Haworth Through the Lens of History
Back Video Productions presents
Haworth Through the Lens of History
Written and Presented by Geraldine Bell
Video Production by James Hutton (34 min)
Photography has been entertaining and amusing people since its invention in the 1800's. Nowadays old photographs can serve as a window into the past. In this video we shall blend old and new photographs to help transport you back in time, exploring how the landscape and social fabric of this area has changed.
This is a blog about the Bronte Sisters, Charlotte, Emily and Anne. And their father Patrick, their mother Maria and their brother Branwell. About their pets, their friends, the parsonage (their house), Haworth the town in which they lived, the moors they loved so much, the Victorian era in which they lived.
I've dreamt in my life dreams that have stayed with me ever after, and changed my ideas: they've gone through and through me, like wine through water, and altered the color of my mind.
Emily BronteWuthering Heights
maandag 3 december 2012
maandag 26 november 2012
Haworth
Great to see Lyn Cunliffe
walking around,
in her beautiful dress,
through Haworth
Lynn is from Hathaways of Haworth
Lynn is from Hathaways of Haworth
zondag 25 november 2012
The Bronte Sisters and weblogs
Quote from Christine Anne Alexander and Jane Sellars, The Art of the Brontës (Cambridge [Eng.]: Cambridge University Press, 1995). (SA) N6797.B758 A4 1995
Read more: graphicarts
Two of the most iconic novels of the Victorian era were written by the Bronte
sisters. When they were initially released "Jane Eyre" was the most popular
amoungst the public and critics of that time period. Now, thanks to modern
novels that appreciate the work of Emily Bronte "Wuthering Heights" appears to
be the favourite. I have always liked "Jane Eyre" and decided to finally read
"Wuthering Heights" in order to decide where the novels stand from my
viewpoint.
Both books are considered to be of the gothic genre and having
being written in the same household I could hardly imagine the tension and
competitive nature that may have played a big part in the realtionships between
the Bronte sisters. Also, a third and lesser-known sister, Anne Bronte had a
novel released around the same time. I hardly think it's fair to compare
sisters, but now having seen many articles of the sort and finding an opinion of
my own on the subject I realise that another opinion is of little matter when
there are so many circulating the blogosphere on the subject.
(Dutch) Ik hou van lezen, maar bij de bibliotheek kan ik toch altijd niet echt vinden
wat ik zoek. Maargoed, al je boeken kopen is ook weer zo’n gedoe en mijn
voornaamste bezwaar: het is zo duur. Dacht jij dit ook tot nu toe? Meet Book Depository. De ideale
site om je Engelse boeken te shoppen, ze zijn namelijk hartstikke goedkoop én er
zijn geen verzendkosten! Tel uit je winst, haha. Ik had echt helemaal geen
boeken meer om te lezen, dus besloot ik mezelf te verwennen met een belachelijk
grote bestelling bij BD. Ondertussen heb ik al m’n boeken binnen dus ik ga ze
jullie even laten zien.
I was looking forward to getting books that I love but don’t own and I’d had my eye on some editions with newly redesigned covers to add to my library collection. After being in the store for an hour perusing the disorganized store I realized my arms were sore from the growing, toppling stack. I set down my selections and looked at many of the ones I’d scooped up.
Stick girl jam
This trend, reminiscent of the 18th and 19th centuries, was seen in 2011’s Jane Eyre starring Mia Wasikowska. We are sure this won’t be the last we see of quilted clothes – or the Brontës – on the silver screen
elledinsdag 20 november 2012
The Bronte Birthplace
Villagers leading a campaign to buy the birthplace of the Bronte sisters are in a race against time to secure the site through a new Government law.
The Bronte Birthplace Trust is looking to get a Community Right to Bid in place on the house in Market Street, Thornton, after it was put on sale for £129,950.
If the bid goes through, the house would be reserved for the group to buy if it raises sufficient funds or receives a grant.
The group, which aims to turn the house into a museum as part of a plan to help boost tourism in the village, has said it hopes to have the bid in place within the next week.
“We would like to run it as a museum, a working museum, where people can come along and be taken around it, and then the whole community could benefit. The Bronte Birthplace would link up with the Old Bell Chapel and the South Square project, so it’s a three-pronged tourist attraction.
“The objective is education, to get school children coming round and things like that.”
Read all: thetelegraphandargus
The Bronte Birthplace Trust is looking to get a Community Right to Bid in place on the house in Market Street, Thornton, after it was put on sale for £129,950.
