I've dreamt in my life dreams that have stayed with me ever after, and changed my ideas: they've gone through and through me, like wine through water, and altered the color of my mind.
Emily Bronte
Wuthering Heights

zaterdag 26 januari 2013

Brontë Knits


For all you Brontë and knit lovers around:
Literary Knits: 30 Patterns Inspired by Favorite Books
Nikol Lohr
ISBN: 978-1-1182-1606-4
John Wiley
November 2012

More than 30 projects inspired by classic literature
Literary Knits features 30 knitting patterns inspired by beloved characters from classic books; from Pride and Prejudice to Moby Dick, The Catcher in the Rye to The Chronicles of Narnia—and many more in between.

Inspired by some of the most beloved characters from favorite books, including an elegant Daisy Cloche inspired by The Great Gatsby and a late '50s-inspired Holly Golightly Dress imagined from Breakfast at Tiffany's, the more than 30 knitting projects in this unique collection will inspire knitters and book lovers alike.

Each knitting pattern includes precise instruction and robust information on yarn selection and substitution
Beautiful photography throughout offers ideas and inspiration for all ages and skill levels, including supporting photos for tricky or less commonly-known techniques
Diagrams, assembly instructions, and schematic illustrations ease completion of each project
A generous mix of knitting patterns for women, men, and kids
If you're a book lover who knits, or a knitter with an appreciation for vintage patterns, Literary Knits is a timeless collection of one-of-a-kind knitting projects.
Includes two Brontë projects: Catherine Bed Socks and Jane Eyre Shawl.
Brontë Knits

vrijdag 25 januari 2013

woensdag 23 januari 2013

Bronte waterfall

 
"I intended to have written a line yesterday, but just as I was sitting down for that purpose, Arthur called to me to take a walk. We set off, not intending to go far; but though wild and cloudy it was fine in the morning; when we got about half-a-mile on the moors, Arthur suggested the idea of the waterfall; after the melted snow, he said it would be fine. I had often wished to see it in its winter power, so we walked on. It was fine indeed; a perfect torrent racing over the rocks, white and beautiful!" 
Charlotte Bronte, November 29th 1854

 
Bronte county in the snow.

The Brontë Waterfall is a small waterfall located about a mile south west of Stanbury, near Haworth, West Yorkshire, England. The area surrounding the waterfall is mainly moorland and farmland but is part of Brontë Country. It is an area of outstanding beauty and famous for its association with the Brontë sisters. Below the falls can be found an old stone bridge named Brontë Bridge across South Dean Beck.

vrijdag 18 januari 2013

Parsonage redecorated.

It makes me a little nervous all this news.
What do you think of it?
Do you like it, or do you wish they do not change anything?


Parsonage Press Release from Jenna Holmes:
January 2013 will see the first major redecoration scheme in 25 years for Haworth Parsonage, once home to the world’s most famous literary family, the Brontës, and now one of the UK’s top tourist attractions.
 
Using historical and scientific analysis produced by academics at the University of Lincoln, and referencing contemporary sources including watercolours and letters by the Brontës, the Parsonage will undergo a major interior visual transformation led by historic interior design consultant Allyson McDermott of the McDermott Studio, Forest of Dean. The house will be restored to looking much as it did during the main period of the Brontë family’s occupation in the 1830s and 40s but will also include features introduced by Charlotte as part of her facelift for the house during the early 1850s when she began to spend some of the income she had earned from her novels Jane Eyre, Shirley and Villette in making the Parsonage more comfortable.
 
“This is one of the most exciting projects to take place at the Parsonage in many years and is the culmination of a two year research project. There have been attempts in the past to present the Parsonage as the Brontës’ home, but no serious archaeological work has ever been carried out before. The new rigorous historical research and scientific analysis resulting from this project has informed bespoke wallpapers, new curtains and painstakingly woven rugs. Objects from the Brontë Society collections will be displayed for the first time in this new context and familiar works will be reinterpreted. The rooms of the house are going to be transformed and may well surprise our visitors”. Quote from Ann Dinsdale, Collections Manager, Brontë Parsonage Museum.
 
Quote from new Executive Director, Professor Ann Sumner: “I am delighted to be taking up my new role at this exciting time and see the re-decoration taking shape. We now know so much more about how the Parsonage was presented when the Brontë family lived here and are pleased to be working with Allyson McDermott, benefitting from her wealth of experience restoring historic interiors. The newly refurbished rooms will enormously enhance the visitor experience at the Parsonage Museum and have inspired a wealth of learning events and an exhibition in 2013”.
 
