ever after, and changed my ideas: they've gone through and through me, like wine through water, and altered the color of my mind.
Emily Bronte
Wuthering Heights

Posts tonen met het label pets. Alle posts tonen
Posts tonen met het label pets. Alle posts tonen

donderdag 11 april 2019

Anne Bronte made 2 unfinished drawings of her pet spaniel Flossy.



On Anne Bronte made 2 unfinished drawings of her pet spaniel Flossy, gifted to her by her charges the Robinson girls. But there's also this sketch - it could be a Robinson girl with Flossy, but I think it's a self portrait of Anne and her beloved pet!




woensdag 25 juni 2014

Keeper

Haworth’s stationer, John Greenwood, recorded in his diary a violently protective scene in which Emily broke up Keeper’s encounter with another dog:
She never spoke a word, nor appeared the least at a loss what to do, but rushed at once into the kitchen, took the pepper box, and away into the lane where she found the two savage brutes each holding the other by the throat. In deadly grip, while several other animals, who thought themselves men, were standing looking on like cowards as they were, afraid to touch them—there they stood gaping, watching this fragile creature spring upon the beasts—seizing Keeper ’round the neck with one arm, while with the other hand she dredges their noses with pepper, and separating them by force of her great will, driving Keeper, that great powerful dog, before her into the house, never once noticing the men, so called, standing there thunderstruck at the deed. From: the-animalistic-emily-/

maandag 3 maart 2014




















Bronte Parsonage Museum
Have you seen the regular column in the Keighley News? Find out more about the goings-on at the Parsonage!

donderdag 27 februari 2014

Collar of Keeper





Bronte Parsonage Museum

Keeper was at least partially a bull-mastiff, and has also been claimed by commentators to have had a bulldog or labrador strain. He was certainly a very large dog - his collar is shown in the image below, next to that of Flossy, who was a spaniel.

Charlotte, who had never been close to the house dogs as much as Anne and Emily, developed a close bond with them after her sisters’ deaths. She wrote to her publisher William Smith Williams after she returned to the Parsonage following Anne’s death at Scarborough: “The ecstasy of these poor animals when I came in was something singular – at former returns from brief absences they always welcomed me warmly – but not in that strange, heart-touching way – I am ce...rtain they thought that, as I was returned, my sisters were not far behind – but here my Sisters will come no more. Keeper may visit Emily’s little bedroom – as he still does day by day – and Flossy may look wistfully round for Anne – they will never see them again – nor shall I”.

(N.B. I came across this quote when I was researching our current exhibition ‘The Brontës and Animals’. It made me cry. I thought I’d share it with you – Mari, Curatorial Intern).

maandag 24 februari 2014



From the Treasure Trove
Keeper, Flossy and Tiger. Watercolour by Emily, 1843. This is the only known watercolour of Tiger, who Emily mentions in her diary paper of 30th/31st July 1845.
facebook/Bronte-Parsonage-Museum

""We have got Flossy, got and lost Tiger - lost the hawk Hero, which with the geese was given away, and is doubtless dead, for when I came back from Brussels I inquired on all hands and could hear nothing of him. Tiger died early last year - Keeper and Flossy are well, also the canary acquired four years since.""
Read more: mick-armitage/emily-anne/diary1845

zaterdag 1 februari 2014

New Exhibtion for 2014: The Brontës and Animals

New Exhibtion for 2014: The Brontës and Animals
For several months now, the curatorial team have been preparing the new exhibition, ‘The Brontës and Animals’, which will open on 20th February. Collections Manager Ann Dinsdale, Library and Collections Officer Sarah Laycock, and Curatorial Intern Mari Elliott have been working tirelessly in researching and putting together the exhibition. The Brontës were great lovers of animals and were very fond of their family pets. The Brontë children were hugely influenced by the presence of their pets when growing up and many of their creative works were inspired by them, from their early drawings to their later writing. Often, the Brontës had a tendency to assess people’s characters by the way they treated animals, as they felt cruelty to animals equated to a cruel disposition. This exhibition explores the relationship the Brontës had with animals and how this is reflected in their works.