If the bid goes through, the house would be reserved for the group to buy if it raises sufficient funds or receives a grant.
The group, which aims to turn the house into a museum as part of a plan to help boost tourism in the village, has said it hopes to have the bid in place within the next week.
“We would like to run it as a museum, a working museum, where people can come along and be taken around it, and then the whole community could benefit. The Bronte Birthplace would link up with the Old Bell Chapel and the South Square project, so it’s a three-pronged tourist attraction.
“The objective is education, to get school children coming round and things like that.”
Read all: thetelegraphandargus
maandag 19 november 2012
Six letters of Charlotte Brontë to be auctioned in Sotheby's
Read more: Six letters of Charlotte Brontë to be auctioned in Sotheby's
zaterdag 17 november 2012
Message on Twitter: Bracelet of Anne's hair
Bronte Parsonage@BronteParsonage16 november
Still preparing for next year's exhibition - this is a bracelet of Anne's hair, given by Charlotte to Ellen Nussey:
Click on http://ow.ly/i/18pbs and you can see the picture.
Paintings in the Bronte Parsonage Museum
Winifred Gerin
Winifred Gerin (1901–1981) was the Hamburg-born biographer of the Brontë sisters, most famous for her 1967 work, 'Charlotte Brontë: The Evolution of Genius'. The portrait, by Winifred Gerin's sister, is in a 20th-century realistic style.
The First Meeting of Jane Eyre and Mr Rochester
Where to see these and more paintings?
Brontë Parsonage Museum
Church Street Haworth, Keighley, West Yorkshire, England, BD22 8DR
bbc/paintings/located_at/bronte-parsonage-museum
vrijdag 16 november 2012
Scarf, which belonged to... Patrick Bronte!
Fascinating day so far, choosing items for next year's exhibition, measuring them so that the special cases can be made, and writing the labels. Here's Sarah in the Bonnell Store, unrolling a flowered silk scarf. It belonged to a Bronte, but you'll never guess which...
Here's a close-up of the scarf, which belonged to... Patrick Bronte! - reputedly a dry old stick. But his wife referred to him as 'dear, saucy Pat', and he wore this, so he must have had a hidden frivolous side...
donderdag 15 november 2012
A whole day of Bronte Events for all ages at West Lane Baptist Church Sat Dec 8th from 1.30 to 10 pm
Hathaways of Haworth have a whole program of Bronte events is now planned for West Lane Baptist Church.There will be something for all age. (There is likely to be more events included over the next few days but at present these are those definitly a part of the program.)
From 1.30 onwards there will be a chance to see displays on Haworth and the Brontes handle replica Bronte diary papers and mini books, see Hathaways research and work on rarely seen Bronte artifacts and meet and take your own photos with costumed re enactors children’s activities during the afternoon will include.
A chance to see some of Hathaways costumes on display and try dressing up in Victorian hats and bonnets. Make your own Victorian hats. Make your own Bronte mini book or diary paper.
Colouring sheets for the very young and worksheets on the Victorians for kids. Admission is free for any child with an accompanying adult, adult admission is £2. and a free tea, coffee or cold drink is included in the cost.
Further displays of replica Bronte artifacts and victorian clothing which can both looked at and handled, Hathaways costumes ''A look at Haworth in the Brontes day and” imagine a world without any Brontes a look at how Haworth might be today had the Brontes never published. There will be a chance to talk to Reneactors dressed as the sisters and their brother. Branwell, Charlotte and Emily will be mingling with the guests and have been briefed to “act in character” so you can see the Brontes in a social situation. There will be a chance to speak to our speakers about their work and research.
Hathaways of Haworths owner Lynn Cunliffe who will be talking about he Bronte work and research, including what Bronte clothing can tell us about the lives of the Brontes and how it can help in identifying or discounting new Bronte portraits or photos such as those sold recently.The main element of the program will be “undressing the Brontes ” a look at what they wore by undressing two mannequins Charlotte and Emily and showing how each sisters clothing and attitudes to clothing can shed new light on “Bronte Myths”. hathawaysofhaworth
From 1.30 onwards there will be a chance to see displays on Haworth and the Brontes handle replica Bronte diary papers and mini books, see Hathaways research and work on rarely seen Bronte artifacts and meet and take your own photos with costumed re enactors children’s activities during the afternoon will include.A chance to see some of Hathaways costumes on display and try dressing up in Victorian hats and bonnets. Make your own Victorian hats. Make your own Bronte mini book or diary paper.
