Anne Bronte' s grave.

Having made my pilgrimage to Anne Brontë’s grave last weekend, I was very interested to read the article on the Brontë Parsonage Blog. The subject of the grave can be guaranteed to be touched upon at the Brontë Society’s annual general meeting next June - and of course Haworth itself is no stranger to controversy regarding car parking.

If the mortal remains of Anne Brontë could not be deposited in Haworth I always think that the spot Charlotte chose is idyllic- just below the dramatic ruins of the castle and overlooking the bay Anne had come to love. Much has been debated through the years about the state of the headstone and surrounding ground but last week it was my opinion that the grave has never looked better. Of course the stone itself has suffered some understandable damage through the years and this last severe winter has taken its toll on one or two letters of the inscription but compared to other stones in the surrounding area it has stood the test of time surprisingly well. The area in front of the headstone is now grassed over and level - which will make, I guess, tidying and mowing much easier. A very tasteful arrangement of flowers had been left in tribute to the youngest member of that remarkable family.

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Huis van Maria Bronte

Even verderop in Chapel Street, het unieke Egyptian House in oosterse art deco stijl en de Turk's Head Inn, die al meer dan 800 jaar een herberg is. De nieuwe thuis van Louise en de andere samenlevende Heistenaars was een gebouw in Georgian Style, zoals nog een fiks aantal in de straat. Bij het eind van de 19de eeuw werd het pand bewoond door de oude rijke weduwe Hester Kingwell en haar dochter. Daarna, in 1893, werd het de dokterspraktijk van Richard Hosking, die er vervolgens ook met rust ging. Jaren voor Louise en haar gezin in de straat neerstreken, woonde even verderop in het nummer 25 niemand minder dan Maria Branwell, de moeder van de auteurszusjes Bronte!

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How Haworth can move up in the world

From: John Collinson, Oldfield Lane, Oldfield, Keighley.

The Old School Room, Church Street. This building was originally constructed by Patrick Brontë in 1832 as the National Church Sunday School, and is of great historical importance to Haworth. The building, while being wind and watertight, requires major restoration and conservation works totalling £1m. This would create a building for public access that provides a stage and auditorium for shows and lectures, an area for exhibitions, meeting rooms for local groups and societies, an archive room, a Victorian school room together with associated facilities.

The provision of a wheelchair ramp from the Bradford Council car park to Church Street.This is desperately required, as I regularly speak to visitors who are dismayed at the lack of this provision which means that instead of travelling a few yards to Church Street they have to take a 300-yard detour. The estimated cost of this work is £30,000.
Surely these works are essential for the bid for world heritage status to be successful?
Taking the above two items into account, along with all the other issues, it is of no surprise that Haworth now finds itself on the English Heritage "at risk" register.
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Jude Morgan wisely begins Charlotte and Emily (St. Martin's; paperback, $14.99) with the death of their mother, and he artfully evokes the wonder that animated the lives of the young Brontës even in a world pocked with grief. Adulthood forced them to take work as teachers and governesses, though they always returned home. "Here they were around the table again, we three; and again that peculiar rightness in it," he writes, describing one of the interludes when the young women were together, having left or been fired from their genteel gigs. The tension and affection between Charlotte, who is eager to please and hungry for a little literary fame, and Emily, who refuses to play by the world's rules, are wrought with particular sensitivity. Morgan, the author of several historical novels, is a fine writer in his own right, and "Charlotte and Emily," foregone as its sad conclusion is, often surprises and delights.

Pensionnat Héger

In the shadow of the de Cleves-Ravenstein mansion, a flight of stone steps leads down to an inconspicuous cobbled alley where the Rue Terarken now ends. There, opposite an underground car park, the corners of three buildings form an abrupt wall. Beyond this, somewhere along the hill that slopes down from the Place Royale to the town centre, was the Pensionnat Héger where, for two years, Charlotte Brontë lived, taught and wrote. The school was demolished in 1910 and today a concrete office block stands in its place, beside a fifteenth-century sandstone edifice. Yet, from the environs of the old Rue Isabelle – formerly the site of kennels for ducal hounds – one can perhaps still conjure the shadowy scene that greeted the young Brontë when she arrived in Brussels in 1842.