Flossie running on the moors by Emily Brontë
Grasper from Life by Emily Brontë
Keeper from Life by Emily Brontë
 
Bronte Society December/ January eNewsletter

zaterdag 31 augustus 2013

Flossy and Keeper’s Collars

 
From the Treasure Trove: Flossy and Keeper’s Collars. Flossy was Anne’s dog, said to have been given to her by her pupils, the Robinsons of Thorp Green, and brought to Haworth in 1843. Keeper was the family dog, most commonly associated with Emily. His reputation for ferocity was legendary in Haworth, and his collar gives some indication of his size and power. facebook/Bronte-Parsonage-Museum/



 

vrijdag 1 maart 2013

Pets of the Brontes




Keeper, a large mastiff, was an impressive dog, a match for Emily. A villager remembered Keeper as a “conglomerate, combining every species of English caninity from the turnspit to the sheepdog, with a strain of Haworth originality superadded” ( Smith, 1995, p. 332). Charlotte said that when Keeper stood silently, he was “like a devouring flame," and she noted in one letter, “Keeper is well, big—and grim as ever” (Smith, p. 259).
 
 
Keeper was capable of love and loyalty to a select few but vicious toward others. When Keeper fought another large dog, the local men stood around to watch the spectacle. Emily dove into the fight. She grabbed Keeper by the neck and dashed pepper into the faces of the furious beasts.
 
Under: Grasper From Life, pencil sketch by Emily Bronte, 1834

 The early pets are mainly known to us through pictures, and through Emily and Anne’s diary papers. They include Grasper (described in AOTB as an Irish terrier); Rainbow, Diamond, Snowflake (species unknown), and a pheasant called Jasper – possibly these were all wild birds who were fed regularly. Later the family acquired Keeper, the most famous and characterful of the Brontë pets (his fictional equivalent, Tartar in Shirley, is described in ch. 11 as “of a breed between mastiff and bull-dog”); Nero (often called Hero), a hawk, lost while Emily and Charlotte were in Brussels; Black Tom and Tiger (d. 1844), both cats; two geese, Victoria and Adelaide; and a cage bird, Little Dick, mentioned in Anne’s diary paper for 1845. Last of the major pets was Flossy, brought by Anne from Thorp Green in 1843 and painted by both her and Emily. Flossy sired a puppy, given to Ellen Nussey. In his last years Patrick acquired dogs called Cato and Plato. Charlotte’s comparative indifference to animals is evidenced by the lack of references to them in her early letters. In her last lonely years she was touched by the dogs’ display of affection, especially on her returns home.
 
In June 1843 Anne's charges at Thorp Green - the Robinson girls - gave her this spaniel dog as a gift. Anne named it 'Flossy', and brought it home to the Parsonage where it spent the rest of its life. The following summer Flossy had a pup, and this was given to Ellen Nussey as a gift: Ellen decided to name it 'Flossy' after its parent. This water-colour painting was produced in 1843 - soon after Flossy's arrival in the Brontë household: for many years it was attributed to Charlotte, but recent study into many aspects of the painting leave little doubt that it was actually by Emily. The dog outlived Anne by many years, dying in 1854 - 'without a pang . . . no dog ever had a happier life or an easier death'
reported Charlotte many years later. mick-armitage

 Under : Flossy, the dog of Anne.
 
" During Miss Bran well's reign at the parsonage, the love of animals had to be kept in due subjection. There was then but one dog, which was admitted to the parlour at stated times. Emily and Anne always gave him a portion of their breakfast, which was, by their own choice, the old north country diet of oatmeal porridge. Later on, there were three household pets the tawny, strong-limbed ' Keeper/ Emily's favourite: he was so completely under her control, she could quite easily

make him spring and roar like a lion. She taught him this kind of occasional play without any coercion. * Flossy long, silky-haired, black and white ' Flossy ' was Anne's favourite ; and black ' Tom/ the tabby, was everybody's favourite. It received such gentle treatment it seemed to
have lost cat's nature, and subsided into luxurious amiability and contentment. The Brontes' love of dumb creatures made them very sensitive of the treatment bestowed upon them. For anyone to offend in this respect was with them an infallible bad sign, and a blot on the disposition." infootstepsofthe Brontes
 