Colouring sheets for the very young and worksheets on the Victorians for kids. Admission is free for any child with an accompanying adult, adult admission is £2. and a free tea, coffee or cold drink is included in the cost.
Further displays of replica Bronte artifacts and victorian clothing which can both looked at and handled, Hathaways costumes ''A look at Haworth in the Brontes day and” imagine a world without any Brontes a look at how Haworth might be today had the Brontes never published. There will be a chance to talk to Reneactors dressed as the sisters and their brother. Branwell, Charlotte and Emily will be mingling with the guests and have been briefed to “act in character” so you can see the Brontes in a social situation. There will be a chance to speak to our speakers about their work and research.
Hathaways of Haworths owner Lynn Cunliffe who will be talking about he Bronte work and research, including what Bronte clothing can tell us about the lives of the Brontes and how it can help in identifying or discounting new Bronte portraits or photos such as those sold recently.The main element of the program will be “undressing the Brontes ” a look at what they wore by undressing two mannequins Charlotte and Emily and showing how each sisters clothing and attitudes to clothing can shed new light on “Bronte Myths”. hathawaysofhaworth
dinsdag 13 november 2012
Bronte Society expresses disappointment at Ovenden Moor windfarm decision
The Brontë Society wishes
to express its disappointment with the decision by Calderdale Council to grant
planning permission to Yorkshire Wind Power for the repowering of the windfarm
at Ovenden Moor.
We feel that this decision
demonstrates a lack of consideration for a unique heritage landscape which has
internationally renowned cultural associations. It shows, also, an insensitive
disregard for the negative impact upon the environment and upon the local
economy of Haworth and the area known as Brontë
Country.
The Society has received a
huge level of interest and support from all over the world. We would like to
take this opportunity to express our gratitude and to give an assurance of our
continued commitment to Haworth’s cultural and historical
significance.
13 November
2012
For further information please contact the Bronte
Parsonage Museum on 01535 642323 / bronte@bronte.org.uk
The Brontes in Brussels
Originally published on the Brussels Brontë Blog:
Down the Belliard Steps: Discovering the Brontës in BrusselsYou can buy it in the English bookstores Waterstones and Sterling Books in Brussels, or from the Brontë Parsonage Museum shop.
Helen MacEwan
ISBN No 978-0-9573772-0-2
Publisher: Brussels Brontë Editions
Paperback
146 pp
Charlotte and Emily Brontë’s stay in Brussels in 1842-43 to improve their French was to prove a momentous one for Charlotte in particular. She fell in love with her French teacher, Constantin Heger, and her experiences in the Belgian capital inspired two of her four novels, Villette and The Professor. Yet the Brontës’ Brussels episode remains the least-known of their lives.
When Helen MacEwan moved to Brussels in 2004 she discovered that not many people there seemed to know much about the Brontës’ time in the city. She herself had a lot to find out about their life in the Pensionnat Heger at the bottom of the Belliard steps. In the process of doing so she met other people who were similarly fascinated by the story, and with them formed the Brussels branch of the Brontë Society.
For all these people, following in Charlotte and Emily's tracks in modern-day Brussels, and setting up a literary group, was a voyage of discovery. In the course of telling their story, Helen finds some odd parallels between the Brussels of their day and ours, and reflects on why the Brontës' time there is so fascinating.
We Wove A Web In Childhood
You can read all about it on: bronte-fiction
We Wove A Web In Childhood is a fictional work concerning the Bronte family. Much of the existing literature tends to focus exclusively on the sisters, but in undertaking a dramatic reconstruction of their lives Ruth Thomas has succeeded in bringing each family member to life, including their brilliant and volatile brother Branwell, and their scholarly and compassionate father, the Reverend Patrick Bronte. The individual lives of the Brontes are as full of interest and drama as any of the novels they produced, and the family continues to exert a fascination right across the spectrum from dedicated Bronte fans to more casual readers. The novel has been written with an attention to detail and historical veracity, and should appeal to anyone with a love of literature and an interest in the peculiar and tortuous mental processes by which it is shaped.