Villette was Brontë’s last novel and the only one to be published under her real name. There are few English-language novels set in Belgium that don’t feature Great War battlefields, but Villette is one such exception, in which the urban landscape is no less haunting than the Yorkshire moors of her other novels. Brontë originally came to Brussels with her sister Emily to study languages at the Pensionnat Héger and stayed on as a teacher there. A decade later, the school would serve as a model for Madame Beck’s academy in the novel, a tale informed by Charlotte’s personal experiences of loneliness, cultural alienation and unrequited love. Although my own experiences as a newcomer to Brussels have been rather different (and happily so; I believe that some dislocation never did a writer any harm), I am intrigued and enchanted by Brontë’s casting of an unjustly maligned city. Today, the European Capital is alternately reviled and celebrated by its native and expatriate population – just as it is by her enigmatic heroine and narrator, Lucy Snowe.

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Rue d'Isabelle

It was February 1842 when Charlotte and Emily, accompanied by their father, set off from Haworth on their journey to Belgium, crossing the channel on the Ostend "packet". Since the railway line to Brussels was not yet fully opened, on arrival in Ostend they continued their long and tiring journey by stagecoach.

The next day they went to the Pensionnat Heger. Charlotte could not know when she entered it how profoundly her stay in this strange new place was to change her life.

The school was on the Rue d'Isabelle in a quarter close to the central park and near the grandeur of Rue Royale with its stately 18th century houses.

Place Royal Brussels

Steel engraving by A. Cruse after J. Fussel, ca 1850.

The Rue d’Isabelle and the Isabelle quarter had an ancient past, remnants of which could still be seen. But the street as Charlotte and Emily knew it dated back only forty or fifty years.

The street itself had a curiously sunken appearance, towered over on all sides by high buildings, with the old city wall alongside much of it.

The Park in Brussels

Le Parc de Bruxelles Ansicht von Park zu Bruessel

Steel engraving by H. Bond after Fussel, ca 1850.

On the ‘higher’ level lay the spacious aristocratic quarters with fine buildings, the beautiful Parc and the Palace Royale,
the grand residence of the Belgian monarch, king Leopold I. These places were only a stone's throw away from the Pensionnat.
Descending to the ‘lower’ level, the city centre, you found yourself in the busy commercial area and the higgledy-piggledy streets dating back to medieval times. In the mid 19th century these little back streets had become a dirty and overcrowded slum area.

To reach the Pensionnat, below the Rue Royale, you went down a steep flight of steps. Standing at the top of the stairs by the statue of General Belliard, you could look down on the chimneys of the Rue d’Isabelle below and the old city beyond.

Reaching the bottom of the stairs one had only to cross the street to reach the school. It had been built forty years earlier and was a plain white building two storeys high, long and low with a row of large windows on each floor.

Even though the school building itself was no more extraordinary than the other schools in the neighbourhood, there was an unexpected treasure, tucked away behind the house; a delightful big garden with a line of ancient fruit trees.

This garden was to provide Charlotte with a haven of peace right in the centre of the city. It is described in full detail in her novel Villette, and one can imagine her relishing every opportunity to escape from the pressures of school life to the bower (berceau) and the allée défendue.

Nowadays, sadly, nothing of the Pensionnat remains and little of the Rue d’Isabelle or the old quarter apart from the area around the Place Royale and the Rue Royale. Demolition in the 20th century destroyed many of the streets and ancient history of old Brussels. Luckily, not all is lost and if you know where to look, remnants can still be found.

Today, the view from the top of the steps is completely changed and it is difficult to imagine the scene Charlotte and Emily would have seen. The Palais des Beaux Arts (an arts centre in the art nouveau style built in the 1920s) and the Rue Baron Horta now cover the site of the Pensionnat and the Rue d’Isabelle.

