“In the morning from nine o’clock till half past twelve I instruct my Sisters & draw, then we walk till dinner after dinner I sew till tea-time, and after tea I either read, write, do a little fancy-work or draw, as I please. Thus in one delightful, though somewhat monotonous course my life is passed”
This is a blog about the Bronte Sisters, Charlotte, Emily and Anne. And their father Patrick, their mother Maria and their brother Branwell. About their pets, their friends, the parsonage (their house), Haworth the town in which they lived, the moors they loved so much, the Victorian era in which they lived.
I've dreamt in my life dreams that have stayed with me ever after, and changed my ideas: they've gone through and through me, like wine through water, and altered the color of my mind.
Emily BronteWuthering Heights
vrijdag 22 juli 2016
woensdag 20 juli 2016
Brontë Society acquires £200k book of unpublished Brontë manuscripts
The Brontë Society has acquired a book for its museum worth £200,000 containing unpublished Brontë manuscripts. The book, which will be displayed at the Brontë Parsonage Museum in Haworth, is a copy of Robert Southey’s The Remains of Henry Kirke White that belonged to Mrs Maria Brontë and includes annotations by the Brontë children, including unpublished material by Charlotte Brontë.
The volume was bought from Randall House, a rare book dealer in California, at total cost of £200,000. It spent most of the last century in the US, after originally being sold at the Parsonage in 1861 following the death of Patrick Brontë, Maria Brontë's husband. The acquisition was made possible thanks to a £170,000 donation from the National Heritage Memorial Fund (NHMF), in addition to funding from the V&A Purchase Grant Fund and the Friends of the National Libraries.
The book is one of the rare surviving possessions of Maria Brontë, whose property was shipwrecked off the Devonshire coast shortly before her marriage to Patrick Brontë in 1812. It contains Latin inscriptions in Patrick Brontë’s handwriting stating that this was "….the book of my dearest wife and it was saved from the waves. So then it will always be preserved".
In addition to annotations, markings and sketches by various members of the family, it also includes a poem and a fragment of prose by Charlotte Brontë and a letter by her husband Arthur Bell Nicholls written shortly after her death in 1855.
Members of the Brontë Society were allowed to view the book at their annual summer festival held
last month in June. It is currently available to view as part of the "Treasures Tours" organised by the museum and is due to go on public display at the Parsonage in 2017.
Ann Dinsdale, collections manager at the Brontë Parsonage Museum in Haworth, said: "Mrs Brontë’s book is one of the most significant Brontë items to come to light in many years. It was clearly well-used and of great sentimental value to the Brontë children, who lost their mother while they were very young. In addition, the unpublished writings by Charlotte offer new opportunities for research, which is really exciting. This acquisition has been a wonderful addition to our celebrations marking Charlotte Brontë’s bicentenary.”
Juliet Barker, historian and author of biography The Brontës (Abacus), said: "The book alone is a valuable acquisition because of its rare associations with Mrs Brontë before her marriage to Patrick, but its importance is immeasurably increased by the unpublished manuscripts tipped into it. There could be no better place for it to be preserved for the future than the Brontë Parsonage Museum.”
thebooksellers/bronte-society-acquires-200k-book-unpublished-bront-manuscripts
Randall House has a long tradition in the rare and collectible book world. Ronald R. Randall grew up in a home where his father, David A. Randall, already was established as head of the rare book department for Scribner's. His mother was an accomplished artist and book illustrator. He grew up in New York surrounded by literary figures, books and fine art. Eventually he settled into his bookselling career. Ron spent seven years at John Howell-Books in San Francisco where he further deepened and enhanced his knowledge of books. He even sold books to his father who by this time was Director of the Lilly Rare Book Library at Indiana University.
In 1975 Ron and a partner opened their own shop in San Francisco. 1985 saw Ron moved Randall House Rare Books to Santa Barbara while his partner stayed in San Francisco.
biblio.randall-house-rare-books-santa-barbara
yelp/randall-house-rare-books-santa-barbara
The volume was bought from Randall House, a rare book dealer in California, at total cost of £200,000. It spent most of the last century in the US, after originally being sold at the Parsonage in 1861 following the death of Patrick Brontë, Maria Brontë's husband. The acquisition was made possible thanks to a £170,000 donation from the National Heritage Memorial Fund (NHMF), in addition to funding from the V&A Purchase Grant Fund and the Friends of the National Libraries.
