This is a blog about the Bronte Sisters, Charlotte, Emily and Anne. And their father Patrick, their mother Maria and their brother Branwell. About their pets, their friends, the parsonage (their house), Haworth the town in which they lived, the moors they loved so much, the Victorian era in which they lived.
I've dreamt in my life dreams that have stayed with me ever after, and changed my ideas: they've gone through and through me, like wine through water, and altered the color of my mind.
Emily BronteWuthering Heights
vrijdag 18 april 2014
Easter activities at the Bronte Parsonage Museum in Haworth
donderdag 17 april 2014
Easter traditions
Many of our current Christmas and Easter traditions originated back in the Victorian era which covered the duration of Queen Victoria's reign over the UK from 1837 to 1901. At that time England was emerging from its historic Puritanical bans on celebrations. The people at that time were filled with joy and hope as they embraced a new world of merry celebrations and traditions. Today many of these Victorian traditions are still popular and there is no sign that they will be abandoned.
Easter is one of the major Christian festivals of the year in the UK. The participants enjoy its customs, folklore and traditional foods. It is an ancient holiday dating back to pagan times long before Christianity arrived in Britain. The first English historian, the Venerable Bede, wrote that Easter derived from the Anglo-Saxon goddess of the dawn and spring--Eostre.
Easter falls at the end of the winter and the end of Lent, which is a time of fasting during the Christian calendar. This is a joyful holiday marked by feasting, fun and celebration. The British national holidays for Easter come on the Friday before Easter Sunday and the Monday afterward. The schools are closed for two weeks and the children devour chocolate in large quantities.
The Easter Lily became popular in symbolizing life after death, since the bulb grows, blooms, dies back and grows once again during the following year. Although tulips, daffodils and narcissus follow the same life cycle, the lily with its large size and white blossom is an excellent symbol of resurrection during the season.
Easter parades allow the participants in the processional to show off their spring finery after Easter Mass as they stroll through the streets following a priest or minister with a crucifix or a candle. The
Easter bonnet became a favorite adornment for women and girls to show off as they walked. During Victorian times, a beau might give a pair of gloves to his sweetheart and if she wore them during the parade, she was announcing her acceptance of his marriage proposal.
The children were especially excited when they awoke on Easter morning to see what the Easter bunny had brought them for their Easter baskets. If they had been good throughout the year, they could expect a variety of chocolate eggs and bunnies, jelly beans and other sweet treats. Egg rolling contests and Easter egg hunts were/are a favorite pastime during this holiday.
In some areas, Morris dancers perform a folk dance which has roots dating back to the Middle Ages. The men dress in colorful costumes with hats and ribbons. They also wear bells around their ankles as they dance through the streets. Some carry sticks with inflated pigs' bladders tied on the end. When they dance up to young women, they smack them over the head with the bladder. This is supposed to bring them luck. One wonders just what kind of luck the lady might find afterward--or is it the young man who gets lucky?
It is traditional for the British Queen to participate in the ceremony. She distributes Maundy Money in white and red purses to senior citizens which amounts to one man and woman for each year of her own age. This tradition dates back to at least the 17th century when the royal sovereign washed the feet of some poor people as a gesture of humility. The last royal monarch to participate in this version of the tradition was James II.
The British continue to enjoy their Victorian Easter traditions which they still practice today. As a side note, today the Easter Bunny is just as popular as Santa Claus.
Easter is one of the major Christian festivals of the year in the UK. The participants enjoy its customs, folklore and traditional foods. It is an ancient holiday dating back to pagan times long before Christianity arrived in Britain. The first English historian, the Venerable Bede, wrote that Easter derived from the Anglo-Saxon goddess of the dawn and spring--Eostre.
Easter falls at the end of the winter and the end of Lent, which is a time of fasting during the Christian calendar. This is a joyful holiday marked by feasting, fun and celebration. The British national holidays for Easter come on the Friday before Easter Sunday and the Monday afterward. The schools are closed for two weeks and the children devour chocolate in large quantities.
Victorian Traditions
A large variety of Victorian traditions have survived the years. One favorite is Easter cards, which began in the late 18th century when a publisher added an Easter greeting to a drawing of a bunny on writing stationery. Sending the cards is a fun practice which is now growing in the US as well.The Easter Lily became popular in symbolizing life after death, since the bulb grows, blooms, dies back and grows once again during the following year. Although tulips, daffodils and narcissus follow the same life cycle, the lily with its large size and white blossom is an excellent symbol of resurrection during the season.