The opening chapters are set in the period 1828 – 1836 when the children are growing up, and trace their formative years - their precocious interest in politics and literature, and absorption in the vivid inner world they have created - whilst their father Patrick campaigns tirelessly to improve living standards for his parishioners. Superficial life at Haworth parsonage - with its routine of instruction, mundane household chores, and sedate vicarage tea-parties - is brought into sharp collision with the wider world outside. Actual events are frequently mirrored in the “infernal” world of Angria - as the boisterous childhood games in which they enact imaginary battle scenes are set against a backdrop of agitation for political and social reform, of violent electioneering and local riots.
maandag 12 november 2012
The George Hotel. Coaches for Scarborough left from here, and this would be a familiar location to Anne from her Scarborough visits with the Robinsons. It was probably the place she and Emily stayed on their two day visit in 1845, and was certainly where she stayed with Charlotte and Ellen en-route to Scarborough on that fateful, final journey.
| The George Inn was situated at 19 Coney Street. This pub has now been demolished and replaced by a Next store. |
| According to a plaque on the
wall: 'In Elizabethan times, Ralph Rokeby Esq (d.1575) Secretary of the Council
of the North lived in a house on this site. Subsequently for about two and a
half centuries there existed here a Hostelry known since 1614 as the George Inn,
from which horsedrawn coaches departed to Hull, Manchester and Newcastle. The
sisters Charlotte and Anne Bronte stayed here in 1849. Leak & Thorp moved to
this site in 1869. 'closedpubs |
In February, Anne seemed somewhat better. In March, Ellen Nussey invited her
to Brookroyd, to be nursed by Ellen and her sisters. Anne made a
counter-proposal. Through Charlotte, she asked if Ellen would accompany her to
Scarborough. Anne had always loved the sea there, and there was some slight hope
that the climate might be beneficial. Charlotte chose to ignore Anne's own
wishes, and argue against the plan, suggesting that it would be better to wait.
Anne feared that she had little time to waste, and wrote to Ellen herself,
asking her help and painstakingly refuting counter-arguments. She speaks clearly
and calmly of her illness and of death.
"I have a more serious reason than this for my impatience of delay: the doctors say that change of air or removal to a better climate would hardly ever fail of success in consumptive cases if taken in time, but the reason why there are so many disappointments is, that it is generally deferred till it is too late. Now I would not commit this error; and to say the truth, thouhg I suffer much less from pain and fever than I did when you were with us, I am decidedly weaker and very much thinner my cough still troubles me a good deal, especially in the night, and, what seems worse than all, I am subject to great shortness of breath on going up stairs or any slight exertion. Under these circumstances I think there is no time to be lost... I have no horror of death: if I thought it inevitable I think I could quietly resign myself to the prospect... But I wish it would please God to spare me not only for Papa's and Charlotte's sakes, but because I long to do some good in the world before I leave it. I have many schemes in my head for future practise–humble and limited indeed–but still I should not like them all to come to nothing, and myself to have lived to so little purpose. But God's will be done. " (Barker, p 589)
Though ill, Anne's strength of will was the equal of Charlotte's. In the end
Patrick intervened, removing Charlotte's last defense against the plan by
stating his willingness to be left with the servants in Haworth, and requesting
that Charlotte accompany Anne. On May 24, 1849, Anne said her good-byes to her
father and the servants at Haworth, and set off for Scarborough with Charlotte
and Ellen. They stayed overnight in York, gratifying Anne's desire to see her
beloved York Minster. Anne found great joy in returning to York and Scarborough,
and showing well-loved places to Charlotte and Ellen. However, it was clear that
Anne had little strength left. edu/women/bronte/bronte-anne
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The Parlour
Parsonage
Charlotte Bronte
Presently the door opened, and in came a superannuated mastiff, followed by an old gentleman very like Miss Bronte, who shook hands with us, and then went to call his daughter. A long interval, during which we coaxed the old dog, and looked at a picture of Miss Bronte, by Richmond, the solitary ornament of the room, looking strangely out of place on the bare walls, and at the books on the little shelves, most of them evidently the gift of the authors since Miss Bronte's celebrity. Presently she came in, and welcomed us very kindly, and took me upstairs to take off my bonnet, and herself brought me water and towels. The uncarpeted stone stairs and floors, the old drawers propped on wood, were all scrupulously clean and neat. When we went into the parlour again, we began talking very comfortably, when the door opened and Mr. Bronte looked in; seeing his daughter there, I suppose he thought it was all right, and he retreated to his study on the opposite side of the passage; presently emerging again to bring W---- a country newspaper. This was his last appearance till we went. Miss Bronte spoke with the greatest warmth of Miss Martineau, and of the good she had gained from her. Well! we talked about various things; the character of the people, - about her solitude, etc., till she left the room to help about dinner, I suppose, for she did not return for an age. The old dog had vanished; a fat curly-haired dog honoured us with his company for some time, but finally manifested a wish to get out, so we were left alone. At last she returned, followed by the maid and dinner, which made us all more comfortable; and we had some very pleasant conversation, in the midst of which time passed quicker than we supposed, for at last W---- found that it was half-past three, and we had fourteen or fifteen miles before us. So we hurried off, having obtained from her a promise to pay us a visit in the spring... ------------------- "She cannot see well, and does little beside knitting. The way she weakened her eyesight was this: When she was sixteen or seventeen, she wanted much to draw; and she copied nimini-pimini copper-plate engravings out of annuals, ('stippling,' don't the artists call it?) every little point put in, till at the end of six months she had produced an exquisitely faithful copy of the engraving. She wanted to learn to express her ideas by drawing. After she had tried to draw stories, and not succeeded, she took the better mode of writing; but in so small a hand, that it is almost impossible to decipher what she wrote at this time.
