I've dreamt in my life dreams that have stayed with me ever after, and changed my ideas: they've gone through and through me, like wine through water, and altered the color of my mind.
Emily Bronte
Wuthering Heights

Posts tonen met het label Brontëites. Alle posts tonen
Posts tonen met het label Brontëites. Alle posts tonen

vrijdag 5 juni 2015

Virginia Rushton

bronteparsonage:
Virginia Rushton, who died recently, was a well-known and very hard-working member of the Brontë Society who will be greatly missed. A singer, she was also well-known in the world of music, and was largely responsible for an extraordinary operatic project for schools in 2006 entitled The Wind on the Moor. It was featured on this blog and can be accessed here:
bronteparsonage/wind-on-moor

She was also the moving force behind the restoration of Emily's piano:-rhinegold/music_teacher/news/music

This obituary appeared a few days ago:  voiceforarran

donderdag 21 november 2013

Ian M. Emberson in-memoriam

Todmorden News publishes an obituary of writer, artist and Brontëite Ian M. Emberson:
He took to painting and writing in early childhood, and pursued those activities all his life, drawing creatively on his life’s experiences in whichever form his work took. The results were always of high quality.
Following National Service (Royal Signals, Cyprus, 1955-57), he went on to earn a living in both horticulture and librarianship in different parts of the country, settling in Huddersfield in 1971 on becoming Music Librarian. He retired in 1986 to concentrate on painting and writing.
His work as an artist is best known through postcards and book illustrations. His publications include eight books of poetry and prose-poems, as well as many journal and magazine articles. In 1996 Bradford Playhouse produced his one-actor play Cockerel Crowing Dawn, based on the life of the Russian composer Mussorgsky. Ian also wrote the libretto for Daniel Bath’s opera The Forest, performed at the Hebden Bridge Arts Festival in 2003. Four other composers have set his poetry to music.
Ian met Catherine through the Brontë Society in 1988, and despite his love for his home village of Thurstonland, and the many musical interests of Huddersfield, he moved to Todmorden to be with her. Ian initially found it difficult to adjust, but soon came to love the town, its wonderful walking country and its swimming pool. He became well known at literary, artistic and musical events. He was a patron of Todmorden Orchestra and an enthusiastic member of Todmorden Antiquarian Society. His talk ‘A Comer-In’s View of Yorkshire’ - based on his semi-autobiographical book Yorkshire Lives and Landscapes - was due to be given to that organisation shortly.
Ian and Catherine worked together on various pieces of Brontë research. One of these led to the discovery of George Sowden’s Recollections of the Brontës – which had lain virtually forgotten for over one hundred years. The Brontë Society have published Ian’s book Pilgrims from Loneliness: an interpretation of Charlotte Brontë’s “Jane Eyre” and “Villette” .
Ian had two children by his first marriage – Beth, who lives in France, and the late Robert, who died in 2012.
His funeral will be at 1.30pm on Monday, November 18, at St Mary’s Church, Todmorden, and from 3pm to 5pm friends are invited to gather at the Bear Cafe to chat about Ian and hear some of his works. (John Greenwood) bronteblog
ian-m-emberson-in-memoriam 
 

dinsdag 29 oktober 2013

When I was a child we had a dining table that had belonged to the Bronte family


When Joanne Hutton lived at the Parsonage she held guided tours. Here is Josh, her Grandson, pointing (heroically) to the window from where his uncle used to hang and heckle her during the tours. — bij Bronte Museum & Parsonage.

I received this reaction from Ferndean Manor on one of my posts:

""The parsonage has had a fascinating history. We spoke a couple of years ago about Ferndean Manor and also the research i was doing about Branwell. Since then I have been given access to Joanne Huttons memoirs (mentioned in your article, the first female curator of the parsonage) together with her grandson we are writing a new history of the Bronte story as she reveals many revelations from her knowledge of them, the Bronte society and people who have tried to control the legacy. The memoirs and also an unpublished manuscript are very exciting and we hope the book will generate much discussion. In the mean time we are posting up little bits of research and a few teasers here:

facebook

On this Facebook page I read this: 

""  My name is Ian Howard and my family were connected to the Brontes. Exactly how, we are not sure, but that is one of the motivations for me to embark on researching this story. When I was a child we had a dining table that had belonged to the Bronte family and also a first edition Jane Eyre which was stolen from a Bronte exhibition. I’m still trying to track that book down.

After leaving school and a short lived apprenticeship in the textile industry I became a serving police officer which brought me into contact with some rather senior members of the Freemasons and when I left the force I worked as a private investigator on behalf of solicitors, banks and national newspapers. It is not a period of my life that I am particularly proud of and in the fullness of time I did realise it wasn’t the nicest of jobs to have shaping my personality. After a sort of epiphany, I dropped out and started on what I would like to consider a more consciousness evolving path. My past did however put me in good stead to both get my teeth into serious research and also understand some people’s duplicity and ulterior motives. 
I will go into much more detail of all this in the book but for the sake of facebook, I think that is enough for the time being""


I think, this really is interesting and I wait to hear some more news.

woensdag 25 september 2013

Dr Robert Barnard, a former chairman of the Bronte Society, author and compiler of the Bronte Encyclopaedia, has died.