Ellen Nussey, Charlotte's friend and one of the few visitors to the Brontë home, recalled,

Keeper used to steal upstairs and sleep on the beds, which were covered in white counterpanes. This upset Emily, who was in charge of all of the housekeeping chores. One evening the servant Tabby came and told Emily that Keeper was sleeping on the bed again. Emily immediately went up after the dog while Tabby and Charlotte watched:
Down-stairs came Emily, dragging after the unwilling Keeper, his hind legs set in a heavy attitude of resistance, held by the "scruff of his neck" but growling low and savagely all the time…She let him go, planted in a dark corner at the bottom of the stairs...her bare clenched fist struck against his red fierce eyes, before he had time to make his spring...she “punished him” till his eyes were swelled up, and the half-blind, stupefied beast was led to his accustomed lair to have his swelled head fomented and cared for by the very Emily herself. The generous dog owed her no grudge; he loved her dearly ever after. (Gaskell, 1975, pp. 268-269) societyandanimalsforum
 

Under: A drawing from Emily

Ellen remembered evenings in the parsonage with Emily, “habitually kneeling on the hearth, reading a book, with her arm round Keeper” (Gerin, 1971, p.156). Ellen recalled that Emily and Keeper developed small, daily rituals that are an important part of the human-dog bond, “The two dogs, Keeper and Flossey were always in quiet waiting by the side of Emily and Anne during their breakfast of Scotch oatmeal and milk, and always had a share handed down to them at the close of the meal” (Shorter, 1896, p. 178).

Ellen found that the best approach to Emily, who was indifferent to friendly overtures, was through Keeper. Once Keeper tried to climb up on Emily's lap but could not quite fit, so he stretched out across Ellen's knees. She did not complain about his heaviness because she knew that “Emily's heart was won by [my] unresisting endurance” (Gerin, 1971, p.110).
societyandanimalsforum
 
“The evening before her death she insisted on feeding the dogs...as she had always done. As she stepped from the warmth of the kitchen into the cold air of the damp, stone-flagged passage, she staggered and almost fell against the wall” (p. 576).
 
Emily mentions Nero 'in his cage' in her diary paper of 30 July 1841. Christine Alexander suggests that the bird was probably acquired early in 1841. emily-brontes-hawk
 
Diary papers:

Emily and Anne Brontë's Diary Paper, November 24, 1834: I fed Rainbow, Diamond Snowflake Jasper pheasant (alias) this morning wuthering/diary_papers

Keeper and Flossey had become part of the family, somehow winning over Aunt Branwell who allowed previous dogs only into the parlor of the house and then only at stated times (Frank, 1990). The dogs' taken-for-granted presence in everyday life can be seen in the “diary papers” that Emily and Anne wrote for each other on their birthdays. On July 31,1845, Anne wrote, “Keeper and Flossey are I do not know where” and then added that Charlotte “has let Flossey in by the by and [s] he is now lying on the sofa” (Smith, 1995, p.410). In a diary paper dated 1841, Emily wrote, “ Victoria and Adelaide [the geese] are ensconced in the peat-house—Keeper is in the kitchen—We are all stout and healthy” (Barker, 1998, p. 95). societyandanimalsforum

Thursday, July 30, 1845. We have got Flossey, got and lost Tiger–lost the Hawk. Hero which with the geese was given away and is doubtless dead for when I came back from Brussels I enquired on all hands and could hear nothing of him–Tiger died early last year–Keeper and Flossey are well also the canary acquired 4 years since. diary_papers

Anne Brontë's Birthday Paper, July 30, 1841. We have got Keeper, got a sweet little cat and lost it, and also got a hawk. Got a wild goose which has flown away, and three tame ones, one of which has been killed. diary_papers

Anne Brontë's Diary Paper, Thursday July 31, 1845. Tabby and Martha are I think in the Kitchen Keeper and Flossy are I do not know where little Dick is hopping in his cage. diary_papers

