the Brontë Sisters
This is a blog about the Bronte Sisters, Charlotte, Emily and Anne. And their father Patrick, their mother Maria and their brother Branwell. About their pets, their friends, the parsonage (their house), Haworth the town in which they lived, the moors they loved so much, the Victorian era in which they lived.
Wuthering Heights
zaterdag 11 maart 2023
maandag 6 februari 2023
zondag 25 december 2022
dinsdag 6 december 2022
Anne Lloyd: My Brontë Stories
I started to learn Anne Lloyd because we both are Brontëites. I am following Anne's blog, she is following me. I knewAnne is writing about Charlotte Bronte and her husband Arthur Bell Nicolls. Anne visited Haworth and Banagher.
Anne Lloyd posted on her blog: Stay at Home Artist: For the past ten years I have been writing a Brontë novel from the view point of Charlotte's husband, Arthur Bell Nicholls. Well, I thought I was writing a novel. What I now find is I have been writing many, many Brontë short stories that run from 1798 to 1906. The collection is called," My Heart is in Haworth. "
woensdag 23 november 2022
Christmas in Haworth.
Every year at Christmas time, Haworth is lit by twinkling fairy lights and pretty shop windows. Our cobbled street is home to wonderful independent shops, bars and restaurants, cafes, hotels and pubs, and every weekend in December leading up to Christmas, Haworth's residents and traders host bands, choirs, carol singers, processions and parades for visitors to enjoy. Home | Christmas In Haworth
zaterdag 19 november 2022
vrijdag 4 november 2022
IN THE PARSONAGE GARDEN.
The garden has never looked better than it has this year. It was a dry summer, so we did lots of watering to keep the plants comfortable; the leaf cover from the graveyard trees is so dense in summer that even when we have rain it doesn't always get through. The roses have been stunning. They love the sun, as do many other beautiful plants in the garden. The challenge is more in the shady beds so in the last couple of years we have put more work and more of our budget into improving them. We have bought quite a number of pots and containers which enables us to move plants to fill gaps as needed. Our policy now for the garden is to make it more environmentally friendly - if you see seed heads left on or overflowing foliage, don’t think we’re being lazy, we’ll be leaving these for food and shelter for the wildlife and we are also thinking about how to bring water to the garden without using mains.
It’s a new era; we have the will and the skill of our gardeners, so we intend to do our bit for the planet.Jenny Whitehead
THE BRONTË SOCIETY ANNOUNCES NEW DIRECTOR.
The Brontë Society is pleased to announce the permanent appointment of Rebecca Yorke as Director of the Brontë Society and Brontë Parsonage Museum. Rebecca, who first joined the Museum in early 2015 in a marketing and communications role, has been a member of the organisation’s senior management since 2016 and has held the post of Interim Director since June 2021.
On accepting the role, Rebecca said, “I am thrilled to be appointed Director of the Brontë Society and Brontë Parsonage Museum, to have this opportunity to build on all that has been achieved in recent years and fulfil our mission of bringing the Brontës to the world and the world to Yorkshire. It’s an exciting time to lead one of the country’s most-loved heritage organisations as we prepare to celebrate Bradford as UK City of Culture in 2025 and the Museum’s centenary in 2028 and I would like to thank the trustees for their faith in me, and all my Parsonage colleagues for their continued commitment and support.” bronte.org.uk
vrijdag 28 oktober 2022
dinsdag 25 oktober 2022
Charlotte Brontë’s Roe Head Letter Of October 1836.
One period that Charlotte Brontë found particularly trying in her life was her time as a teacher at Roe Head school in the hills above Mirfield in the West Riding of Yorkshire (that’s a drawing of it, by Anne Brontë at the head of this post). Charlotte had attended the school as a pupil from 1831 until 1832; it was a very happy time for her, and she made lifelong friends in Ellen Nussey and Mary Taylor. In 1835 Charlotte returned to Roe Head in the role of teacher, but she found this to be a very different experience. Read more: anebronte.org/2022/charlotte-brontes-roe-head-letter-of-october-1836/n
zaterdag 15 oktober 2022
The new Emily Bronte film.
Ben Lovegrove: I‘ve been to see the #EmilyMovie tonight and loved it. All I can say is ignore the critics and decide for yourself. We know the historical accuracy of the Weightman part has been questioned but it’s very accurate in portraying other aspects of Emily’s life that were overlooked in To Walk Invisible, such as her stubborn attachment to Gondal, questioning of religion and belief in ghosts. If you’ve seen it let me know what you think. facebook
donderdag 13 oktober 2022
This event offers a unique opportunity to get up close to, and discover more about, these treasures and how they came back to the Parsonage.
Tickets are £25.
zondag 17 juli 2022
Haworth at 4.30 in the morning.
Beautiful photographes on the Facebook page of Dave Zdanowicz.
Haworth at about 4:30am this morning. Rained just as I got there!
zondag 12 juni 2022
Defying Expectations: 5 Treasures Of The Exhibition.
Nick Holland from the Anne Bronte Blog paid his first visit of 2022 to the Brontë Parsonage Museum in Haworth. Their latest exhibition is entitled ‘Defying Expectations’ and it takes a particular look at clothing and accessories used by the Brontë sisters, as well as showcasing some old favourite items from the museum’s extensive collections, and some items which are less frequently seen. Despite it’s title this exhibition very much lived up to my high expectations, so in today’s post I bring you five treasures from this year’s parsonage collection! Read all the story here: Anne Bronte
Mohawk Moccasin SlippersBerlin Work Bag
Shawls
Nick Holland: The one on the right with the shiny silk inserts, is the very shawl that Charlotte Brontë wore on her wedding day in 1854.
Luxurious Dress
Nick Holland: Perhaps the greatest item of all, among many great items, in this year’s exhibition is this dress. Charlotte’s Room, as the museum hails it, always contains a Brontë dress within a carefully sealed glass case. They are always very moving, but this year the dress is particularly spectacular – and it really does defy general expectations around Charlotte Brontë’s apparel.
We often think of Charlotte Brontë as rather dowdy, and she may have been so by necessity throughout much of her life. The Brontës were not wealthy, and had to repair, improvise and recycle much of their clothing. By the end of Charlotte’s life, however, things had changed dramatically for her. The royalties she earned from her writing were far greater than anything she could have hoped to earn from careers as a teacher or governess, and the legacy she left in 1855 was worth more than a million pounds in today’s money.
This dress dates from this period of Charlotte’s life. It was one where she often had to mix in high society, difficult as that must have been for someone as shy as she was, and she dressed accordingly. This striped silk dress was one of three found holed up behind a wall during renovations at the parsonage in 1936. It has been a cause of speculation for some time, but the museum has finally proven that it did belong to Charlotte meaning that it can finally go on display. With floral adornments it’s an item of real beauty, and evidence of the elevation in status and wealth that Charlotte’s literary genius finally brought her. Also displayed her are an ornate fan, and a pair of black stockings worn by Charlotte Brontë.
Hair Brooch and Bracelet
The Parlour