The Rue Ravenstein we see today is on a much higher level than the old street. But the Rue Villa Hermosa, which once led to the Rue Terarcken, still partly exists. One can still go down the steps near the Hôtel Ravenstein to this street of which only a small section remains. This little backwater is still on the original level and one can see the old cobbles paving the street where Charlotte and Emily once walked on their way to the Rue d’Isabelle.

In the Pensionnat Charlotte and Emily were taught by the charismatic and inspiring Constantin Heger, whose wife owned the school. He recognised their literary talents and gave them encouragement and guidance in honing their writing skills. In Charlotte's case his legacy was still more profound, since she fell in love with her teacher.

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Articles

online Bronte studies


Empty Letters and the Ghost of Desire in Charlotte Brontë's Villette

pp. 95-106(12) Author: Jackson, Rachel

'Nothing could be worse for the work of mourning, than confusion or doubt: one has to know who is buried and where', writes Jacques Derrida in Spectres of Marx. This paper offers a reading of Charlotte Brontë's Villette and its depiction of haunting, letters and desire through the context of M. Paul's uncertain death at the end of the novel. Using Derrida's notion of spectral ambiguity and the impossibility of knowledge posed by the ghost, I situate the obfuscation of M. Paul's death as a primal scene informing upon the text as a whole; offering a hindsight which underwrites Lucy Snowe's fixation with the perpetual frustrations and losses of erotic desire. I would suggest that this sense of bereavement manifests itself in Lucy's repeated correlation between letters and haunting, and the shared syntax of desire through which she interprets the lacuna permeating both. To Lucy, letters come to stand in the place of bodies and this misreading of the displaced Other prefigures her response to the 'ghost' nun. Both letters and the ghost thus become dialectical in creating the traffic of confused readings instigated by M. Paul's forever absent body, and the haunted 'counter-knowledge' fixed by the text's ultimate, final recalcitrance to pronounce dead or alive.

Ambivalent Desires in Charlotte Brontë's Villette and Grace Aguilar's Vale of Cedars
pp. 107-117(11) Author: Klein, Kathrine

My paper argues that religious tolerance in Charlotte Brontë's novel Villette (1853) and Grace Aguilar's novel The Vale of Cedars; or, the Martyr (1850) translates into a desire for the other. The anti-Catholic sentiment of both narratives is well established: Charlotte Brontë articulates the threats English Protestants felt from 'Papal aggression', while the Anglo-Jewish writer Aguilar uses the Spanish Inquisition to show that, like the English, Jews have been persecuted by Catholics. Both authors, however, express a more complicated engagement with Catholicism, suggesting through their heroines that sensual desire is the product of toleration and self-realization. The Catholic Other in each novel is an ambivalent attraction for the heroine. On the one hand, Lucy Snowe is charmed by Catholic devotion, manifested in Paul Emanuel. On the other, she is repulsed by Catholic practice, manifested in Madame Beck. For Marie Morales, sexual desire is at odds with religious devotion and patriarchal authority. While her husband legally possesses her body, her Catholic lover governs her desire, making her sexually transgressive. It is only her platonic desire for Queen Isabella that makes acceptable Marie's longing for the Catholic Other. Villette and Vale explore religious otherness and mediate sexual longing in mid-Victorian England.

From Pasha to Cleopatra and Vashti: The Oriental Other in Charlotte Brontë's Villette
pp. 118-127(10) Author: Ramli, Aimillia Mohd

Critics have argued that Jane's engagement with the Orient in Jane Eyre (1847) is grounded in the vocabulary of her role as liberator and the discourse of female slavery and male domination as represented by the use of the harem metaphor in the text. Yet little is said about how this same metaphor exposes in Villette (1853) the ambivalence inherent in the construction of a Western character that has been invaded by the so-called menacing influences of the Orient. In the novel, the Oriental familial institution of the harem is figuratively and literally seen as a contaminant that poses a threat to a racial and gendered colonial British character. It suggests that this contamination destabilizes this character, blurring the line that divides both East and West, fantasy and reality, and argues that the Oriental institution of the harem, the artistic representations of women as illustrated by the Orientalist portrait of Cleopatra and the actress playing Vashti and, finally, M. Paul, represent the different ways in which this character is gendered and orientalized.