One long ramble made in these early days was far away over the moors, to a spot familiar
to Emily and Anne, which they called 4 The Meeting of the Waters.' It was a small oasis of emerald green turf, broken here and there by small clear springs ; a few large stones served as resting-places ; seated here, we were hidden from all the world, nothing appearing in view but miles and miles of
heather, a glorious blue sky, and brightening sun. A fresh breeze wafted on us its exhilaiating influence ; we laughed and made mirth of each other, and settled we would call ourselves
the quartette. Emily, half reclining on a slab of stone, played like a young child with the tadpoles in the water, making them swim about, and then fell to moralising on the strong and the weak, the brave and the cowardly, as she chased them with her hand. infootsteps                     


vrijdag 3 juni 2011

Emily and her Dog, Keeper

I found these interesting websites about Emily Bronte:




 
 
 
Emily's sketch of Keeper

Emily and her Dog, Keeper
The gift came with a warning. Keeper was capable of love and loyalty to a select few but vicious toward others. When Keeper fought another large dog, the local men stood around to watch the spectacle. Emily dove into the fight. She grabbed Keeper by the neck and dashed pepper into the faces of the furious beasts.
Haworth was a clean and orderly home. Tabby, the elderly servant made sure of that. When Keeper decided to take his naps on the counterpane of one of the beds, Tabby demanded that Emily intervene. The mastiff was warned.
Found again on the bed, Keeper took a stand. Emily hauled the reluctant dog off the bed. If you've ever seen a bull mastiff, that was a feat in itself. The insulted, infuriated dog turned on his mistress. He growled menacingly as she dragged him down the stairs. But Keeper met with worse fury than he probably imagined. Emily clenched her fists and pummelled the angry dog into submission.
Nursing Keeper's swollen eye, Emily let him know there were no hard feelings. The ever obedient animal followed her everywhere. Emily often sat on a rug and used Keeper as a back rest. She sketched pictures of him. And her attachment to Keeper was illustrated in Charlotte's portrayal of Shirley in the book of the same name about a character based on Emily.
info and pictures of bull mastiefs

donderdag 26 mei 2011

Flossy, at least something good came out of Thorp Green.


In June 1843 Anne's charges at Thorp Green - the Robinson girls - gave her this spaniel dog as a gift. Anne named it 'Flossy', and brought it home to the Parsonage where it spent the rest of its life. The following summer Flossy had a pup, and this was given to Ellen Nussey as a gift: Ellen decided to name it 'Flossy' after its parent. This water-colour painting was produced in 1843 - soon after Flossy's arrival in the Brontë household: for many years it was attributed to Charlotte, but recent study into many aspects of the painting leave little doubt that it was actually by Emily. The dog outlived Anne by many years, dying in 1854 - 'without a pang . . . no dog ever had a happier life or an easier death' - reported Charlotte many years later.

vrijdag 8 april 2011

Housekeeping in the Victorian period.


Mr. Brontë had intended that his second daughter, Elizabeth, should be a housekeeper, and the other four, governesses. The only paid employment that Emily ever undertook was teaching at the Law Hill School near Halifax in 1838, and she lasted only six months. Emily Brontë was only ever happy at home; she enjoyed housekeeping, and she enjoyed the company of the family's elderly servant, Tabitha Aykroyd.


Nancy and Sarah Garr had accompanied the Bronte family in Thornton in 1820. Nancy had joined the family as a nurse-maid, but was later promoted to cook and assistant housekeeper. In 1824 Nancy married. Sarah emigrated to America.

In 1821, Elizabeth Branwell travelled up to Yorkshire and moved into the Parsonage to nurse her dying sister and help run the household. She subsequently spent the rest of her life there raising the Brontë children - to whom she was known as 'Aunt Branwell'. She provided much of the children's education, including needlework and embroidery for the girls. After Aunt Branwell died in 1842 Emily took on the role of housekeeper helping out in the kitchen.

Since 1826, 'Tabby' was the cook/housekeeper and for the first 15 of her 31 years at the Parsonage, she was the only servant living in, although the Brontë sisters themselves also cooked, cleaned and washed clothes.

In December 1836 Tabby slipped on ice in Haworth's main street, badly breaking her leg. Aunt Branwell suggested that she leave the Parsonage to be nursed by her sister Susannah, but the Brontë children objected, even going on hunger strike, and Tabby stayed in the Parsonage nursed by the children. The leg never fully healed however, and over the next 3 years many of Tabby's duties were taken up by Emily. Emily cooked and ironed.

