I've dreamt in my life dreams that have stayed with me ever after, and changed my ideas: they've gone through and through me, like wine through water, and altered the color of my mind.
Emily Bronte
Wuthering Heights

Posts tonen met het label books. Alle posts tonen
Posts tonen met het label books. Alle posts tonen

dinsdag 6 december 2022

Anne Lloyd: My Brontë Stories

 I started to learn Anne Lloyd because we both are Brontëites.  I am following Anne's blog, she is following me. I knewAnne is writing about Charlotte Bronte and her husband Arthur Bell Nicolls. Anne visited Haworth and Banagher.

Anne Lloyd posted on her blog: Stay at Home Artist: For the past ten years I have been writing a Brontë novel from the view point of Charlotte's husband, Arthur Bell Nicholls. Well, I thought I was writing a novel. What I now find is I have been writing many, many Brontë short stories that run from 1798 to 1906. The collection is called," My Heart is in Haworth. "

I have always meant to weave these stories into one narrative and have tried to do so for years. But so far they stubbornly refuse. So I'm now publishing them as they were written, and posting them periodically on this blog. 

I have decided to do it this way because I'm tired waiting for this book too! The time is now on the platform I have. 

The stories are offered to the public for free,but they are copyrighted of course.

The book hasn't been written in chronological order by any means. In one writing session I could zip to two or three different decades of the story and often did. So it is in keeping with the endeavor that my writing doesn't appear in an orderly timeline either. 

There are far more romantic and dramatic scenes than this one to be sure. But this one elbowed itself to the front of the line!

The scene is the fall of 1854, the Nicholls have returned to Haworth from their honeymoon in Ireland. 

At this point it is important to say something about Arthur Bell Nicholl's appreciation for poetry so that part of my story doesn't seem fantastic. Arthur did not write poetry. But he was sensitive to it and utilized his fine voice to recited it for friends and family most of his life. 

We know this because Rev. George Sowden, the younger brother of Arthur's great friend, Sutcliffe Sowden, recalled Arthur did so a great deal and that.... 

" On one occasion, he repeated by heart, from the beginning to end , and without a single mistake or a moment's hesitation, Tennyson's long and exquisite poem "The May Queen" With the charming Irish pathos which he threw into it, it was delightful to  hear." 

And we know George wrote this because the dedicated research of Ian and Catherine Emerson and their discovery of his 1890s article published in a church magazine,which they republished. 


My first installment. "Miss Emily's Stone " set in 1854.

My first installment. "Miss Emily's Stone " set in 1854

vrijdag 16 juli 2021

A new Jane Eyre edition.


Featuring artwork by artist Christina Rauh Fishburne, The Crow Emporium Edition will be a superb addition to the shelves of lovers of literature. thecrowemporium/the-crow-emporium-press/jane-eyre-by-charlotte-bronte-illustrated-crow-emporium-edition
 



donderdag 16 januari 2020

New book of Nick Holland: Crave The Rose: Anne Brontë At 200


From Nick Holland: The 200th birthday of the great Anne Brontëis is near, so I’m thrilled to say that my new book to mark this occasion, ‘Crave The Rose: Anne Brontë At 200’ is available right now from its publisher Valley Press, based in Anne’s beloved Scarborough, from Amazon or by ordering from your local book shop (even better if it’s an independent bookshop of course).
I don’t like to blow my own trumpet, but I’m really pleased with this book and as I know there are lots of Anne fans reading this book, I thought I’d briefly share details of Crave The Rose. It contains things never seen in a Brontë book before, and thanks to the team at Valley Press it looks absolutely beautiful too.
My book is in three sections, the first of which is a mini-biography of Anne Brontë over the course of nine chapters. Each chapter opens with an Anne Brontë poem that is relevant to that part of her life, and this biography contains new information that has come to my attention since I wrote ‘In Search Of Anne Brontë‘ five years ago.