The Telegraph and Argus has published an obituary of Robert Barnard:
A former chairman of the Bronte Society, author and compiler of the Bronte Encyclopaedia, has died.
Dr Robert Barnard was also a prolific crime writer as well as being a “mine of information” on Haworth’s most famous residents.
He died on Friday at Grove Court Nursing Home in Leeds, at 76.
Along with his wife Louise, he compiled The Bronte Encyclopaedia in 2007, referred to by the society as “a cornerstone for modern Bronte scholarship.”
He was chair of the society twice and also wrote a book on Emily Bronte’s life.
Essex born and Leeds based, Mr Barnard spent lots of time at the Bronte Parsonage and around Haworth.
He started writing crime novels in the 1970s, writing over 40 books and short stories and receiving the Cartier Diamond Dagger award in 2003 for services to crime fiction.
Marcel Berlins, critic at The Times, called Mr Barnard: “One of our most original and versatile bloodspillers.”
The Bronte Society’s Richard Wilcocks said: “Well known in the Bronte Society, he was a professor, a scholar and an award-winning crime writer.” bronteblog

donderdag 1 augustus 2013

Jackie Kay, MBE, new writer-in-residence at the Brontë Parsonage Museum

From the newsletter Parsonage Museum:

The Brontë Society is delighted to welcome award-winning poet Jackie Kay, MBE, as our new writer-in-residence at the Brontë Parsonage Museum.
Jackie will regularly be engaging with visitors and students as the Museum’s writer-in-residence over the next few months - and has already been talking to sixth formers about writing during her first two weeks in residence. Now she is busy at work on a series of new pieces exploring the lives and works of the Brontë sisters. A series of public events, including poetry workshops and readings, will showcase her work, culminating in an exhibition at the Museum in March 2014 as part of the Brontë Festival of Women’s Writing. Jackie will be opening the Festival and reading from her work.
‘Having grown up with the Brontës, on Jane Eyre, Wuthering Heights, Villette, Emily’s poetry, and having returned to them again and again all my reading life, it’s a huge privilege to be at the Parsonage, to put the pieces of the Brontë jigsaw together – and to be freshly inspired by this inspirational family,’ she told us. ‘The Parsonage Museum is astonishing: the care that has been taken to bring the past to the present. I’m hoping to write a series of linked poems, and am delighted to have been chosen as writer-in-residence.’
Edinburgh-born Jackie Kay came to prominence in 1992 as winner of The Scottish First Book Award for her volume of poetry The Adoption Papers. Her third volume of poetry, Trumpet, won the Guardian Fiction Prize in 1998, and her memoir Red Dust Road – about her search for her natural parents, in Scotland and Nigeria – drew wide critical acclaim for the warmth of her storytelling and the beauty of the poetry with which she told it.  Now living in Manchester, Jackie was awarded the MBE in June 2006, and teaches creative writing at Newcastle University.
‘I so enjoyed meeting Jackie and hearing about the themes she will be exploring,’ commented Brontë Society Executive Director Ann Sumner. 'It was wonderful she was so inspired by her visit to Haworth during that period of beautiful warm weather.'
'I am already looking forward to reading Jackie's Brontë-inspired work,' added Brontë Society Chair Sally McDonald. 'All the Brontë family wrote poetry and found inspiration here at the Parsonage.

The Parlour

The Parlour

Parsonage

Parsonage

Charlotte Bronte

Presently the door opened, and in came a superannuated mastiff, followed by an old gentleman very like Miss Bronte, who shook hands with us, and then went to call his daughter. A long interval, during which we coaxed the old dog, and looked at a picture of Miss Bronte, by Richmond, the solitary ornament of the room, looking strangely out of place on the bare walls, and at the books on the little shelves, most of them evidently the gift of the authors since Miss Bronte's celebrity. Presently she came in, and welcomed us very kindly, and took me upstairs to take off my bonnet, and herself brought me water and towels. The uncarpeted stone stairs and floors, the old drawers propped on wood, were all scrupulously clean and neat. When we went into the parlour again, we began talking very comfortably, when the door opened and Mr. Bronte looked in; seeing his daughter there, I suppose he thought it was all right, and he retreated to his study on the opposite side of the passage; presently emerging again to bring W---- a country newspaper. This was his last appearance till we went. Miss Bronte spoke with the greatest warmth of Miss Martineau, and of the good she had gained from her. Well! we talked about various things; the character of the people, - about her solitude, etc., till she left the room to help about dinner, I suppose, for she did not return for an age. The old dog had vanished; a fat curly-haired dog honoured us with his company for some time, but finally manifested a wish to get out, so we were left alone. At last she returned, followed by the maid and dinner, which made us all more comfortable; and we had some very pleasant conversation, in the midst of which time passed quicker than we supposed, for at last W---- found that it was half-past three, and we had fourteen or fifteen miles before us. So we hurried off, having obtained from her a promise to pay us a visit in the spring... ------------------- "She cannot see well, and does little beside knitting. The way she weakened her eyesight was this: When she was sixteen or seventeen, she wanted much to draw; and she copied nimini-pimini copper-plate engravings out of annuals, ('stippling,' don't the artists call it?) every little point put in, till at the end of six months she had produced an exquisitely faithful copy of the engraving. She wanted to learn to express her ideas by drawing. After she had tried to draw stories, and not succeeded, she took the better mode of writing; but in so small a hand, that it is almost impossible to decipher what she wrote at this time.