Charlotte Brontë's Textual Relics: Memorializing the Material in Villette
pp. 128-136(9) Author: Crowther, Kathryn

Charlotte Brontë's ambivalence towards her role as an artist and a writer in the literary marketplace manifests itself in Villette as a desire to memorialize the labour of writing through the production of textual relics: books, letters or collections of documents which are isolated and treasured for their materiality. The textual relic, I argue, reifies a narrative desire to reinstate the materiality of the original text; it bears the trace of the writer's body through its handwriting and thus represents the authentic connection of the original text to the author. It stands, therefore, in opposition to the lost materiality of the infinitely reproducible text which is produced by the commodified literary marketplace.

Charlotte Brontë, Mary Taylor, and the 'Redundant Women' Debate
pp. 137-148(12) Author: Fenton-Hathaway, Anna

Two years before Charlotte Brontë published Villette, the 1851 British Census reported an 'excess' of over 400,000 'redundant women', a population imbalance that philanthropists and pundits were frantic to resolve. This essay contextualizes Villette within the debate that followed. Charlotte Brontë's private correspondence with her childhood friend Mary Taylor, conducted after Taylor emigrated to find employment abroad, reflects the public debate's greatest tensions, and this essay argues that Charlotte Brontë and Mary Taylor extend the conversation in their novels. In Villette, Lucy Snowe's narrative contortions indicate that any generalized claim, whether feminist or anti-feminist, is equally harmful to the individual (a subtle jab at Taylor's feminist proclamations). Taylor's Miss Miles (1890) features a more frank dissection of female 'redundancy'. The critical premium on psychological complexity that has increased Villette's status has relegated the simpler Miss Miles to literary obscurity, yet both novels deserve renewed attention for their insight into the 'redundant women' debate.

Perception and the Suppression of Identity in Villette
pp. 149-159(11) Author: Haller, Elizabeth K.

Lucy Snowe, the primary character of Charlotte Brontë's Villette, unobtrusively surveys events, observes reactions, studies character all as a means of obtaining involvement without being an active participant. In this veiled existence Lucy can experience life but at a safe distance, in shadow, where 'unobserved I could observe' (V, p. 156). However, I contend that it is as a direct result of her silent surveillance, of her unassuming presence, that she is drawn into each occasion of action in her life. Lucy admits that she is incapable of provoking change on her own behalf: 'To sit still in actual circumstances was my instinct […] I must be stimulated into action. I must be goaded, driven, stung, forced to energy' (V, pp. 290, 42). Indeed, Lucy is consistently goaded into action both by circumstance and by false perception. Ultimately, the forced pretence of her shadowy existence serves as a defence mechanism against the agony of deprivation.

Curiosity, Surveillance and Detection in Charlotte Brontë's Villette
pp. 160-171(12) Author: Jung, Sandro

The article offers a contextualization of female curiosity by relating it to different characters who, in the course of Villette, adopt a criminal, sexual and clinical gaze and use it as a tool to make sense both of gendered and normative reality; I will discuss their self-fashioning in the light of — and as a response to — the constraints of the strictly patrolled and inquisitive patriarchal and religious community at the Pensionnat and in Villette as a whole. In reading the system of surveillance and detection at the Rue Fossette, I will relate questions of the marketability of commodified knowledge and a pseudo-scientific reliance on phrenology to Lucy Snowe's successful negotiation of this society by participating in an economics of love which remains untouched by the moral taint of espionage and the invasion and tradable uses of privacy.