The middle section looks at a recently discovered essay by Anne Brontë which has never appeared in a book before. The essay is included in full, and I also explain where the essay was found, how it was verified that Anne was the author, and why I believe that these are the final words that Anne Brontë ever wrote.

The final section also contains things that can be found in no other Brontë book, as we take a walk back to the nineteenth century archives and hear first person accounts of people who met the Brontës face to face in their everyday lives. It gives us real insight into what the Brontës were like, and many of the accounts are incredibly moving – and often very surprising too.

donderdag 2 januari 2020

Two more books by Nick Holland and Auld Lang Syne.

-------Two more Brontë books published------- 
It’s a year that will see me have two more Brontë books published – probably my last ever Brontë books, so I hope I’ve done their subjects justice. ‘Charlotte and Ellen‘ will be out in autumn, and ‘Crave The Rose: Anne Brontë At 200’ will be out later this month! It’s worth pointing out that whilst Amazon seems to say that it’s out on the 2nd, tomorrow, it will be a little later than this as the festive period have slowed down the usual typesetting, printing and distribution service with Valley Press. Fear not, however, it will be out later in January, hopefully in time for Anne’s 200th birthday, so you can pre-order now
-----Auld Lang Syne-----
How lovely to think of Anne at the piano, maybe Emily alongside her as she so often was, as they all sang the words written by Robbie Burns in 1788 and which have now become forever associated with Hogmanay celebrations.
Only a dream? Actually, it’s almost certain that this is what took place in the Brontë’s parsonage over the new year period. How do we know this? Because we still have Anne Brontë’s music books. She loved to copy pieces of music by hand onto blank music paper that she would then play on the piano – and we still have Anne’s own handwritten and annotated copy of ‘Auld Lang Syne’ – here it is!
Auld Lang Syne, cop
The Brontës were fans of anything Scottish, and especially of Walter Scott, James Hogg, the Ettrick Shepherd, and Burns, the Bard of Ayrshire. Whilst Burns’ name will forever be associated with these New Year words he himself said it was an ancient song which had been passed on to him by an old man, and he had merely set it in print.

vrijdag 28 december 2018

zaterdag 9 juni 2018

The Oxford Companion to the Brontës Anniversary edition.


The Oxford Companion to the Brontës Anniversary edition
by Christine Alexander and Margaret Smith
New Foreword by Clare Harman
ISBN: 9780198819950
Oxford University Press

This special edition of The Oxford Companion to the Brontës commemorates the bicentenary of Emily Brontë's birth in July 1818 and provides comprehensive and detailed information about the lives, works, and reputations of the Brontës - the three sisters Charlotte, Emily, and Anne, their father, and their brother Branwell.

Expanded entries surveying the Brontës' lives and works are supplemented by entries on friends and acquaintances, pets, literary and political heroes; on the places they knew and the places they imagined; on their letters, drawings and paintings; on historical events such as Chartism, the Peterloo Massacre, and the Ash
antee Wars; on exploration, slavery, and religion. Selected entries on the characters and places in the Brontë juvenilia provide a glimpse into their early imaginative worlds, and entries on film, ballet, and musicals indicate the extent to which their works have inspired others. A new foreword to the text has been also penned by Clare Harman, award-winning writer and literary critic, and recent biographer of Charlotte Brontë.

This is a unique and authoritative reference book for the research student and the general reader. The A-Z format, extensive cross-referencing, classified contents, chronologies, illustrations, and maps, both facilitate quick reference and encourage further exploration. This Companion is not only invaluable for quick searches, but a delight to browse, and an inspiration to further reading.

zondag 3 december 2017

Book launch by Helen MacEwan, 7 December, 2017


As we continue to celebrate the Brontë bicentenaries (2016-20), I’d like to invite you to the launch of my new book Through Belgian Eyes: Charlotte Brontë’s Troubled Brussels Legacy, which is being published next month (Information here):

Thursday 7 December at 19.00 at Waterstones bookstore, Boulevard Adolphe Max 71, 1000 Brussels.