In 1839 Tabby seems to have retired temporarily, moving into a house in Newell Hill that she had bought with her now-widowed sister Susannah. Mr. Brontë engaged Martha Brown, the 11 year old daughter of his Sexton, John Brown, but the greater part of the skilled and the heavy work fell upon the Brontë girls, with Emily becoming Housekeeper. In 1842, Tabby moved back into the Parsonage where she stayed, sharing the little servants' bedroom with young Martha, for the next 13 years.

Martha's duties ranged from basic washing, cleaning and laying fires, to running errands and, after Tabby's death, preparing food. She was also called upon to help nurse the sick of the household, and for all this she was paid £6 a year when she started, rising to £10 a year by 1858.


The Servant's Room. Tabby Ackroyd lived local, as did Martha Brown. To the left of the fireplace is a section of a staircase which would have gone outside.

1) Charlotte in a letter to Ellen Nussey: (after Tabby had been ill)
"" I discovered a most unladylike talent for cleaning, sweeping up hearths, dusting rooms, making beds etc., so if everything else fails- I can turn my hand to that- if anybody will give me good wages, for little labour. I won't be a cook, I hate cooking, I won't be a nurserymaid, nor a lady's maid, far less a lady's companion, or a straw-bonnet maker, or a mantua-maker, I will be nothing but a house-maid.""

2 ) Emily and Anne Brontë's Diary Paper, November 24, 1834.
I fed Rainbow, Diamond Snowflake Jasper pheasant (alias) this morning Branwell went down to Mr. Driver's and brought news that Sir Robert Peel was going to be invited to stand for Leeds Anne and I have been peeling apples for Charlotte to make us an apple pudding and for Aunt nuts and apples Charlotte said she made puddings perfectly and she was of a quick but limited intellect. Taby said just now Come Anne pilloputate (i.e. pill a potato) Aunt has come into the kitchen just now and said where are your feet Anne Anne answered On the floor Aunt papa opened the parlour door and gave Branwell a letter saying here Branwell read this and show it to your Aunt and Charlotte–The Gondals are discovering the interior of Gaaldine Sally Mosley is washing in the back kitchen.

It is past Twelve o'clock Anne and I have not tidied ourselves, done our bedwork or done our lessons and we want to go out to play we are going to have for Dinner Boiled Beef, Turnips, potatoes and applepudding. The Kitchin is in a very untidy state Anne and I have not done our music exercise which consists of b major Taby said on my putting a pen in her face Ya pitter pottering there instead of pilling a potate I answered O Dear, O Dear, O dear I will directly with that I get up, take a knife and begin pilling (finished) pilling the potatoes papa going to walk Mr. Sunderland expected.
Emily and Anne


3) Anne Brontë's Diary Paper, Thursday July 31, 1845
Charlotte has lately been to Hathersage in Derbyshire on a visit of three weeks to Ellen Nussy–she is now sitting sewing in the Dining-Room Emily is ironing upstairs I am sitting in the Dining Room in the Rocking chair before the fire with my feet on the fender Papa is in the parlour Tabby and Martha are I think in the Kitchen Keeper and Flossy are I do not know where little Dick is hopping in his cage


4) Emily Brontë's Diary Paper, Thursday, July 30, 1845
Tabby has just been teasing me to turn as formerly to-'pilloputate'. Anne and I should have picked the black currants if it had been fine and sunshiny. I must hurry off now to my taming and ironing I have plenty of work on hands and writing and am altogether full of buisness;

http://academic.brooklyn.cuny.edu/english/melani/novel_19c/wuthering/diary_papers

The back yard of the Parsonage contained a peat store and the two-seater privy, with seats for children and adults. A large wash kitchen, built on the back of the house.
A mixture of  coal and peat would have been burnt for heat, Mrs Gaskell recalled how fires burning in the grates ""made a pretty warm dancing light all over the house"".


A visitor to the Parsonage recalles how ""everything was exquisitely neat, and the copper pans shone like gold. it was a snug, warm crooning place.


Emily studied German, with her book propped up before her, when she kneaded dough"".