Easter parades allow the participants in the processional to show off their spring finery after Easter Mass as they stroll through the streets following a priest or minister with a crucifix or a candle. The
Easter bonnet became a favorite adornment for women and girls to show off as they walked. During Victorian times, a beau might give a pair of gloves to his sweetheart and if she wore them during the parade, she was announcing her acceptance of his marriage proposal.
The children were especially excited when they awoke on Easter morning to see what the Easter bunny had brought them for their Easter baskets. If they had been good throughout the year, they could expect a variety of chocolate eggs and bunnies, jelly beans and other sweet treats. Egg rolling contests and Easter egg hunts were/are a favorite pastime during this holiday.
In some areas, Morris dancers perform a folk dance which has roots dating back to the Middle Ages. The men dress in colorful costumes with hats and ribbons. They also wear bells around their ankles as they dance through the streets. Some carry sticks with inflated pigs' bladders tied on the end. When they dance up to young women, they smack them over the head with the bladder. This is supposed to bring them luck. One wonders just what kind of luck the lady might find afterward--or is it the young man who gets lucky?
Maundy Thursday
This is the Thursday before Easter, commonly remembered as the Last Supper, when Christ washed his disciples' feet as an act of humility. The word "Maundy" comes from the French word, "Mande," which means "command." The Ceremony of the Royal Maundy in Britain dates back to Edward I.It is traditional for the British Queen to participate in the ceremony. She distributes Maundy Money in white and red purses to senior citizens which amounts to one man and woman for each year of her own age. This tradition dates back to at least the 17th century when the royal sovereign washed the feet of some poor people as a gesture of humility. The last royal monarch to participate in this version of the tradition was James II.
The British continue to enjoy their Victorian Easter traditions which they still practice today. As a side note, today the Easter Bunny is just as popular as Santa Claus.
Source
- An Easter Celebration: Traditions and Customs From Around The World by Pamela Kennedy; Ideals Publications; 1991
- diane-evans
- selmaala
- Maundy-Money-Queen-Victoria-1839-Silver-Coin
woensdag 16 april 2014
Brontë Studies. Volume 39. Issue 2
Brontë Studies. Volume 39. Issue 2
The new issue of Brontë Studies (Volume 39, Issue 2, April 2014) is already available online. We provide you with the table of contents and abstracts:
The new issue of Brontë Studies (Volume 39, Issue 2, April 2014) is already available online. We provide you with the table of contents and abstracts:
dinsdag 15 april 2014
Abonneren op:
Posts (Atom)
The Parlour
Parsonage
Charlotte Bronte
Presently the door opened, and in came a superannuated mastiff, followed by an old gentleman very like Miss Bronte, who shook hands with us, and then went to call his daughter. A long interval, during which we coaxed the old dog, and looked at a picture of Miss Bronte, by Richmond, the solitary ornament of the room, looking strangely out of place on the bare walls, and at the books on the little shelves, most of them evidently the gift of the authors since Miss Bronte's celebrity. Presently she came in, and welcomed us very kindly, and took me upstairs to take off my bonnet, and herself brought me water and towels. The uncarpeted stone stairs and floors, the old drawers propped on wood, were all scrupulously clean and neat. When we went into the parlour again, we began talking very comfortably, when the door opened and Mr. Bronte looked in; seeing his daughter there, I suppose he thought it was all right, and he retreated to his study on the opposite side of the passage; presently emerging again to bring W---- a country newspaper. This was his last appearance till we went. Miss Bronte spoke with the greatest warmth of Miss Martineau, and of the good she had gained from her. Well! we talked about various things; the character of the people, - about her solitude, etc., till she left the room to help about dinner, I suppose, for she did not return for an age. The old dog had vanished; a fat curly-haired dog honoured us with his company for some time, but finally manifested a wish to get out, so we were left alone. At last she returned, followed by the maid and dinner, which made us all more comfortable; and we had some very pleasant conversation, in the midst of which time passed quicker than we supposed, for at last W---- found that it was half-past three, and we had fourteen or fifteen miles before us. So we hurried off, having obtained from her a promise to pay us a visit in the spring... ------------------- "She cannot see well, and does little beside knitting. The way she weakened her eyesight was this: When she was sixteen or seventeen, she wanted much to draw; and she copied nimini-pimini copper-plate engravings out of annuals, ('stippling,' don't the artists call it?) every little point put in, till at the end of six months she had produced an exquisitely faithful copy of the engraving. She wanted to learn to express her ideas by drawing. After she had tried to draw stories, and not succeeded, she took the better mode of writing; but in so small a hand, that it is almost impossible to decipher what she wrote at this time.
