I've dreamt in my life dreams that have stayed with me ever after, and changed my ideas: they've gone through and through me, like wine through water, and altered the color of my mind.
Emily Bronte
Wuthering Heights

donderdag 21 november 2013

Ian M. Emberson in-memoriam

Todmorden News publishes an obituary of writer, artist and Brontëite Ian M. Emberson:
He took to painting and writing in early childhood, and pursued those activities all his life, drawing creatively on his life’s experiences in whichever form his work took. The results were always of high quality.
Following National Service (Royal Signals, Cyprus, 1955-57), he went on to earn a living in both horticulture and librarianship in different parts of the country, settling in Huddersfield in 1971 on becoming Music Librarian. He retired in 1986 to concentrate on painting and writing.
His work as an artist is best known through postcards and book illustrations. His publications include eight books of poetry and prose-poems, as well as many journal and magazine articles. In 1996 Bradford Playhouse produced his one-actor play Cockerel Crowing Dawn, based on the life of the Russian composer Mussorgsky. Ian also wrote the libretto for Daniel Bath’s opera The Forest, performed at the Hebden Bridge Arts Festival in 2003. Four other composers have set his poetry to music.
Ian met Catherine through the Brontë Society in 1988, and despite his love for his home village of Thurstonland, and the many musical interests of Huddersfield, he moved to Todmorden to be with her. Ian initially found it difficult to adjust, but soon came to love the town, its wonderful walking country and its swimming pool. He became well known at literary, artistic and musical events. He was a patron of Todmorden Orchestra and an enthusiastic member of Todmorden Antiquarian Society. His talk ‘A Comer-In’s View of Yorkshire’ - based on his semi-autobiographical book Yorkshire Lives and Landscapes - was due to be given to that organisation shortly.
Ian and Catherine worked together on various pieces of Brontë research. One of these led to the discovery of George Sowden’s Recollections of the Brontës – which had lain virtually forgotten for over one hundred years. The Brontë Society have published Ian’s book Pilgrims from Loneliness: an interpretation of Charlotte Brontë’s “Jane Eyre” and “Villette” .
Ian had two children by his first marriage – Beth, who lives in France, and the late Robert, who died in 2012.
His funeral will be at 1.30pm on Monday, November 18, at St Mary’s Church, Todmorden, and from 3pm to 5pm friends are invited to gather at the Bear Cafe to chat about Ian and hear some of his works. (John Greenwood) bronteblog
ian-m-emberson-in-memoriam 
 

1 opmerking:

  1. Thank you for another post about Ian...I never met the man and only exchanged a few emails with him about a purchase, but he greatly impressed me as someone who deeply cared about the Brontes . And the Emberson's booklet, the republishing of George Sowden’s " Recollections of the Brontës " had a large impact on my own book. Because in it Rev Sowden revealed how much Arthur Bell Nichols liked and was known for reciting poetry while on moor walks! Here was proof of what I felt all along... that Arthur was not dead to such things . Only a Bronte would call him so! lol

    Ian M. Emberson's passing is a terrible blow to his many friends and family and a great loss in the Bronte enthusiast's family as well

    BeantwoordenVerwijderen

Parsonage

Parsonage

Charlotte Bronte

Presently the door opened, and in came a superannuated mastiff, followed by an old gentleman very like Miss Bronte, who shook hands with us, and then went to call his daughter. A long interval, during which we coaxed the old dog, and looked at a picture of Miss Bronte, by Richmond, the solitary ornament of the room, looking strangely out of place on the bare walls, and at the books on the little shelves, most of them evidently the gift of the authors since Miss Bronte's celebrity. Presently she came in, and welcomed us very kindly, and took me upstairs to take off my bonnet, and herself brought me water and towels. The uncarpeted stone stairs and floors, the old drawers propped on wood, were all scrupulously clean and neat. When we went into the parlour again, we began talking very comfortably, when the door opened and Mr. Bronte looked in; seeing his daughter there, I suppose he thought it was all right, and he retreated to his study on the opposite side of the passage; presently emerging again to bring W---- a country newspaper. This was his last appearance till we went. Miss Bronte spoke with the greatest warmth of Miss Martineau, and of the good she had gained from her. Well! we talked about various things; the character of the people, - about her solitude, etc., till she left the room to help about dinner, I suppose, for she did not return for an age. The old dog had vanished; a fat curly-haired dog honoured us with his company for some time, but finally manifested a wish to get out, so we were left alone. At last she returned, followed by the maid and dinner, which made us all more comfortable; and we had some very pleasant conversation, in the midst of which time passed quicker than we supposed, for at last W---- found that it was half-past three, and we had fourteen or fifteen miles before us. So we hurried off, having obtained from her a promise to pay us a visit in the spring... ------------------- "She cannot see well, and does little beside knitting. The way she weakened her eyesight was this: When she was sixteen or seventeen, she wanted much to draw; and she copied nimini-pimini copper-plate engravings out of annuals, ('stippling,' don't the artists call it?) every little point put in, till at the end of six months she had produced an exquisitely faithful copy of the engraving. She wanted to learn to express her ideas by drawing. After she had tried to draw stories, and not succeeded, she took the better mode of writing; but in so small a hand, that it is almost impossible to decipher what she wrote at this time.