I asked her whether she had ever taken opium, as the description given of its effects in Villette was so exactly like what I had experienced, - vivid and exaggerated presence of objects, of which the outlines were indistinct, or lost in golden mist, etc. She replied, that she had never, to her knowledge, taken a grain of it in any shape, but that she had followed the process she always adopted when she had to describe anything which had not fallen within her own experience; she had thought intently on it for many and many a night before falling to sleep, - wondering what it was like, or how it would be, - till at length, sometimes after the progress of her story had been arrested at this one point for weeks, she wakened up in the morning with all clear before her, as if she had in reality gone through the experience, and then could describe it, word for word, as it had happened. I cannot account for this psychologically; I only am sure that it was so, because she said it. ----------------------She thought much of her duty, and had loftier and clearer notions of it than most people, and held fast to them with more success. It was done, it seems to me, with much more difficulty than people have of stronger nerves, and better fortunes. All her life was but labour and pain; and she never threw down the burden for the sake of present pleasure. I don't know what use you can make of all I have said. I have written it with the strong desire to obtain appreciation for her. Yet, what does it matter? She herself appealed to the world's judgement for her use of some of the faculties she had, - not the best, - but still the only ones she could turn to strangers' benefit. They heartily, greedily enjoyed the fruits of her labours, and then found out she was much to be blamed for possessing such faculties. Why ask for a judgement on her from such a world?" elizabeth gaskell/charlotte bronte
I asked her whether she had ever taken opium, as the description given of its effects in Villette was so exactly like what I had experienced, - vivid and exaggerated presence of objects, of which the outlines were indistinct, or lost in golden mist, etc. She replied, that she had never, to her knowledge, taken a grain of it in any shape, but that she had followed the process she always adopted when she had to describe anything which had not fallen within her own experience; she had thought intently on it for many and many a night before falling to sleep, - wondering what it was like, or how it would be, - till at length, sometimes after the progress of her story had been arrested at this one point for weeks, she wakened up in the morning with all clear before her, as if she had in reality gone through the experience, and then could describe it, word for word, as it had happened. I cannot account for this psychologically; I only am sure that it was so, because she said it. ----------------------She thought much of her duty, and had loftier and clearer notions of it than most people, and held fast to them with more success. It was done, it seems to me, with much more difficulty than people have of stronger nerves, and better fortunes. All her life was but labour and pain; and she never threw down the burden for the sake of present pleasure. I don't know what use you can make of all I have said. I have written it with the strong desire to obtain appreciation for her. Yet, what does it matter? She herself appealed to the world's judgement for her use of some of the faculties she had, - not the best, - but still the only ones she could turn to strangers' benefit. They heartily, greedily enjoyed the fruits of her labours, and then found out she was much to be blamed for possessing such faculties. Why ask for a judgement on her from such a world?" elizabeth gaskell/charlotte bronte
Poem: No coward soul is mine
No coward soul is mine,
No trembler in the worlds storm-troubled sphere:
I see Heavens glories shine,
And faith shines equal, arming me from fear.
O God within my breast.
Almighty, ever-present Deity!
Life -- that in me has rest,
As I -- Undying Life -- have power in Thee!
Vain are the thousand creeds
That move mens hearts: unutterably vain;
Worthless as withered weeds,
Or idlest froth amid the boundless main,
To waken doubt in one
Holding so fast by Thine infinity;
So surely anchored on
The steadfast Rock of immortality.