The book is one of the rare surviving possessions of Maria Brontë, whose property was shipwrecked off the Devonshire coast shortly before her marriage to Patrick Brontë in 1812. It contains Latin inscriptions in Patrick Brontë’s handwriting stating that this was "….the book of my dearest wife and it was saved from the waves. So then it will always be preserved".
In addition to annotations, markings and sketches by various members of the family, it also includes a poem and a fragment of prose by Charlotte Brontë and a letter by her husband Arthur Bell Nicholls written shortly after her death in 1855.
Members of the Brontë Society were allowed to view the book at their annual summer festival held
last month in June. It is currently available to view as part of the "Treasures Tours" organised by the museum and is due to go on public display at the Parsonage in 2017.
Ann Dinsdale, collections manager at the Brontë Parsonage Museum in Haworth, said: "Mrs Brontë’s book is one of the most significant Brontë items to come to light in many years. It was clearly well-used and of great sentimental value to the Brontë children, who lost their mother while they were very young. In addition, the unpublished writings by Charlotte offer new opportunities for research, which is really exciting. This acquisition has been a wonderful addition to our celebrations marking Charlotte Brontë’s bicentenary.”
Juliet Barker, historian and author of biography The Brontës (Abacus), said: "The book alone is a valuable acquisition because of its rare associations with Mrs Brontë before her marriage to Patrick, but its importance is immeasurably increased by the unpublished manuscripts tipped into it. There could be no better place for it to be preserved for the future than the Brontë Parsonage Museum.”
thebooksellers/bronte-society-acquires-200k-book-unpublished-bront-manuscripts
Randall House
Established in 1975. Randall House has a long tradition in the rare and collectible book world. Ronald R. Randall grew up in a home where his father, David A. Randall, already was established as head of the rare book department for Scribner's. His mother was an accomplished artist and book illustrator. He grew up in New York surrounded by literary figures, books and fine art. Eventually he settled into his bookselling career. Ron spent seven years at John Howell-Books in San Francisco where he further deepened and enhanced his knowledge of books. He even sold books to his father who by this time was Director of the Lilly Rare Book Library at Indiana University.
In 1975 Ron and a partner opened their own shop in San Francisco. 1985 saw Ron moved Randall House Rare Books to Santa Barbara while his partner stayed in San Francisco.
biblio.randall-house-rare-books-santa-barbara
yelp/randall-house-rare-books-santa-barbara
dinsdag 19 juli 2016
Josephine Reames, great grand-daughter of Sir James Roberts who gifted Haworth Parsonage to the Bronte Society in 1928
We had another special visitor recently - Josephine Reames, great grand-daughter of Sir James Roberts who gifted Haworth Parsonage to the Bronte Society in 1928. Here she is standing with his picture in the Museum.
Abonneren op:
Posts (Atom)
The Parlour
Parsonage
Charlotte Bronte
Presently the door opened, and in came a superannuated mastiff, followed by an old gentleman very like Miss Bronte, who shook hands with us, and then went to call his daughter. A long interval, during which we coaxed the old dog, and looked at a picture of Miss Bronte, by Richmond, the solitary ornament of the room, looking strangely out of place on the bare walls, and at the books on the little shelves, most of them evidently the gift of the authors since Miss Bronte's celebrity. Presently she came in, and welcomed us very kindly, and took me upstairs to take off my bonnet, and herself brought me water and towels. The uncarpeted stone stairs and floors, the old drawers propped on wood, were all scrupulously clean and neat. When we went into the parlour again, we began talking very comfortably, when the door opened and Mr. Bronte looked in; seeing his daughter there, I suppose he thought it was all right, and he retreated to his study on the opposite side of the passage; presently emerging again to bring W---- a country newspaper. This was his last appearance till we went. Miss Bronte spoke with the greatest warmth of Miss Martineau, and of the good she had gained from her. Well! we talked about various things; the character of the people, - about her solitude, etc., till she left the room to help about dinner, I suppose, for she did not return for an age. The old dog had vanished; a fat curly-haired dog honoured us with his company for some time, but finally manifested a wish to get out, so we were left alone. At last she returned, followed by the maid and dinner, which made us all more comfortable; and we had some very pleasant conversation, in the midst of which time passed quicker than we supposed, for at last W---- found that it was half-past three, and we had fourteen or fifteen miles before us. So we hurried off, having obtained from her a promise to pay us a visit in the spring... ------------------- "She cannot see well, and does little beside knitting. The way she weakened her eyesight was this: When she was sixteen or seventeen, she wanted much to draw; and she copied nimini-pimini copper-plate engravings out of annuals, ('stippling,' don't the artists call it?) every little point put in, till at the end of six months she had produced an exquisitely faithful copy of the engraving. She wanted to learn to express her ideas by drawing. After she had tried to draw stories, and not succeeded, she took the better mode of writing; but in so small a hand, that it is almost impossible to decipher what she wrote at this time.