Those of you who were at my talks on 1 April and 14 October have had a preview of some of the aspects explored in the book. It does two things. It is the first book to look at how Belgian commentators have responded to Charlotte Brontë’s depiction of Brussels and Belgian life in Villette and The Professor. Their reactions cover a wide range: hostile, humorous, enthusiastic. At the same time, to provide context for Belgian readers’ reactions, the book fills in the background to the novels by exploring the Brussels world that Charlotte experienced in 1842-43. Her views are contrasted with those of other foreign visitors and of the Belgians themselves.

The book offers a new way of reading Villette and The Professor as well as new perspectives on Charlotte Brontë.

I also look at ways in which the Brontës’ stay in Brussels has entered the literary mythology of Brussels and fired imaginations. Did you know that in the nineteenth century there were tales of sightings of Charlotte’s ghost in the Belgian capital? Or that all three Brontë sisters lived in a house in Grand Place in 1852 – at least according to some guide books!

The book has around 60 illustrations, some in colour. Those who were at my talk earlier this month saw a sample of them.
Read all: brusselsbronte/book-launch-by-helen-macewan-7-december

woensdag 29 november 2017

Coming Soon Without the Veil Between Anne Brontë A Fine And Subtle Spirit Book Trailer


This book gives us Anne. Not Anne, the ‘less gifted’ sister of Charlotte and Emily (although we meet them too as convincingly drawn individuals); nor the Anne who ‘also wrote two novels’, but Anne herself, courageous, committed, daring and fiercely individual: a writer of remarkable insight, prescience and moral courage whose work can still astonish us today. ~ Deborah Bennison, Bennison Books https://booklaunch.io/dmdenton/withou... Thank you to Deborah Bennison of Bennison Books, author Thomas Davis, and author Mary Clark for words used in the text of this video. The music is Song Without Words, No 46 in C minor, OP 102 by Mendelssohn, Public Domain, Royalty Free music from Musopen

dinsdag 8 november 2016

The Brontës. A Family Writes.

This is a companion book for the Morgan Gallery & Museum's exhibition on Charlotte Brontë:

The BrontësA Family WritesChristine Nelson
ISBN: 9781785510601
Scala Publishers
Binding: Paperback
Pages: 96
Images: 75

The Brontës of Haworth were a prodigiously imaginative literary family. From the earliest manuscripts of Charlotte, Branwell, Emily and Anne – written with a quill pen in a minuscule hand designed to mimic the printed page – to explosive novels, such as Wuthering Heights and Jane Eyre, written in adulthood by Emily and Charlotte, the family’s writings continue to fascinate. This elegantly designed, fully illustrated publication provides an intimate portrait of a singular family of writers through the manuscripts, rare printed books, personal documents, and private letters preserved in the Brontë collection of the Morgan Library & Museum, one of the world’s finest. It accompanies a major exhibition at the Morgan from 9 September 2016 to 2 January 2017. bronteblog

zondag 6 november 2016

Charlotte Brontë from the Beginnings.

Charlotte Brontë from the Beginnings
New Essays from the Juvenilia to the Major Works

Edited by Judith E. Pike, Lucy Morrison
Routledge
ISBN 9781472453686

Composed of serialized works, poems, short tales, and novellas, Charlotte Brontë's juvenilia merit serious scholarly attention as revelatory works in and of themselves as well as for what they tell us about the development of Brontë as a writer. This timely collection attends to both critical strands, positioning Brontë as an author whose career encompassed the Romantic and Victorian eras and delving into the developing nineteenth century's literary concerns as well as the growth of the writer's mind. As the contributors show, Brontë's authorship took shape among the pages of her juvenilia, as figures from Brontë's childhood experience of the world such as Wellington and Napoleon transmuted to her fictional pages, while her siblings' works and worlds both overlapped with and extended beyond her own. bronteblog

zaterdag 5 november 2016

Jane Eyre facsimile manuscript to be published for 'Brontë bibliophiles'.