Ohio University Press Free Downloads in Victorian Studies

Benjamin Herschel Babbage

Haworth in the mid 1800’s was not the romantic village that one thinks of when reading all those books written by the Bronte sisters, but in reality was quite a grim place to live and had many social problems because of it’s poor water supply and virtual lack of sanitation. Over 40% of children died before attaining the age of six years, and the school records from this time are testament to the poor health of local children with smallpox, measles, whooping cough and scarlet fever frequently mentioned as the cause of death. The average age of death in the village was 25.8 [years], which was about the same as in Whitechapel, St.George-in-the-East, and St.Luke, three of the most unhealthy of the London districts.

The situation became so bad that Reverend Patrick Bronte took it upon himself in August 1849 to prepare a petition of 222 signatures to send to the General Board of Health in London, in an effort to improve sanitation in the village. No response was received to this so he sent a second petition in October of the same year, and then in February 1850 wrote to them again asking them to survey the water supply in Haworth. His persistence obviously stirred them into action and in April 1850 an Inspector, Benjamin Herschel Babbage, travelled to Haworth to conduct an investigation into the sanitary conditions in Haworth and the surrounding villages of Stanbury and Near and Far Oxenhope. His report found that the sanitary conditions were poor, with open sewers coursing down Haworth Main Street, and water leaching from the graveyard into the main source of drinking water. Here are some of his findings, which make grim reading:

Sewerage
“There are no water closets in the town, and only 69 privies, being little more than one privy to every four and a half houses….I found seven houses in the main street without a privy….I found twenty four houses lower down with only one privy amongst them….I believe that it would be found that there are no more than two dozen houses in the whole town that have a privy to themselves….two of the privies used by two dozen each, are in the public street, not only within view of the houses, but exposed to the gaze of passers by, whilst a third, as though even such a situation were too private, is perched upon an eminence commanding the whole length of the street. The cesspit of this privy lies below it, and opens by a small door into the main street; occasionally this door is burst open by the superincumbent weight of night soil and ashes, and they overflow into the public street, and at all times a disgusting effluvium escapes through this door into the street. Within two yards of this cesspit door there is a tap for the supply of water to the neighbouring houses….there are no sewers in Haworth;…..as a consequence of the want of sewerage there is a contiguous to each privy a receptacle for the night soil, in some cases walled round… into these midden-steads are thrown the household refuse and the offal from the slaughter-houses, where mixed with the night soil and occasionally with the drainage from pigsties, the whole lies exposed for months together, decomposition goes on and the offensive smells and putrid gases are given off in close proximity to dwelling-houses, making them much more injurious.”

Water Supply
“Bad as is this state of things, [the lack of a sewerage system] perhaps the most crying want of Haworth is water, of which there is an absolute dearth in the dry season…..very few of the inhabitants use the pump-water for cooking or drinking, as they do not fancy that the water is pure and when the soakage into the ground from the midden-stead, and the small depth of the pump-wells are considered, there appears every reason to suppose that the general opinion upon this subject is correct….the supply of water upon the Head Well is so scant in the summer time that in order to have water for the Monday’s washing, the poor people are in the habit of going there at 2 or 3 o,clock on Monday morning, in order to wait their turn to fill their cans and buckets from the slowly running stream. It is stated that the water at this well is very bad at this season, and it is sometimes so green and putrid that cattle, which have been driven there to drink, after tasting the water, have turned away and refused to touch it again”

Burial Grounds

“The churchyard is almost full of graves….it would appear that 1344 burials have taken place in the last ten years….the practice at Haworth is to cover the grave with a flat stone, and the churchyard presents one entire surface of flat stones, some of them simply reposing upon the mound of earth which covers the grave….this practice is a very bad one as it prevents that access of atmospheric air to the ground, which is necessary for promoting decomposition; and beside, the stones take the place of those grasses and shrubs which if planted, would tend to absorb the gases evolved during decomposition, and render the process less likely to contaminate the atmosphere….drains should be laid very deep, below the greatest depth to which the graves would be dug and the drainage should be carried away by airtight pipes into a main sewer… care being taken to lead into one which has no direct communication with any house-drain. I consider the speedy carrying away in covered channels of the water charged with this most dangerous and most subtle matter to be one of the most efficacious means of diminishing the evils, which there can be no doubt always take place from the vicinity of burial grounds to inhabited places.”