I asked her whether she had ever taken opium, as the description given of its effects in Villette was so exactly like what I had experienced, - vivid and exaggerated presence of objects, of which the outlines were indistinct, or lost in golden mist, etc. She replied, that she had never, to her knowledge, taken a grain of it in any shape, but that she had followed the process she always adopted when she had to describe anything which had not fallen within her own experience; she had thought intently on it for many and many a night before falling to sleep, - wondering what it was like, or how it would be, - till at length, sometimes after the progress of her story had been arrested at this one point for weeks, she wakened up in the morning with all clear before her, as if she had in reality gone through the experience, and then could describe it, word for word, as it had happened. I cannot account for this psychologically; I only am sure that it was so, because she said it. ----------------------She thought much of her duty, and had loftier and clearer notions of it than most people, and held fast to them with more success. It was done, it seems to me, with much more difficulty than people have of stronger nerves, and better fortunes. All her life was but labour and pain; and she never threw down the burden for the sake of present pleasure. I don't know what use you can make of all I have said. I have written it with the strong desire to obtain appreciation for her. Yet, what does it matter? She herself appealed to the world's judgement for her use of some of the faculties she had, - not the best, - but still the only ones she could turn to strangers' benefit. They heartily, greedily enjoyed the fruits of her labours, and then found out she was much to be blamed for possessing such faculties. Why ask for a judgement on her from such a world?" elizabeth gaskell/charlotte bronte
I asked her whether she had ever taken opium, as the description given of its effects in Villette was so exactly like what I had experienced, - vivid and exaggerated presence of objects, of which the outlines were indistinct, or lost in golden mist, etc. She replied, that she had never, to her knowledge, taken a grain of it in any shape, but that she had followed the process she always adopted when she had to describe anything which had not fallen within her own experience; she had thought intently on it for many and many a night before falling to sleep, - wondering what it was like, or how it would be, - till at length, sometimes after the progress of her story had been arrested at this one point for weeks, she wakened up in the morning with all clear before her, as if she had in reality gone through the experience, and then could describe it, word for word, as it had happened. I cannot account for this psychologically; I only am sure that it was so, because she said it. ----------------------She thought much of her duty, and had loftier and clearer notions of it than most people, and held fast to them with more success. It was done, it seems to me, with much more difficulty than people have of stronger nerves, and better fortunes. All her life was but labour and pain; and she never threw down the burden for the sake of present pleasure. I don't know what use you can make of all I have said. I have written it with the strong desire to obtain appreciation for her. Yet, what does it matter? She herself appealed to the world's judgement for her use of some of the faculties she had, - not the best, - but still the only ones she could turn to strangers' benefit. They heartily, greedily enjoyed the fruits of her labours, and then found out she was much to be blamed for possessing such faculties. Why ask for a judgement on her from such a world?" elizabeth gaskell/charlotte bronte
Poem: No coward soul is mine
No coward soul is mine,
No trembler in the worlds storm-troubled sphere:
I see Heavens glories shine,
And faith shines equal, arming me from fear.
O God within my breast.
Almighty, ever-present Deity!
Life -- that in me has rest,
As I -- Undying Life -- have power in Thee!
Vain are the thousand creeds
That move mens hearts: unutterably vain;
Worthless as withered weeds,
Or idlest froth amid the boundless main,
To waken doubt in one
Holding so fast by Thine infinity;
So surely anchored on
The steadfast Rock of immortality.
With wide-embracing love
Thy Spirit animates eternal years,
Pervades and broods above,
Changes, sustains, dissolves, creates, and rears.