Parsonage

Charlotte Bronte
I asked her whether she had ever taken opium, as the description given of its effects in Villette was so exactly like what I had experienced, - vivid and exaggerated presence of objects, of which the outlines were indistinct, or lost in golden mist, etc. She replied, that she had never, to her knowledge, taken a grain of it in any shape, but that she had followed the process she always adopted when she had to describe anything which had not fallen within her own experience; she had thought intently on it for many and many a night before falling to sleep, - wondering what it was like, or how it would be, - till at length, sometimes after the progress of her story had been arrested at this one point for weeks, she wakened up in the morning with all clear before her, as if she had in reality gone through the experience, and then could describe it, word for word, as it had happened. I cannot account for this psychologically; I only am sure that it was so, because she said it. ----------------------She thought much of her duty, and had loftier and clearer notions of it than most people, and held fast to them with more success. It was done, it seems to me, with much more difficulty than people have of stronger nerves, and better fortunes. All her life was but labour and pain; and she never threw down the burden for the sake of present pleasure. I don't know what use you can make of all I have said. I have written it with the strong desire to obtain appreciation for her. Yet, what does it matter? She herself appealed to the world's judgement for her use of some of the faculties she had, - not the best, - but still the only ones she could turn to strangers' benefit. They heartily, greedily enjoyed the fruits of her labours, and then found out she was much to be blamed for possessing such faculties. Why ask for a judgement on her from such a world?" elizabeth gaskell/charlotte bronte
Poem: No coward soul is mine
No trembler in the worlds storm-troubled sphere:
I see Heavens glories shine,
And faith shines equal, arming me from fear.
O God within my breast.
Almighty, ever-present Deity!
Life -- that in me has rest,
As I -- Undying Life -- have power in Thee!
Vain are the thousand creeds
That move mens hearts: unutterably vain;
Worthless as withered weeds,
Or idlest froth amid the boundless main,
To waken doubt in one
Holding so fast by Thine infinity;
So surely anchored on
The steadfast Rock of immortality.
With wide-embracing love
Thy Spirit animates eternal years,
Pervades and broods above,
Changes, sustains, dissolves, creates, and rears.
Though earth and man were gone,
And suns and universes ceased to be,
And Thou wert left alone,
Every existence would exist in Thee.
There is not room for Death,
Nor atom that his might could render void:
Thou -- Thou art Being and Breath,
And what Thou art may never be destroyed.
-- Emily Bronte
Family tree
Grandparents - paternal
Hugh Brunty was born 1755 and died circa 1808. He married Eleanor McClory, known as Alice in 1776.
Grandparents - maternal
Thomas Branwell (born 1746 died 5th April 1808) was married in 1768 to Anne Carne (baptised 27th April 1744 and died 19th December 1809).
Parents
Father was Patrick Bronte, the eldest of 10 children born to Hugh Brunty and Eleanor (Alice) McClory. He was born 17th March 1777 and died on 7th June 1861. Mother was Maria Branwell, who was born on 15th April 1783 and died on 15th September 1821.
Maria had a sister, Elizabeth who was known as Aunt Branwell. She was born in 1776 and died on 29th October 1842.
Patrick Bronte married Maria Branwell on 29th December 1812.
The Bronte Children
Patrick and Maria Bronte had six children.
The first child was Maria, who was born in 1814 and died on 6th June 1825.
The second daughter, Elizabeth was born on 8th February 1815 and died shortly after Maria on 15th June 1825. Charlotte was the third daughter, born on 21st April 1816.
Charlotte married Arthur Bell Nicholls (born 1818) on 29th June 1854. Charlotte died on 31st March 1855. Arthur lived until 2nd December 1906.
The first and only son born to Patrick and Maria was Patrick Branwell, who was born on 26th June 1817 and died on 24th September 1848.
Emily Jane, the fourth daughter was born on 30th July 1818 and died on 19th December 1848.
The sixth and last child was Anne, born on 17th January 1820 who died on 28th May 1849.
Top Withens in the snow.

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