One of Edmund Garett’s illustrations to Jane Eyre.
Illustration: Courtesy of the British Library and Éditions des Saints Pères

Jane Eyre by Charlotte Brontë
Editions des Saint Pères
Each book is hand numbered from 1 to 1,000
To be released on 2 December 2016
ISBN: 979-10-95457-30-5.
Cover: Avorio
Paper: Fedrigoni Avorio Luxury Paper
Published for the first time


A facsimile of Charlotte Brontë’s 1847 manuscript of Jane Eyre, written in the author’s flowing hand, will be published for the first time in December. This edition of the earliest surviving copy of Brontë’s classic joins a roster of facsimiles published by the French press Éditions des Saints Pères, including Madame Bovary, Les fleurs du mal and The Hunchback of Notre-Dame. The reproduction is accompanied with etchings by Edmund Garrett from an edition published in 1897. According to the publisher, the fair copy is “neat, with most notable revisions and corrections centred around her portrayal of Jane’s encounters with Mr Rochester”.

This 824 page manuscript of Charlotte Brontë’s elegant and nimble handwriting is one of the British Library’s most precious treasures. Because of the great technical challenge that the task of reproducing it presents, the manuscript has remained unpublished until today. Les Saints Pères has taken on the challenge. An edition limited to 1,000 hand numbered copies

Set in Northern England, during the reign of George III. From the heroine’s turbulent childhood  to her discovery of love and all its tragic implications, to the birth of her first son: Jane Eyre is one of the greatest bildungsromans of all time. In August 1847, Charlotte Brontë received a letter from the publisher Smith and Elder, rejecting her first novel but adding, ‘that a work in three volumes would [be met] with careful attention’. She then sent them this unique manuscript—no earlier drafts are known to survive today. Published in October 1847, the novel was an immediate success.

The three volumes of this manuscript, reproduced using only the finest materials, are presented together in a deluxe slipcase. Included: etchings by Edmund Garrett from an 1897 edition of the novel.

Each volume is hand assembled, bound and sewn with end-band and bookmark. Each book is printed on luxury paper. The slipcase and book cover ornamentations are made using gilded iron. Our books are printed with vegetal ink, on environment friendly paper.

Éditions des Saints Pères co-founder Nicholas Tretiakow hailed the novel as “a compelling gem of English literature, a novel so many of us hold close to our hearts”. “We wanted to rise to the challenge and offer this beautiful and rich manuscript to the public for the very first time,” he said.

Tretiakow’s co-founder Jessica Nelson said that the pair were inspired to set up the press after attending an exhibition of manuscripts and first drafts in Paris 10 years ago. “We were totally moved and astounded by what we saw. We already had a passion for literature but we were astonished,” she said. “Nicholas said that in 10 years’ time we would create our own publishing house and specialise in the production of manuscripts, and that’s what we’ve done.”

According to Nelson, print runs are limited to 1,000 or 2,000 copies per book, with reproductions aimed at bibliophiles, collectors and those passionate about a particular author. The Jane Eyre copies will be priced at more than £200, and Éditions des Saints Pères plans to follow the novel’s release with further titles in English next year. (Alison Flood)

woensdag 20 juli 2016

Brontë Society acquires £200k book of unpublished Brontë manuscripts

The Brontë Society has acquired a book for its museum worth £200,000 containing unpublished Brontë manuscripts. The book, which will be displayed at the Brontë Parsonage Museum in Haworth, is a copy of Robert Southey’s The Remains of Henry Kirke White that belonged to Mrs Maria Brontë and includes annotations by the Brontë children, including unpublished material by Charlotte Brontë.

The volume was bought from Randall House, a rare book dealer in California, at total cost of £200,000. It spent most of the last century in the US, after originally being sold at the Parsonage in 1861 following the death of Patrick Brontë, Maria Brontë's husband. The acquisition was made possible thanks to a £170,000 donation from the National Heritage Memorial Fund (NHMF), in addition to funding from the V&A Purchase Grant Fund and the Friends of the National Libraries.