HOUSEKEEPING IN THE GEORGIAN AND VICTORIAN PERIOD.

A Homekeeping Schedule One of the things most stressed for the woman of the past was to keep a regular homekeeping schedule. A schedule meant all things were done in a timely manner.

"FOR convenience as well as efficient work in housekeeping, a schedule of regular daily, weekly, monthly, and yearly processes should be made out. Time can then be well planned, and a routine established that simplifies the machinery of housekeeping. " ~ A Manual of Home-Making
"A very good order of work is :
Monday, washing.
Tuesday, ironing.
Wednesday, mending.
Thursday, cleaning silver, preserving, etc.
Friday, sweeping, and window cleaning.
Saturday, thorough cleaning of kitchen closets,
cellar, etc., baking, etc.

a woman's work in the victorian age
victorian laundry
Life-in-victorians.
victorian servants
.kitchens-from-late-1800s-to-early-1900


Behind Closed Doors is a fascinating look at Georgian domestic life. The period covered is the long 18th century, from the Glorious Revolution of 1688 to the end of the 1820s.
Behind Closed Doors is published by Yale University Press & it’s gorgeously produced with lots of plates & illustrations in the text & heavy, creamy paper. A beautiful object worthy of its contents.
I also have the DVD of the TV series Amanda Vickery made based on the book, At Home with the Georgians. I’ve watched the first episode & enjoyed it very much. I loved seeing the people in the book brought to life in their own words & seeing their houses & portraits was fascinating. I was also intrigued to see Amanda Vickery whip out her iPad at every opportunity to show us a print (which she enlarged with a touch to the screen to show details) or a document as well as lots of more traditional documentary scenes of her lovingly unwrapping diaries in various libraries & archives. Seeing poor, frustrated Gertrude Savile’s diaries with their crossings-out & miserable scribble was very poignant. I’ll be watching the other episodes over the weekend.

woensdag 22 december 2010

21-12-1848 Funeral of Emily and Keeper, her dog.

Emily Bronte was buried
in the family vault
at Haworth Parish Church.
She had died on 19th December
aged 30.
-------------------------

On December 19, 1848, Emily, 29 years old, died of tuberculosis. She had become ill three months earlier at Branwell's funeral. Branwell died of tuberculosis aggravated by his dissolute life style. According to Charlotte, as Emily slowly withdrew from life, Keeper continually “lay at the side of her dying-bed” ( Barker, 1998, p. 240).
By the time of Emily's death, the power struggles between them were long over. Even as her strength waned, Emily was determined to continue caring for both Keeper and Flossey. Barker (1994) wrote, “The evening before her death she insisted on feeding the dogs...as she had always done. As she stepped from the warmth of the kitchen into the cold air of the damp, stone-flagged passage, she staggered and almost fell against the wall” (p. 576). The next afternoon Emily died.

The accounts of Emily's funeral all mention Keeper (Garber, 1996). Charlotte wrote that Keeper “followed her funeral to the vault,” and then came into the church with the family, “lying in the pew couched at [their] feet while the burial service was being read”( Barker, 1998, p. 240). According to Gaskell (1975), Keeper “walked first among the mourners to her funeral; he slept moaning for nights at the door of her empty room, and never, so to speak, rejoiced, dog fashion after her death” (p. 269). In her visits with Mrs. Gaskell after Emily's death, Charlotte seemed to find reassurance in talking about the funeral. Mrs. Gaskell noted how often Charlotte spoke about Keeper walking “side by side with her father” toward the graveyard and how often she mentioned Keeper sleeping every night at the door of Emily's empty room, “snuffing under it, and whining every morning” ( Wise, 1980, vol. 4, p. 87).