I asked her whether she had ever taken opium, as the description given of its effects in Villette was so exactly like what I had experienced, - vivid and exaggerated presence of objects, of which the outlines were indistinct, or lost in golden mist, etc. She replied, that she had never, to her knowledge, taken a grain of it in any shape, but that she had followed the process she always adopted when she had to describe anything which had not fallen within her own experience; she had thought intently on it for many and many a night before falling to sleep, - wondering what it was like, or how it would be, - till at length, sometimes after the progress of her story had been arrested at this one point for weeks, she wakened up in the morning with all clear before her, as if she had in reality gone through the experience, and then could describe it, word for word, as it had happened. I cannot account for this psychologically; I only am sure that it was so, because she said it. ----------------------She thought much of her duty, and had loftier and clearer notions of it than most people, and held fast to them with more success. It was done, it seems to me, with much more difficulty than people have of stronger nerves, and better fortunes. All her life was but labour and pain; and she never threw down the burden for the sake of present pleasure. I don't know what use you can make of all I have said. I have written it with the strong desire to obtain appreciation for her. Yet, what does it matter? She herself appealed to the world's judgement for her use of some of the faculties she had, - not the best, - but still the only ones she could turn to strangers' benefit. They heartily, greedily enjoyed the fruits of her labours, and then found out she was much to be blamed for possessing such faculties. Why ask for a judgement on her from such a world?" elizabeth gaskell/charlotte bronte



Poem: No coward soul is mine

No coward soul is mine,
No trembler in the worlds storm-troubled sphere:
I see Heavens glories shine,
And faith shines equal, arming me from fear.


O God within my breast.
Almighty, ever-present Deity!
Life -- that in me has rest,
As I -- Undying Life -- have power in Thee!


Vain are the thousand creeds
That move mens hearts: unutterably vain;
Worthless as withered weeds,
Or idlest froth amid the boundless main,


To waken doubt in one
Holding so fast by Thine infinity;
So surely anchored on
The steadfast Rock of immortality.


With wide-embracing love
Thy Spirit animates eternal years,
Pervades and broods above,
Changes, sustains, dissolves, creates, and rears.


Though earth and man were gone,
And suns and universes ceased to be,
And Thou wert left alone,
Every existence would exist in Thee.


There is not room for Death,
Nor atom that his might could render void:
Thou -- Thou art Being and Breath,
And what Thou art may never be destroyed.


--
Emily Bronte

Family tree

The Bronte Family

Grandparents - paternal
Hugh Brunty was born 1755 and died circa 1808. He married Eleanor McClory, known as Alice in 1776.

Grandparents - maternal
Thomas Branwell (born 1746 died 5th April 1808) was married in 1768 to Anne Carne (baptised 27th April 1744 and died 19th December 1809).

Parents
Father was Patrick Bronte, the eldest of 10 children born to Hugh Brunty and Eleanor (Alice) McClory. He was born 17th March 1777 and died on 7th June 1861. Mother was Maria Branwell, who was born on 15th April 1783 and died on 15th September 1821.

Maria had a sister, Elizabeth who was known as Aunt Branwell. She was born in 1776 and died on 29th October 1842.

Patrick Bronte married Maria Branwell on 29th December 1812.

The Bronte Children
Patrick and Maria Bronte had six children.
The first child was Maria, who was born in 1814 and died on 6th June 1825.
The second daughter, Elizabeth was born on 8th February 1815 and died shortly after Maria on 15th June 1825. Charlotte was the third daughter, born on 21st April 1816.

Charlotte married Arthur Bell Nicholls (born 1818) on 29th June 1854. Charlotte died on 31st March 1855. Arthur lived until 2nd December 1906.

The first and only son born to Patrick and Maria was Patrick Branwell, who was born on 26th June 1817 and died on 24th September 1848.

Emily Jane, the fourth daughter was born on 30th July 1818 and died on 19th December 1848.

The sixth and last child was Anne, born on 17th January 1820 who died on 28th May 1849.

Blogarchief

LinkWithin

Related Posts with Thumbnails

The Parlour

The Parlour