With wide-embracing love
Thy Spirit animates eternal years,
Pervades and broods above,
Changes, sustains, dissolves, creates, and rears.
Though earth and man were gone,
And suns and universes ceased to be,
And Thou wert left alone,
Every existence would exist in Thee.
There is not room for Death,
Nor atom that his might could render void:
Thou -- Thou art Being and Breath,
And what Thou art may never be destroyed.
-- Emily Bronte
No trembler in the worlds storm-troubled sphere:
I see Heavens glories shine,
And faith shines equal, arming me from fear.
O God within my breast.
Almighty, ever-present Deity!
Life -- that in me has rest,
As I -- Undying Life -- have power in Thee!
Vain are the thousand creeds
That move mens hearts: unutterably vain;
Worthless as withered weeds,
Or idlest froth amid the boundless main,
To waken doubt in one
Holding so fast by Thine infinity;
So surely anchored on
The steadfast Rock of immortality.
With wide-embracing love
Thy Spirit animates eternal years,
Pervades and broods above,
Changes, sustains, dissolves, creates, and rears.
Though earth and man were gone,
And suns and universes ceased to be,
And Thou wert left alone,
Every existence would exist in Thee.
There is not room for Death,
Nor atom that his might could render void:
Thou -- Thou art Being and Breath,
And what Thou art may never be destroyed.
-- Emily Bronte
Family tree
The Bronte Family
Grandparents - paternal
Hugh Brunty was born 1755 and died circa 1808. He married Eleanor McClory, known as Alice in 1776.
Grandparents - maternal
Thomas Branwell (born 1746 died 5th April 1808) was married in 1768 to Anne Carne (baptised 27th April 1744 and died 19th December 1809).
Parents
Father was Patrick Bronte, the eldest of 10 children born to Hugh Brunty and Eleanor (Alice) McClory. He was born 17th March 1777 and died on 7th June 1861. Mother was Maria Branwell, who was born on 15th April 1783 and died on 15th September 1821.
Maria had a sister, Elizabeth who was known as Aunt Branwell. She was born in 1776 and died on 29th October 1842.
Patrick Bronte married Maria Branwell on 29th December 1812.
The Bronte Children
Patrick and Maria Bronte had six children.
The first child was Maria, who was born in 1814 and died on 6th June 1825.
The second daughter, Elizabeth was born on 8th February 1815 and died shortly after Maria on 15th June 1825. Charlotte was the third daughter, born on 21st April 1816.
Charlotte married Arthur Bell Nicholls (born 1818) on 29th June 1854. Charlotte died on 31st March 1855. Arthur lived until 2nd December 1906.
The first and only son born to Patrick and Maria was Patrick Branwell, who was born on 26th June 1817 and died on 24th September 1848.
Emily Jane, the fourth daughter was born on 30th July 1818 and died on 19th December 1848.
The sixth and last child was Anne, born on 17th January 1820 who died on 28th May 1849.
Grandparents - paternal
Hugh Brunty was born 1755 and died circa 1808. He married Eleanor McClory, known as Alice in 1776.
Grandparents - maternal
Thomas Branwell (born 1746 died 5th April 1808) was married in 1768 to Anne Carne (baptised 27th April 1744 and died 19th December 1809).
Parents
Father was Patrick Bronte, the eldest of 10 children born to Hugh Brunty and Eleanor (Alice) McClory. He was born 17th March 1777 and died on 7th June 1861. Mother was Maria Branwell, who was born on 15th April 1783 and died on 15th September 1821.
Maria had a sister, Elizabeth who was known as Aunt Branwell. She was born in 1776 and died on 29th October 1842.
Patrick Bronte married Maria Branwell on 29th December 1812.
The Bronte Children
Patrick and Maria Bronte had six children.
The first child was Maria, who was born in 1814 and died on 6th June 1825.
The second daughter, Elizabeth was born on 8th February 1815 and died shortly after Maria on 15th June 1825. Charlotte was the third daughter, born on 21st April 1816.
Charlotte married Arthur Bell Nicholls (born 1818) on 29th June 1854. Charlotte died on 31st March 1855. Arthur lived until 2nd December 1906.
The first and only son born to Patrick and Maria was Patrick Branwell, who was born on 26th June 1817 and died on 24th September 1848.
Emily Jane, the fourth daughter was born on 30th July 1818 and died on 19th December 1848.
The sixth and last child was Anne, born on 17th January 1820 who died on 28th May 1849.
Top Withens in the snow.
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