vrijdag 28 mei 2010

Pets of the Brontes

Flossy

The early pets are mainly known to us through pictures, and through Emily and Anne’s diary papers. They include Grasper (described in AOTB as an Irish terrier); Rainbow, Diamond, Snowflake (species unknown), and a pheasant called Jasper – possibly these were all wild birds who were fed regularly. Later the family acquired Keeper, the most famous and characterful of the Brontë pets (his fictional equivalent, Tartar in Shirley, is described in ch. 11 as “of a breed between mastiff and bull-dog”); Nero (often called Hero), a hawk, lost while Emily and Charlotte were in Brussels; Black Tom and Tiger (d. 1844), both cats; two geese, Victoria and Adelaide; and a cage bird, Little Dick, mentioned in Anne’s diary paper for 1845. Last of the major pets was Flossy, brought by Anne from Thorp Green in 1843 and painted by both her and Emily. Flossy sired a puppy, given to Ellen Nussey. In his last years Patrick acquired dogs called Cato and Plato. Charlotte’s comparative indifference to animals is evidenced by the lack of references to them in her early letters. In her last lonely years she was touched by the dogs’ display of affection, especially on her returns home.See also Flossy; Flossy Junior; Hero; Grasper; Keeper, Plato; Rainbow; Snowflake; Tiger; Tom; Victoria

dinsdag 16 juni 2009

Huisdieren van de Brontes.

The early pets are mainly known to us through pictures, and through Emily and Anne’s diary papers. They include Grasper (described in AOTB as an Irish terrier); Rainbow, Diamond, Snowflake (species unknown), and a pheasant called Jasper – possibly these were all wild birds who were fed regularly. Later the family acquired Keeper, the most famous and characterful of the Brontë pets (his fictional equivalent, Tartar in Shirley, is described in ch. 11 as “of a breed between mastiff and bull-dog”); Nero (often called Hero), a hawk, lost while Emily and Charlotte were in Brussels; Black Tom and Tiger (d. 1844), both cats; two geese, Victoria and Adelaide; and a cage bird, Little Dick, mentioned in Anne’s diary paper for 1845. Last of the major pets was Flossy, brought by Anne from Thorp Green in 1843 and painted by both her and Emily. Flossy sired a puppy, given to Ellen Nussey. In his last years Patrick acquired dogs called Cato and Plato. Charlotte’s comparative indifference to animals is evidenced by the lack of references to them in her early letters. In her last lonely years she was touched by the dogs’ display of affection, especially on her returns home.

Flossy, Anne's hond



Keeper, de hond van Emily. Deze tekening is van haar hand.

The Parlour

The Parlour

Parsonage

Parsonage

Charlotte Bronte

Presently the door opened, and in came a superannuated mastiff, followed by an old gentleman very like Miss Bronte, who shook hands with us, and then went to call his daughter. A long interval, during which we coaxed the old dog, and looked at a picture of Miss Bronte, by Richmond, the solitary ornament of the room, looking strangely out of place on the bare walls, and at the books on the little shelves, most of them evidently the gift of the authors since Miss Bronte's celebrity. Presently she came in, and welcomed us very kindly, and took me upstairs to take off my bonnet, and herself brought me water and towels. The uncarpeted stone stairs and floors, the old drawers propped on wood, were all scrupulously clean and neat. When we went into the parlour again, we began talking very comfortably, when the door opened and Mr. Bronte looked in; seeing his daughter there, I suppose he thought it was all right, and he retreated to his study on the opposite side of the passage; presently emerging again to bring W---- a country newspaper. This was his last appearance till we went. Miss Bronte spoke with the greatest warmth of Miss Martineau, and of the good she had gained from her. Well! we talked about various things; the character of the people, - about her solitude, etc., till she left the room to help about dinner, I suppose, for she did not return for an age. The old dog had vanished; a fat curly-haired dog honoured us with his company for some time, but finally manifested a wish to get out, so we were left alone. At last she returned, followed by the maid and dinner, which made us all more comfortable; and we had some very pleasant conversation, in the midst of which time passed quicker than we supposed, for at last W---- found that it was half-past three, and we had fourteen or fifteen miles before us. So we hurried off, having obtained from her a promise to pay us a visit in the spring... ------------------- "She cannot see well, and does little beside knitting. The way she weakened her eyesight was this: When she was sixteen or seventeen, she wanted much to draw; and she copied nimini-pimini copper-plate engravings out of annuals, ('stippling,' don't the artists call it?) every little point put in, till at the end of six months she had produced an exquisitely faithful copy of the engraving. She wanted to learn to express her ideas by drawing. After she had tried to draw stories, and not succeeded, she took the better mode of writing; but in so small a hand, that it is almost impossible to decipher what she wrote at this time.