Babbage Recommendations

Babbage’s recommendations for improvements in Haworth were as follows:

He thought that water should be collecting from the surface of the nearby moorland, and also collecting from two springs, which had a wholesome supply, and this should then be piped to a reservoir created in one of the many abandoned stones quarries in the area. The water should then be supplied via a new main running down the main street.

A complete sewerage system should be installed in the village.

The costs of the sewerage system would be £863.10s and should be covered by a rates charge per house of 3/4d per week, and the cost of a water supply would be £1274.12s.6p and should be recovered by a rate of 1 1/4d per house per week

As far as the overcrowded graveyard was concerned, he recommended that no more burials should take place there, and a new burial ground should be found a short distance from the village which should be thoroughly drained to a depth of eight feet, and that a ‘code of regulations’ be established to prevent graves being dug too close to each other, and also that no more than one body be allowed to be interred in each grave.

He also recommended that a new small slaughterhouse be established for the use of the village, and that all slaughtering in other places should be prohibited.

Nothing much seemed to happen quickly after Mr Babbage’s visit to Haworth, other than his report and recommendations, so in August 1851 Patrick Bronte again wrote to the General Board of Heath saying

“ Yet after, tedious delay, they have as far as we know done almost nothing….We might have thought that this arose from a press of more urgent business, had it not been that we have learned from good authority that their salutatory rules have been adopted and enforced in various other places where there was less necessity for them”.

Eventually Patrick Bronte’s persistence was rewarded when a clean water supply was put into Haworth in 1856.

It is interesting to note that most pictures of Rev.Patrick Bronte show him with a scarf/muffler over his lower face and neck, and it is thought that he always wore this to try and protect himself from the noxious smells and diseases in Haworth. There still prevailed at this time something called “The Miasma Theory”, which lead people to believe that certain diseases, particularly cholera, were more prevalent in places where water was undrained and foul-smelling, and that the viruses were carried in the air. This theory was disproved in the late 1850’s, when it was found that these diseases were not airborne, but were carried in the water supply. Improvements in water supplies and sewerage systems reduced these illnesses dramatically.

Rev Bronte must however have been made of stern stuff because he lived to the grand old age of 84 years and outlived his wife and all six of his children, which was quite an achievement for anyone living in Haworth in those days!

read orignal on the weblog Bancrofts from Yorkshire
 

Haworth

The best-known village in Yorkshire is “on the slide” a heritage boss said as he toured Haworth.
Trevor Mitchell, regional director of English Heritage, visited Haworth prior to the release of his organisation’s Heritage at Risk register.

He said it would not be recognised by the Bronte family.

Mr Mitchell pointed out the street clutter, especially signage, “too modern” shop fronts and the state of the setts, which Bradford Council is to repair at a cost of £600,000 over the next three years.
“This is the shop window for the whole of Yorkshire,” he said. “Hundreds of thousands of people come here and it ought to be a world-class experience but people don’t get that.
“There is a lack of a shared vision. We are worried and Bradford Council is worried that the quality of the best-known village in Yorkshire is on the slide.”
He hoped to encourage shopkeepers and homeowners to pay attention to the heritage needs of the village which would bring economic benefits in the long run.
It was hoped to draw up plans and images of what the village should look like.

He was accompanied by Christine Kerrin, City Hall’s team leader for design and conservation, and John Hogg, the Council’s design and countryside manager.
Miss Kerrin said some changes had not been for the best. “Some window details are incorrect and the cumulative effect of signage and boards is not in character,” she said. “Haworth has a wonderful image, it’s an historic place but that character is not there in all places because of poor decision- making.”