Though earth and man were gone,
And suns and universes ceased to be,
And Thou wert left alone,
Every existence would exist in Thee.
There is not room for Death,
Nor atom that his might could render void:
Thou -- Thou art Being and Breath,
And what Thou art may never be destroyed.
-- Emily Bronte
No trembler in the worlds storm-troubled sphere:
I see Heavens glories shine,
And faith shines equal, arming me from fear.
O God within my breast.
Almighty, ever-present Deity!
Life -- that in me has rest,
As I -- Undying Life -- have power in Thee!
Vain are the thousand creeds
That move mens hearts: unutterably vain;
Worthless as withered weeds,
Or idlest froth amid the boundless main,
To waken doubt in one
Holding so fast by Thine infinity;
So surely anchored on
The steadfast Rock of immortality.
With wide-embracing love
Thy Spirit animates eternal years,
Pervades and broods above,
Changes, sustains, dissolves, creates, and rears.
Though earth and man were gone,
And suns and universes ceased to be,
And Thou wert left alone,
Every existence would exist in Thee.
There is not room for Death,
Nor atom that his might could render void:
Thou -- Thou art Being and Breath,
And what Thou art may never be destroyed.
-- Emily Bronte
Family tree
The Bronte Family
Grandparents - paternal
Hugh Brunty was born 1755 and died circa 1808. He married Eleanor McClory, known as Alice in 1776.
Grandparents - maternal
Thomas Branwell (born 1746 died 5th April 1808) was married in 1768 to Anne Carne (baptised 27th April 1744 and died 19th December 1809).
Parents
Father was Patrick Bronte, the eldest of 10 children born to Hugh Brunty and Eleanor (Alice) McClory. He was born 17th March 1777 and died on 7th June 1861. Mother was Maria Branwell, who was born on 15th April 1783 and died on 15th September 1821.
Maria had a sister, Elizabeth who was known as Aunt Branwell. She was born in 1776 and died on 29th October 1842.
Patrick Bronte married Maria Branwell on 29th December 1812.
The Bronte Children
Patrick and Maria Bronte had six children.
The first child was Maria, who was born in 1814 and died on 6th June 1825.
The second daughter, Elizabeth was born on 8th February 1815 and died shortly after Maria on 15th June 1825. Charlotte was the third daughter, born on 21st April 1816.
Charlotte married Arthur Bell Nicholls (born 1818) on 29th June 1854. Charlotte died on 31st March 1855. Arthur lived until 2nd December 1906.
The first and only son born to Patrick and Maria was Patrick Branwell, who was born on 26th June 1817 and died on 24th September 1848.
Emily Jane, the fourth daughter was born on 30th July 1818 and died on 19th December 1848.
The sixth and last child was Anne, born on 17th January 1820 who died on 28th May 1849.
Grandparents - paternal
Hugh Brunty was born 1755 and died circa 1808. He married Eleanor McClory, known as Alice in 1776.
Grandparents - maternal
Thomas Branwell (born 1746 died 5th April 1808) was married in 1768 to Anne Carne (baptised 27th April 1744 and died 19th December 1809).
Parents
Father was Patrick Bronte, the eldest of 10 children born to Hugh Brunty and Eleanor (Alice) McClory. He was born 17th March 1777 and died on 7th June 1861. Mother was Maria Branwell, who was born on 15th April 1783 and died on 15th September 1821.
Maria had a sister, Elizabeth who was known as Aunt Branwell. She was born in 1776 and died on 29th October 1842.
Patrick Bronte married Maria Branwell on 29th December 1812.
The Bronte Children
Patrick and Maria Bronte had six children.
The first child was Maria, who was born in 1814 and died on 6th June 1825.
The second daughter, Elizabeth was born on 8th February 1815 and died shortly after Maria on 15th June 1825. Charlotte was the third daughter, born on 21st April 1816.
Charlotte married Arthur Bell Nicholls (born 1818) on 29th June 1854. Charlotte died on 31st March 1855. Arthur lived until 2nd December 1906.
The first and only son born to Patrick and Maria was Patrick Branwell, who was born on 26th June 1817 and died on 24th September 1848.
Emily Jane, the fourth daughter was born on 30th July 1818 and died on 19th December 1848.
The sixth and last child was Anne, born on 17th January 1820 who died on 28th May 1849.
Top Withens in the snow.
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