Quote from Sally McDonald, Chairman, The Brontë Society Council: “When the Trustees of the Brontë Society agreed this landmark re-decoration it set in motion a singular opportunity to learn more about the Brontës and their home. We are delighted that when the Parsonage reopens its door on February 9th we will be sharing more of that wonderful story with our members and our visitors”.
 
The newly refurbished Parsonage will reopen on Saturday 9th February featuring some exciting new displays.
The project has cost in the region of £60,000.
_____________________________________________________________________________
Contacts & Further Information:
               Ann Dinsdale (Collections Manager) 01535 640198 – a.dinsdale@bronte.org.uk
__________________________________________

The Bronte Weather Project has officially finished now.


 
 The Bronte Weather Project has officially finished now, however there are still a couple of loose threads to tie up, so i had to go over to the Bronte Parsonage Museum yesterday. I was meant to go on Tuesday, but because of the snowy freezing weather it got delayed a couple of days.

The trip over the moors was really spectacular - the snow covering everything and the colour of the sky mingling in with the hills. Thankfully the roads were clear, so the bus journey was not too fraught.

 
The Museum is closed to the public at the moment as they spend time redecorating the whole house. It was interesting to be in the Museum in a state of change - and the work carried out so far is absolutely beautiful - gorgeous paints and wall papers that have been especially chosen and researched to fit in with how the Bronte family would have had it. It's going to look stunning when it's finished.
bronteweather

woensdag 16 januari 2013

Writing slope from the Taylor family

 
Stuff (New Zealand) reports that an antiques roadshow taking place in March will include a Taylor family item.
A Marlborough family's 19th-century writing slope, with links to one of the world's literary greats, will be among items an antiques expert will view during an antiques roadshow in Blenheim.
The Curios and Collectables Roadshow, a Marlborough Girls' College fundraiser, takes place on the weekend of March 8 and 9, at the school grounds.
The writing slope, made in Liverpool, has been handed down through the family of Mary Taylor, a lifelong friend of Charlotte Bronte, whose family inspired Bronte's novel Shirley.
Miss Taylor and her brother William Waring Taylor were among Port Nicholson's earliest settlers and the family name lives on in a central Wellington street. (Sonia Beal)

vrijdag 11 januari 2013

7 January - 23 February 2013

This exhibition highlights rarely seen manuscript material written by Branwell Brontë from the Brotherton Library Special Collections. The rich and complex world of landscapes, characters and events written whilst Branwell was still a teenager, has been 'brought to life' by illustration students from Leeds College of Art's Visual Communications course.
Herbert Read and Artists' Books
4 March - 27 April 2013   library.leeds

Buriel place of Martha Taylor

 
On 22 November a memorable event took place. For the first time a ‘Brontë’ delegation paid homage to Martha Taylor and Julia Wheelwright, the two Yorkshire friends of Charlotte and Emily who died in Brussels in 1842.
Martha’s death especially was a big loss for Charlotte. She quite often visited her grave in her second year in Brussels. That cemetery has long gone, and it was only recently that the reburial place was located. 

The remains of those buried of the old Protestant cemetery (those without a ‘concession’) were anonymously, without gravestones, reburied along a 150 meter stretch of the boundary wall on the east side of the cemetery. Certainly a nice place to lie buried. Somewhere in the middle the flowers were laid by Helen and Renate, for the girls who died 170 years ago. Charlotte would have been pleased no doubt.

dinsdag 1 januari 2013

I wonder:

What year, concerning the Brontes, is your favorite?

Suppose you could meet them in what year would you do?

I have several times I wishes I could go back and see and meet them

I love the times when:
 
They were children and playing on the moors, almost free as a bird. I wished I could be there, playing with them.
 
 
In the evening, when the sisters were creating their books, walking around the table, telling each other what they did write.

When Charlotte left alone, when she was visiting London, meeting all these new people, learning all those new habits. I wished I could be there, looking around a corner and wispering some confidence in her ear. Because we know that she could do it, we know how it will ends, how succesfull she would be. But she…… she had to do it and I admire her for it.

So, what is your favorite time and year?

maandag 31 december 2012

I wish my readers a Happy New Year.