The book is one of the rare surviving possessions of Maria Brontë, whose property was shipwrecked off the Devonshire coast shortly before her marriage to Patrick Brontë in 1812. It contains Latin inscriptions in Patrick Brontë’s handwriting stating that this was "….the book of my dearest wife and it was saved from the waves. So then it will always be preserved".

In addition to annotations, markings and sketches by various members of the family, it also includes a poem and a fragment of prose by Charlotte Brontë and a letter by her husband Arthur Bell Nicholls written shortly after her death in 1855.

Members of the Brontë Society were allowed to view the book at their annual summer festival held
last month in June. It is currently available to view as part of the "Treasures Tours" organised by the museum and is due to go on public display at the Parsonage in 2017.

Ann Dinsdale, collections manager at the Brontë Parsonage Museum in Haworth, said: "Mrs Brontë’s book is one of the most significant Brontë items to come to light in many years. It was clearly well-used and of great sentimental value to the Brontë children, who lost their mother while they were very young.  In addition, the unpublished writings by Charlotte offer new opportunities for research, which is really exciting.  This acquisition has been a wonderful addition to our celebrations marking Charlotte Brontë’s bicentenary.”

Juliet Barker, historian and author of biography The Brontës (Abacus), said: "The book alone is a valuable acquisition because of its rare associations with Mrs Brontë before her marriage to Patrick, but its importance is immeasurably increased by the unpublished manuscripts tipped into it. There could be no better place for it to be preserved for the future than the Brontë Parsonage Museum.”
thebooksellers/bronte-society-acquires-200k-book-unpublished-bront-manuscripts

 Randall House
Established in 1975.
Randall House has a long tradition in the rare and collectible book world. Ronald R. Randall grew up in a home where his father, David A. Randall, already was established as head of the rare book department for Scribner's. His mother was an accomplished artist and book illustrator. He grew up in New York surrounded by literary figures, books and fine art. Eventually he settled into his bookselling career. Ron spent seven years at John Howell-Books in San Francisco where he further deepened and enhanced his knowledge of books. He even sold books to his father who by this time was Director of the Lilly Rare Book Library at Indiana University.

In 1975 Ron and a partner opened their own shop in San Francisco.  1985 saw Ron moved Randall House Rare Books to Santa Barbara while his partner stayed in San Francisco.  
biblio.randall-house-rare-books-santa-barbara
yelp/randall-house-rare-books-santa-barbara

woensdag 20 april 2016

The story of Charlotte Brontë – in pictures


I posted before some of these illustrations
I love them
 
The author of Jane Eyre tells you the story of her life, with a little bit of help from Mick Manning and Brita Granström – to celebrate the 200th anniversary of her birth
 
Here some more
 



See more?
 
And this beautiful picture of the moors

 

maandag 14 maart 2016

Look this book with the beautiful illustrations. I love it!

 
From The Brontes - children of the moors, publishing on the 10th March by Hachette and with the expert help and sage advice of Ann Dinsdale and Bronte Parsonage Museum all about Charlotte Brontë and her sisters Emily Brontë / Emily Bronte and Anne Bronte - and the wild landscape of Haworth ~ Bronte Country. For children and adults. Beautifully illustrated by Brita Granström and with some moorland birds, feathers and other stuff by me. Mick Manning

 
 
  

zaterdag 2 januari 2016

In Search Of Anne Bronte.

Nick Holland on the weblog Anne Bronte
My biography of the youngest Brontë is the culmination of my love for Anne and her sisters that really took hold in my first days at University back in the last century, and I hope that my labour of love will bring as much happiness to readers as it did to me when I was writing it. It’s called ‘In Search Of Anne Bronte’ and is being published by The History Press on March 7th, 2016 in the UK, and in June in the United States.

dinsdag 10 november 2015

The Brontë Cabinet - A review

The Brontë Cabinet: Three Lives in Nine Objects
by Deborah Lutz (Author)
W. W. Norton & Company, May 2015
ISBN-13: 978-0393240085

Deborah Lutz has managed to combine a 'chatty', conversational way of writing with solidly scholarly background and research. The Brontë Cabinet is a wholly entertaining read, yet thoroughly researched and incredibly enlightening. New Brontëites will find some of the facts about the Brontës interesting and old Brontëites will refresh their memories and - we are pretty sure - learn new things if not about the Brontës themselves, then surely about the period they lived in.