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Heritage status

Bronte country and Haworth village are hoping to be granted highly-prized world heritage status.
World Heritage Sites are chosen for their outstanding universal value to culture, history or science.
The Bronte Landscape and Haworth village is one of 38 nominations from across the country.
An independent expert panel will now be set up to assess each bid and advise ministers on which should be included in a shortlist submitted to the United Nations Educational, Scientific and Cultural Organization (UNESCO) next year.
Keighley and Ilkley Conservative MP Kris Hopkins said: “I am delighted that Bronte Landscape and Haworth Village have been put forward for consideration and, as far as I’m concerned, they are in a league of their own.
“The literacy legacy left by the Brontes is the source of immense local pride as well as fascination for people across the world, many of whom travel to Bronte Country to experience the wildness and the wonders of the moors. Needless to say the bid has my absolute support.”
Earlier this year Government invited councils and others to bid. Sites winning through will join the Taj Mahal, the Great Wall of China, Statue of Liberty and more than 800 other sites on UNESCO’s list of the world’s most important historical sites.
Announcing the bidders, Tourism and Heritage Minister John Penrose said: “The UK’s heritage is world-class and this list represents the unique variety and history present in all corners of this country and our overseas territories.
“We wanted a strong and varied list to eventually put to UNESCO and I’m delighted that so many wonderful, diverse places have been put forward.
“Any list that includes Jodrell Bank, the Forth Bridge, Blackpool and the Turks and Caicos Islands certainly doesn’t lack variety. But what all 38 sites have in common is a wow factor and a cultural resonance that makes them real contenders to sit alongside the Pyramids and Red Square in this most distinguished of gatherings.”
The selection process can take between five and ten years.
After the bid is submitted to UNESCO by the UK Government, it will then be assessed by the International Council on Monuments and Sites and the World Conservation Union.
If successful, the application is then judged by the World Heritage Committee, which meets once a year to decide which sites will be inscribed on UNESCO’s World Heritage List.

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Overzichtsfoto van Haworth

Haworth and the Black Bull

Black Bull in winter

De stoel van Branwell Bronte in the Black Bull

Haworth, the home of the Bronte family, is almost as famous as Stratford-upon-Avon as a place for literary pilgrimage. The Revd Patrick Bronte brought his family to live in the parsonage at Haworth in 1820 and it is now kept as a museum. At the top of the steep and cobbled main street is the Black Bull, with its gritstone walls blackened by years of smoke pollution from the former tall chimneys of the local woollen mills. Branwell Bronte, the artistically frustrated brother of Charlotte, Emily and Anne spent many hours drinking at the Black Bull and eventually, in 1845, his consumption of alcohol and opium killed him. Emily caught a chill at his funeral and died just 10 days later, not living to receive the acclaim to her novel 'Wuthering Heights'.

Today the Black Bull inside is a touristy open-plan pub with the focus on good value food but in Branwell's day it would have been divided into a series of small dark rooms. According to Mrs Gaskell, Branwell's great conversational talents: "procured him the undesirable distinction of having his company recommended by the landlord of the Black Bull to any chance traveller who might happen to feel solitary or dull over his liquor". Across the Main street is the Apothecary. It was the house of the pharmacist at the time of the Brontes, where Branwell Bronte bought laudanum, an opium derived drug

rose apothecary from Haworth

Uitzicht vanuit de voortuin van The Parsonage in Haworth

VOORGANGERS EN TIJDGENOTEN VAN DE BRONTËS

AUGUSTAN PROSE (eind 17de-eind 18de eeuw)

In deze periode werd de aanzet gegeven tot een nieuwe literaire vorm, de novel, die in de
Victoriaanse tijd tot bloei zou komen. In deze novel nam men afstand van de fantastische en
heroïsche aspecten die tot dan toe het proza hadden gedomineerd. Men wilde komen tot een meer
realistische representatie van de wereld en de mensen die deze bevolken. De bekendste voorbeelden
van novels uit deze tijd zijn Robinson Crusoe van Daniel Defoe en Tom Jones van Henry Fielding.
In deze tijd doken ook de eerste heroines op in de Engelse literatuur. Voordien waren vrouwelijke
personages vaak randfiguren die zelf geen acties ondernamen, maar deze ondergingen. Hier worden
ze hoofdpersonages die op zoek zijn naar hun plaats in de samenleving en actief stappen
ondernemen om hun lot te beteren. Men kan echter nog niet spreken van vrijgevochten vrouwen: een
plaats zoeken in de samenleving wordt meestal ingevuld door het zoeken van een ‘favorable match’.
Enkele voorbeelden van novels met heroines: Moll Flanders en Roxana van Daniel Defoe (1660?-
1698), Pamela, or Virtue Rewarded en Clarissa van Samuel Richardson (1689-1761).