I asked her whether she had ever taken opium, as the description given of its effects in Villette was so exactly like what I had experienced, - vivid and exaggerated presence of objects, of which the outlines were indistinct, or lost in golden mist, etc. She replied, that she had never, to her knowledge, taken a grain of it in any shape, but that she had followed the process she always adopted when she had to describe anything which had not fallen within her own experience; she had thought intently on it for many and many a night before falling to sleep, - wondering what it was like, or how it would be, - till at length, sometimes after the progress of her story had been arrested at this one point for weeks, she wakened up in the morning with all clear before her, as if she had in reality gone through the experience, and then could describe it, word for word, as it had happened. I cannot account for this psychologically; I only am sure that it was so, because she said it. ----------------------She thought much of her duty, and had loftier and clearer notions of it than most people, and held fast to them with more success. It was done, it seems to me, with much more difficulty than people have of stronger nerves, and better fortunes. All her life was but labour and pain; and she never threw down the burden for the sake of present pleasure. I don't know what use you can make of all I have said. I have written it with the strong desire to obtain appreciation for her. Yet, what does it matter? She herself appealed to the world's judgement for her use of some of the faculties she had, - not the best, - but still the only ones she could turn to strangers' benefit. They heartily, greedily enjoyed the fruits of her labours, and then found out she was much to be blamed for possessing such faculties. Why ask for a judgement on her from such a world?" elizabeth gaskell/charlotte bronte
I asked her whether she had ever taken opium, as the description given of its effects in Villette was so exactly like what I had experienced, - vivid and exaggerated presence of objects, of which the outlines were indistinct, or lost in golden mist, etc. She replied, that she had never, to her knowledge, taken a grain of it in any shape, but that she had followed the process she always adopted when she had to describe anything which had not fallen within her own experience; she had thought intently on it for many and many a night before falling to sleep, - wondering what it was like, or how it would be, - till at length, sometimes after the progress of her story had been arrested at this one point for weeks, she wakened up in the morning with all clear before her, as if she had in reality gone through the experience, and then could describe it, word for word, as it had happened. I cannot account for this psychologically; I only am sure that it was so, because she said it. ----------------------She thought much of her duty, and had loftier and clearer notions of it than most people, and held fast to them with more success. It was done, it seems to me, with much more difficulty than people have of stronger nerves, and better fortunes. All her life was but labour and pain; and she never threw down the burden for the sake of present pleasure. I don't know what use you can make of all I have said. I have written it with the strong desire to obtain appreciation for her. Yet, what does it matter? She herself appealed to the world's judgement for her use of some of the faculties she had, - not the best, - but still the only ones she could turn to strangers' benefit. They heartily, greedily enjoyed the fruits of her labours, and then found out she was much to be blamed for possessing such faculties. Why ask for a judgement on her from such a world?" elizabeth gaskell/charlotte bronte
Poem: No coward soul is mine
No coward soul is mine,
No trembler in the worlds storm-troubled sphere:
I see Heavens glories shine,
And faith shines equal, arming me from fear.
O God within my breast.
Almighty, ever-present Deity!
Life -- that in me has rest,
As I -- Undying Life -- have power in Thee!
Vain are the thousand creeds
That move mens hearts: unutterably vain;
Worthless as withered weeds,
Or idlest froth amid the boundless main,
To waken doubt in one
Holding so fast by Thine infinity;
So surely anchored on
The steadfast Rock of immortality.
With wide-embracing love
Thy Spirit animates eternal years,
Pervades and broods above,
Changes, sustains, dissolves, creates, and rears.
Though earth and man were gone,
And suns and universes ceased to be,
And Thou wert left alone,
Every existence would exist in Thee.