I asked her whether she had ever taken opium, as the description given of its effects in Villette was so exactly like what I had experienced, - vivid and exaggerated presence of objects, of which the outlines were indistinct, or lost in golden mist, etc. She replied, that she had never, to her knowledge, taken a grain of it in any shape, but that she had followed the process she always adopted when she had to describe anything which had not fallen within her own experience; she had thought intently on it for many and many a night before falling to sleep, - wondering what it was like, or how it would be, - till at length, sometimes after the progress of her story had been arrested at this one point for weeks, she wakened up in the morning with all clear before her, as if she had in reality gone through the experience, and then could describe it, word for word, as it had happened. I cannot account for this psychologically; I only am sure that it was so, because she said it. ----------------------She thought much of her duty, and had loftier and clearer notions of it than most people, and held fast to them with more success. It was done, it seems to me, with much more difficulty than people have of stronger nerves, and better fortunes. All her life was but labour and pain; and she never threw down the burden for the sake of present pleasure. I don't know what use you can make of all I have said. I have written it with the strong desire to obtain appreciation for her. Yet, what does it matter? She herself appealed to the world's judgement for her use of some of the faculties she had, - not the best, - but still the only ones she could turn to strangers' benefit. They heartily, greedily enjoyed the fruits of her labours, and then found out she was much to be blamed for possessing such faculties. Why ask for a judgement on her from such a world?" elizabeth gaskell/charlotte bronte



Poem: No coward soul is mine

No coward soul is mine,
No trembler in the worlds storm-troubled sphere:
I see Heavens glories shine,
And faith shines equal, arming me from fear.


O God within my breast.
Almighty, ever-present Deity!
Life -- that in me has rest,
As I -- Undying Life -- have power in Thee!


Vain are the thousand creeds
That move mens hearts: unutterably vain;
Worthless as withered weeds,
Or idlest froth amid the boundless main,


To waken doubt in one
Holding so fast by Thine infinity;
So surely anchored on
The steadfast Rock of immortality.


With wide-embracing love
Thy Spirit animates eternal years,
Pervades and broods above,
Changes, sustains, dissolves, creates, and rears.


Though earth and man were gone,
And suns and universes ceased to be,
And Thou wert left alone,
Every existence would exist in Thee.


There is not room for Death,
Nor atom that his might could render void:
Thou -- Thou art Being and Breath,
And what Thou art may never be destroyed.


--
Emily Bronte

Family tree

The Bronte Family

Grandparents - paternal
Hugh Brunty was born 1755 and died circa 1808. He married Eleanor McClory, known as Alice in 1776.

Grandparents - maternal
Thomas Branwell (born 1746 died 5th April 1808) was married in 1768 to Anne Carne (baptised 27th April 1744 and died 19th December 1809).

Parents
Father was Patrick Bronte, the eldest of 10 children born to Hugh Brunty and Eleanor (Alice) McClory. He was born 17th March 1777 and died on 7th June 1861. Mother was Maria Branwell, who was born on 15th April 1783 and died on 15th September 1821.

Maria had a sister, Elizabeth who was known as Aunt Branwell. She was born in 1776 and died on 29th October 1842.

Patrick Bronte married Maria Branwell on 29th December 1812.

The Bronte Children
Patrick and Maria Bronte had six children.
The first child was Maria, who was born in 1814 and died on 6th June 1825.
The second daughter, Elizabeth was born on 8th February 1815 and died shortly after Maria on 15th June 1825. Charlotte was the third daughter, born on 21st April 1816.

Charlotte married Arthur Bell Nicholls (born 1818) on 29th June 1854. Charlotte died on 31st March 1855. Arthur lived until 2nd December 1906.

The first and only son born to Patrick and Maria was Patrick Branwell, who was born on 26th June 1817 and died on 24th September 1848.

Emily Jane, the fourth daughter was born on 30th July 1818 and died on 19th December 1848.

The sixth and last child was Anne, born on 17th January 1820 who died on 28th May 1849.

Top Withens in the snow.

Top Withens in the snow.

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