So Deborah Lutz takes each object and writes a chapter around it, telling us both the Brontë story and the Victorian story, putting the Brontës firmly in the period they lived in but with which they aren't always really associated both because they lived in the earlier part of it and because their tastes and style tend to be reminiscent of an earlier period. And yet, looking at their belongings and their way of life, it's clear that they can't have been anything else. The Brontës were Victorians through and through.
Read more on: Bronteblog
 

dinsdag 2 juni 2015

Feminist Heroines in the Novels of the Brontë Sisters

Nineteenth Century Women Writers and the Challenge of Gender Roles: Feminist Heroines in the Novels of the Brontë Sisters
Tinna Sif Sindradóttir
Advisor: Ingibjörg Ágústsdóttir
2015
University of Iceland

This essay explores the challenges that women writers faced in the nineteenth century, as well as women in general. Therefore, the concept of gender roles is examined, along with the restrictions that women faced. In addition, the notion of separate spheres that were dominant in this period is briefly outlined to exemplify the male-dominated society that these women lived in. However, the main issue focused on is how women writers were able to speak out against this patriarchal society and the traditional gender roles that women were subjected to. Indeed, by becoming professional writers, they challenged the notion of the domestic sphere and the idea that women were mainly supposed to be wives and mothers. As a result, women writers had the ability to empower other women and influence the course of history.  In particular, the Brontë sisters will be discussed to illustrate women writers that challenged the patriarchal society of the nineteenth century. Through their novels and their heroines, the sisters addressed issues that their society faced and they did this in their own unique ways. Special emphasis is placed on Charlotte Brontë and Anne Brontë, as well as their novels. Charlotte and Anne concerned themselves predominantly with problems such as gender roles and equality between the sexes. However, they were also concerned with the education of women and issues concerning the domestic sphere.  The novels discussed are Jane Eyre by Charlotte Brontë and The Tenant of Wildfell Hall by Anne Brontë. In addition, the novel Wuthering Heights by Emily Brontë is briefly outlined. The novels in question can be considered as feminist novels. Indeed, the key aspect discussed in Jane Eyre is the empowerment of women through the heroine, Jane Eyre, as well as her demand for equality. Moreover, the battle for women’s rights and independence is explored in the The Tenant of Wildfell Hall through the novel’s heroine, Helen Huntingdon. Finally, it can be argued that Emily challenged gender roles through the way that she wrote, as well as through the heroine, Catherine Earnshaw, in Wuthering Heights.

woensdag 8 april 2015

Castration, Moral Management and Self-Discovery

Pre- Oedipal Lucy Snowe: Isis Unbound Over Castrated Male Body
Onur Ekler
Electronic International Journal of Education, Arts, and Science,  Vol 1, No 1,  77-84 (2015)

Illegible Minds: Charlotte Brontë’s Early Writings and the Psychology of Moral Management in Jane Eyre and Villette
Beth Tressler
Studies in the Novel, Volume 47, Number 1, Spring 2015, pp. 1-19

Lucy’s Quest for Self-discoveryKevser Ates
Electronic International Journal of Education, Arts, and Science,  Vol 1, No 1,  55-61 (2015)

Read more: Castration, Moral Management and Self-Discovery

zaterdag 4 april 2015

Haworth History Tour

Amberley Publishing has just published a new book about Haworth:
Haworth History Tour
Steven Wood, Ian Palmer
Amberley Publishing
ISBN: 9781445646275
168 x 124 mm | Paperback | 96 pages | 120 illustrations | February 2015