ROMANTIEK (1785-1830)
De heroine novel verdwijnt in de romantische stroming meer naar de achtergrond ten voordele van de
gothic (Frankenstein van Mary Shelley) en de historical novel (Ivanhoe van Sir Walter Scott). Enkel
Jane Austen blijft in deze tijd novels schrijven over jonge vrouwen die een geschikte partner zoeken.
Zij wordt dan ook beschouwd als anti-romantiek.
outhey (die in 1813 Poet Laureate -hofdichterwerd),
wel bekend als de 'Lake Poets' (dichters uit het Lake District). Wordsworth volgde Southey in
die functie op in 1843.

VICTORIAANSE TIJD (1830-1901)
In deze tijd kwam de strijd voor vrouwenemancipatie meer op het voorplan door onder meer het belangrijke essay The Subjection of Women door John Stuart Mill. Men ging zich afzetten tegen het
beeld van de vrouw als broze engel die beschermd moest worden van de harde realiteit. In ‘finishing
schools’ werden meisjes uit de gegoede klassen opgeleid tot poppetjes die konden borduren en
bloemschikken, maar die het denkwerk aan hun echtgenoot moesten overlaten. Dit leidde vaak tot
frustratie bij deze vrouwen die zich vaak stierlijk verveelden.
Vooraanstaande vrouwen zoals Queen Victoria en schrijfster George Eliot ijverden dan ook voor een
gelijke educatie voor vrouwen en mannen. Hun feminisme was echter gematigd. Zij waren tegen
stemrecht voor vrouwen en geloofden nog steeds dat de vrouw op de eerste plaats moeder en
echtgenote was. Verscheidene schrijfsters publiceerden autobiografische werken die uiting geven aan
deze frustraties: Harriet Martineau (1802-1876), Florence Nightingale (1820-1910).

Het Victoriaanse tijdperk was een echte bloeiperiode voor dit genre, met voorop uiteraard Charles
Dickens. Het was tevens de tijd van de heroines zoals Jane Eyre (uit Jane Eyre van Charlotte Brontë),
Dorothea Brooke (uit Middlemarch van George Eliot) en Becky Sharp (uit Vanity Fair van William
Thackeray). Naast de zusjes Brontë laten diverse andere auteurs heroïnes in hun verhalen
voorkomen, zoals Elizabeth Gaskell (1810-1856), George Eliot (pseud. van Mary Ann Evans) (1819-
1880), William Makepeace Thackeray (1811-1863), Thomas Hardy (1840-1928) en Henry James.

Jane Eyre

Ik ben momenteel

weer in de ban van

Jane Eyre

zowel het boek als de film

 met Toby Stephens and Ruth Wilson

Jane Eyre is het boek

dat ik als klein meisje verslond

en wat de basis legde

voor mijn liefde

voor de Bronte Sisters

Ik wilde alles weten over de schrijfster

van Jane Eyre

en haar vader, broer en zussen

dat is tot de dag van vandaag

het boek heb al veel keer herlezen

en daar ben ik nu ook weer mee bezig

Maar nu heb ik ook een verzamel DVD

met Jane Eyre

Wuthering Heights

The Tenant of Wildfell Hall

en wat ik zie

bevalt me

meestal ben ik geirriteerd bij boekverfilmingen

omdat ik me een personage dan anders voorstel

maar daar heb ik geen last van bij deze verfilmingen

dus dubbel op genieten........

Mary Taylor

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