There is not room for Death,
Nor atom that his might could render void:
Thou -- Thou art Being and Breath,
And what Thou art may never be destroyed.
-- Emily Bronte
No trembler in the worlds storm-troubled sphere:
I see Heavens glories shine,
And faith shines equal, arming me from fear.
O God within my breast.
Almighty, ever-present Deity!
Life -- that in me has rest,
As I -- Undying Life -- have power in Thee!
Vain are the thousand creeds
That move mens hearts: unutterably vain;
Worthless as withered weeds,
Or idlest froth amid the boundless main,
To waken doubt in one
Holding so fast by Thine infinity;
So surely anchored on
The steadfast Rock of immortality.
With wide-embracing love
Thy Spirit animates eternal years,
Pervades and broods above,
Changes, sustains, dissolves, creates, and rears.
Though earth and man were gone,
And suns and universes ceased to be,
And Thou wert left alone,
Every existence would exist in Thee.
There is not room for Death,
Nor atom that his might could render void:
Thou -- Thou art Being and Breath,
And what Thou art may never be destroyed.
-- Emily Bronte
Family tree
The Bronte Family
Grandparents - paternal
Hugh Brunty was born 1755 and died circa 1808. He married Eleanor McClory, known as Alice in 1776.
Grandparents - maternal
Thomas Branwell (born 1746 died 5th April 1808) was married in 1768 to Anne Carne (baptised 27th April 1744 and died 19th December 1809).
Parents
Father was Patrick Bronte, the eldest of 10 children born to Hugh Brunty and Eleanor (Alice) McClory. He was born 17th March 1777 and died on 7th June 1861. Mother was Maria Branwell, who was born on 15th April 1783 and died on 15th September 1821.
Maria had a sister, Elizabeth who was known as Aunt Branwell. She was born in 1776 and died on 29th October 1842.
Patrick Bronte married Maria Branwell on 29th December 1812.
The Bronte Children
Patrick and Maria Bronte had six children.
The first child was Maria, who was born in 1814 and died on 6th June 1825.
The second daughter, Elizabeth was born on 8th February 1815 and died shortly after Maria on 15th June 1825. Charlotte was the third daughter, born on 21st April 1816.
Charlotte married Arthur Bell Nicholls (born 1818) on 29th June 1854. Charlotte died on 31st March 1855. Arthur lived until 2nd December 1906.
The first and only son born to Patrick and Maria was Patrick Branwell, who was born on 26th June 1817 and died on 24th September 1848.
Emily Jane, the fourth daughter was born on 30th July 1818 and died on 19th December 1848.
The sixth and last child was Anne, born on 17th January 1820 who died on 28th May 1849.
Grandparents - paternal
Hugh Brunty was born 1755 and died circa 1808. He married Eleanor McClory, known as Alice in 1776.
Grandparents - maternal
Thomas Branwell (born 1746 died 5th April 1808) was married in 1768 to Anne Carne (baptised 27th April 1744 and died 19th December 1809).
Parents
Father was Patrick Bronte, the eldest of 10 children born to Hugh Brunty and Eleanor (Alice) McClory. He was born 17th March 1777 and died on 7th June 1861. Mother was Maria Branwell, who was born on 15th April 1783 and died on 15th September 1821.
Maria had a sister, Elizabeth who was known as Aunt Branwell. She was born in 1776 and died on 29th October 1842.
Patrick Bronte married Maria Branwell on 29th December 1812.
The Bronte Children
Patrick and Maria Bronte had six children.
The first child was Maria, who was born in 1814 and died on 6th June 1825.
The second daughter, Elizabeth was born on 8th February 1815 and died shortly after Maria on 15th June 1825. Charlotte was the third daughter, born on 21st April 1816.
Charlotte married Arthur Bell Nicholls (born 1818) on 29th June 1854. Charlotte died on 31st March 1855. Arthur lived until 2nd December 1906.
The first and only son born to Patrick and Maria was Patrick Branwell, who was born on 26th June 1817 and died on 24th September 1848.
Emily Jane, the fourth daughter was born on 30th July 1818 and died on 19th December 1848.
The sixth and last child was Anne, born on 17th January 1820 who died on 28th May 1849.
Top Withens in the snow.
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