Haworth is a picturesque Pennine village that is now famed for the Brontë family and the steam railway. Behind the tourist village of today lies a long history of people making a living from the uncompromising moorland of this area. Haworth History Tour takes the reader on a journey through the many changes the village has undergone in its long history. While some areas will seem relatively unchanged, many are now unrecognisable. The curious and nostalgic alike will delight in uncovering or rediscovering the roots of Haworth with the help of this wonderfully illustrated guide.

zondag 22 maart 2015

Cottage Poems by Patrick Brontë

A new paperback edition of Patrick Bronté's Cottage Poems:
Cottage Poems
by Patrick Brontë
Paperback: 76 pages
Publisher: Leopold Classic Library (March 20, 2015)

Leopold Classic Library is delighted to publish this classic book as part of our extensive collection. As part of our on-going commitment to delivering value to the reader, we have also provided you with a link to a website, where you may download a digital version of this work for free. Many of the books in our collection have been out of print for decades, and therefore have not been accessible to the general public. Whilst the books in this collection have not been hand curated, an aim of our publishing program is to facilitate rapid access to this vast reservoir of literature. As a result of this book being first published many decades ago, it may have occasional imperfections. These imperfections may include poor picture quality, blurred or missing text. While some of these imperfections may have appeared in the original work, others may have resulted from the scanning process that has been applied. However, our view is that this is a significant literary work, which deserves to be brought back into print after many decades. While some publishers have applied optical character recognition (OCR), this approach has its own drawbacks, which include formatting errors, misspelt words, or the presence of inappropriate characters. Our philosophy has been guided by a desire to provide the reader with an experience that is as close as possible to ownership of the original work. We hope that you will enjoy this wonderful classic book, and that the occasional imperfection that it might contain will not detract from the experience.

The Parlour

The Parlour

Parsonage

Parsonage

Charlotte Bronte

Presently the door opened, and in came a superannuated mastiff, followed by an old gentleman very like Miss Bronte, who shook hands with us, and then went to call his daughter. A long interval, during which we coaxed the old dog, and looked at a picture of Miss Bronte, by Richmond, the solitary ornament of the room, looking strangely out of place on the bare walls, and at the books on the little shelves, most of them evidently the gift of the authors since Miss Bronte's celebrity. Presently she came in, and welcomed us very kindly, and took me upstairs to take off my bonnet, and herself brought me water and towels. The uncarpeted stone stairs and floors, the old drawers propped on wood, were all scrupulously clean and neat. When we went into the parlour again, we began talking very comfortably, when the door opened and Mr. Bronte looked in; seeing his daughter there, I suppose he thought it was all right, and he retreated to his study on the opposite side of the passage; presently emerging again to bring W---- a country newspaper. This was his last appearance till we went. Miss Bronte spoke with the greatest warmth of Miss Martineau, and of the good she had gained from her. Well! we talked about various things; the character of the people, - about her solitude, etc., till she left the room to help about dinner, I suppose, for she did not return for an age. The old dog had vanished; a fat curly-haired dog honoured us with his company for some time, but finally manifested a wish to get out, so we were left alone. At last she returned, followed by the maid and dinner, which made us all more comfortable; and we had some very pleasant conversation, in the midst of which time passed quicker than we supposed, for at last W---- found that it was half-past three, and we had fourteen or fifteen miles before us. So we hurried off, having obtained from her a promise to pay us a visit in the spring... ------------------- "She cannot see well, and does little beside knitting. The way she weakened her eyesight was this: When she was sixteen or seventeen, she wanted much to draw; and she copied nimini-pimini copper-plate engravings out of annuals, ('stippling,' don't the artists call it?) every little point put in, till at the end of six months she had produced an exquisitely faithful copy of the engraving. She wanted to learn to express her ideas by drawing. After she had tried to draw stories, and not succeeded, she took the better mode of writing; but in so small a hand, that it is almost impossible to decipher what she wrote at this time.