I asked her whether she had ever taken opium, as the description given of its effects in Villette was so exactly like what I had experienced, - vivid and exaggerated presence of objects, of which the outlines were indistinct, or lost in golden mist, etc. She replied, that she had never, to her knowledge, taken a grain of it in any shape, but that she had followed the process she always adopted when she had to describe anything which had not fallen within her own experience; she had thought intently on it for many and many a night before falling to sleep, - wondering what it was like, or how it would be, - till at length, sometimes after the progress of her story had been arrested at this one point for weeks, she wakened up in the morning with all clear before her, as if she had in reality gone through the experience, and then could describe it, word for word, as it had happened. I cannot account for this psychologically; I only am sure that it was so, because she said it. ----------------------She thought much of her duty, and had loftier and clearer notions of it than most people, and held fast to them with more success. It was done, it seems to me, with much more difficulty than people have of stronger nerves, and better fortunes. All her life was but labour and pain; and she never threw down the burden for the sake of present pleasure. I don't know what use you can make of all I have said. I have written it with the strong desire to obtain appreciation for her. Yet, what does it matter? She herself appealed to the world's judgement for her use of some of the faculties she had, - not the best, - but still the only ones she could turn to strangers' benefit. They heartily, greedily enjoyed the fruits of her labours, and then found out she was much to be blamed for possessing such faculties. Why ask for a judgement on her from such a world?" elizabeth gaskell/charlotte bronte



Poem: No coward soul is mine

No coward soul is mine,
No trembler in the worlds storm-troubled sphere:
I see Heavens glories shine,
And faith shines equal, arming me from fear.


O God within my breast.
Almighty, ever-present Deity!
Life -- that in me has rest,
As I -- Undying Life -- have power in Thee!


Vain are the thousand creeds
That move mens hearts: unutterably vain;
Worthless as withered weeds,
Or idlest froth amid the boundless main,


To waken doubt in one
Holding so fast by Thine infinity;
So surely anchored on
The steadfast Rock of immortality.


With wide-embracing love
Thy Spirit animates eternal years,
Pervades and broods above,
Changes, sustains, dissolves, creates, and rears.


Though earth and man were gone,
And suns and universes ceased to be,
And Thou wert left alone,
Every existence would exist in Thee.


There is not room for Death,
Nor atom that his might could render void:
Thou -- Thou art Being and Breath,
And what Thou art may never be destroyed.


--
Emily Bronte

Family tree

The Bronte Family

Grandparents - paternal
Hugh Brunty was born 1755 and died circa 1808. He married Eleanor McClory, known as Alice in 1776.

Grandparents - maternal
Thomas Branwell (born 1746 died 5th April 1808) was married in 1768 to Anne Carne (baptised 27th April 1744 and died 19th December 1809).

Parents
Father was Patrick Bronte, the eldest of 10 children born to Hugh Brunty and Eleanor (Alice) McClory. He was born 17th March 1777 and died on 7th June 1861. Mother was Maria Branwell, who was born on 15th April 1783 and died on 15th September 1821.

Maria had a sister, Elizabeth who was known as Aunt Branwell. She was born in 1776 and died on 29th October 1842.

Patrick Bronte married Maria Branwell on 29th December 1812.

The Bronte Children
Patrick and Maria Bronte had six children.
The first child was Maria, who was born in 1814 and died on 6th June 1825.
The second daughter, Elizabeth was born on 8th February 1815 and died shortly after Maria on 15th June 1825. Charlotte was the third daughter, born on 21st April 1816.

Charlotte married Arthur Bell Nicholls (born 1818) on 29th June 1854. Charlotte died on 31st March 1855. Arthur lived until 2nd December 1906.

The first and only son born to Patrick and Maria was Patrick Branwell, who was born on 26th June 1817 and died on 24th September 1848.

Emily Jane, the fourth daughter was born on 30th July 1818 and died on 19th December 1848.

The sixth and last child was Anne, born on 17th January 1820 who died on 28th May 1849.

Top Withens in the snow.

Top Withens in the snow.

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