I asked her whether she had ever taken opium, as the description given of its effects in Villette was so exactly like what I had experienced, - vivid and exaggerated presence of objects, of which the outlines were indistinct, or lost in golden mist, etc. She replied, that she had never, to her knowledge, taken a grain of it in any shape, but that she had followed the process she always adopted when she had to describe anything which had not fallen within her own experience; she had thought intently on it for many and many a night before falling to sleep, - wondering what it was like, or how it would be, - till at length, sometimes after the progress of her story had been arrested at this one point for weeks, she wakened up in the morning with all clear before her, as if she had in reality gone through the experience, and then could describe it, word for word, as it had happened. I cannot account for this psychologically; I only am sure that it was so, because she said it. ----------------------She thought much of her duty, and had loftier and clearer notions of it than most people, and held fast to them with more success. It was done, it seems to me, with much more difficulty than people have of stronger nerves, and better fortunes. All her life was but labour and pain; and she never threw down the burden for the sake of present pleasure. I don't know what use you can make of all I have said. I have written it with the strong desire to obtain appreciation for her. Yet, what does it matter? She herself appealed to the world's judgement for her use of some of the faculties she had, - not the best, - but still the only ones she could turn to strangers' benefit. They heartily, greedily enjoyed the fruits of her labours, and then found out she was much to be blamed for possessing such faculties. Why ask for a judgement on her from such a world?" elizabeth gaskell/charlotte bronte



Poem: No coward soul is mine

No coward soul is mine,
No trembler in the worlds storm-troubled sphere:
I see Heavens glories shine,
And faith shines equal, arming me from fear.


O God within my breast.
Almighty, ever-present Deity!
Life -- that in me has rest,
As I -- Undying Life -- have power in Thee!


Vain are the thousand creeds
That move mens hearts: unutterably vain;
Worthless as withered weeds,
Or idlest froth amid the boundless main,


To waken doubt in one
Holding so fast by Thine infinity;
So surely anchored on
The steadfast Rock of immortality.


With wide-embracing love
Thy Spirit animates eternal years,
Pervades and broods above,
Changes, sustains, dissolves, creates, and rears.


Though earth and man were gone,
And suns and universes ceased to be,
And Thou wert left alone,
Every existence would exist in Thee.


There is not room for Death,
Nor atom that his might could render void:
Thou -- Thou art Being and Breath,
And what Thou art may never be destroyed.


--
Emily Bronte

Family tree

The Bronte Family

Grandparents - paternal
Hugh Brunty was born 1755 and died circa 1808. He married Eleanor McClory, known as Alice in 1776.

Grandparents - maternal
Thomas Branwell (born 1746 died 5th April 1808) was married in 1768 to Anne Carne (baptised 27th April 1744 and died 19th December 1809).

Parents
Father was Patrick Bronte, the eldest of 10 children born to Hugh Brunty and Eleanor (Alice) McClory. He was born 17th March 1777 and died on 7th June 1861. Mother was Maria Branwell, who was born on 15th April 1783 and died on 15th September 1821.

Maria had a sister, Elizabeth who was known as Aunt Branwell. She was born in 1776 and died on 29th October 1842.

Patrick Bronte married Maria Branwell on 29th December 1812.

The Bronte Children
Patrick and Maria Bronte had six children.
The first child was Maria, who was born in 1814 and died on 6th June 1825.
The second daughter, Elizabeth was born on 8th February 1815 and died shortly after Maria on 15th June 1825. Charlotte was the third daughter, born on 21st April 1816.

Charlotte married Arthur Bell Nicholls (born 1818) on 29th June 1854. Charlotte died on 31st March 1855. Arthur lived until 2nd December 1906.

The first and only son born to Patrick and Maria was Patrick Branwell, who was born on 26th June 1817 and died on 24th September 1848.

Emily Jane, the fourth daughter was born on 30th July 1818 and died on 19th December 1848.

The sixth and last child was Anne, born on 17th January 1820 who died on 28th May 1849.

Top Withens in the snow.

Top Withens in the snow.

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