 
The New Year card pictured here is typical of the expanding range of greetings cards that appeared after 1840 when Rowland Hill invented the idea of postage stamps. At first there was just one stamp and this was called the Penny Black. It cost a penny and with this a letter could be sent anywhere in the country. Before the stamp was invented, it was far more costly to send a letter because the person who received the letter paid for the postage and the amount depended on how far a letter had travelled.

So with the cheaper postage, many more people started sending letters as well as greetings cards. The first Christmas card was sent in 1843 and it soon became a popular custom. Letters and cards were the only way of keeping in touch because telephones were not invented until 1876 and even then were not common in Victorian homes.

With the arrival of the penny post, streets had to be given name plates and houses numbers so that the postmen knew where to deliver letters. Post boxes (the first ones were green) appeared on street corners and people began to fit post boxes in their front doors so that letters could be delivered.

zaterdag 29 december 2012

Celebrate the 200th Wedding Anniversary of Maria and Patrick Brontë

 
 
Today, December 29th, at the Brontë Parsonage Museum:

December 29, 2012 is the 200th anniversary of the day that Patrick Brontë and Maria Branwell - parents of Charlotte, Branwell, Emily and Anne - married at Guiseley Church, West Yorkshire.

To mark the occasion the Brontë Parsonage Museum is offering a day of free activities – and a piece of wedding cake! – to all visitors.
  • Meet ‘Mrs Brontë’ as she tours the Museum in her wedding dress
  • Listen to a short talk about Maria and Patrick’s courtship and wedding at intervals throughout the day
  • Handle real period costume items
  • Enjoy children’s activities in the foyer
  • And partake of a free slice of commemorative wedding cake!
Mrs Brontë will be at the Museum between 11am and 4pm, and is available for pictures outside the church, in the Museum and in the Museum garden.
Mrs Brontë herself discuss what she will wear for the occasion on Hathaways of Haworth.
Picture Source: Hathaways of Haworth. More information in Keighley News.
bronteblog

vrijdag 28 december 2012

A double wedding anniversary celebration

 
A double wedding anniversary celebration will be held at Haworth Parish Church tomorrow.
It will be 200 years since the Reverend Patrick Brontë, father of the famous sisters, married his wife Maria. He was vicar at Haworth from 1820 to 1861. It will also be 39 years since the current Priest-in-Charge, the Reverend Peter Mayo-Smith and his wife Eileen, were married.
To mark Patrick Brontë’s double-centenary the bell-ringers at the parish church will carry out a two-and-three-quarter- hour full peal.
Simon Burnett, the Haworth Church bell captain, said: “A full peal of bell involves 5,040 changes in various methods.”
Earlier in the day, the bell-ringers at Guiseley Parish Church, where Patrick and Maria were married, will also be attempting a full peal.The moors, my mistress
---------------------------
When her parents died, Maria had to look for a job. In 1812 her aunt Jane Fennell, who was housekeeper at the Woodhouse Grove School at Rawdon in Yorkshire, invited Maria to assist her. Maria accepted and left Penzance to start a new life. John Fennell, Jane's husband and Maria's uncle, was a methodist minister and the headmaster of the school. In 1812 he invited his former colleague Patrick Bronte to visit the school. Here, he met Maria and after a short courtship the couple were married on 29th December 1812. It was a double ceremony as John and Jane's daughter, Jane Branwell Fennell, also got married to the Reverend William Morgan. On that same day, but in Penzance, Joseph and Charlotte Branwell, two cousins of the brides, got married as well.
history and other thoughts
 

maandag 24 december 2012

Charlotte Brontë letters to her bff return to Haworth

A set of six rare and significant letters written at various stages in her life by Charlotte Brontë to her best friend Ellen Nussey are headed back to the Brontë Parsonage Museum in Haworth on the Yorkshire moors, which was for many years the family’s home. The museum had to bid for them at Sotheby’s English Literature, History, Children’s Books & Illustrations sale on December 12th, and since the letters are highly desirable, the bidding was fierce. Thankfully they had a grant to get them over the hump.

The reason these six letters (and a first edition of the two-volume 1857 biography of Charlotte Brontë by Elizabeth Gaskell which was also part of the lot, but that was a negligible part of the value) are so dear is that Charlotte’s letters to Ellen are the basis for much of the Brontë scholarship that exists today.

Ellen kept all of the letters Charlotte wrote her, more than 500 in the final tally. Charlotte’s husband, her father’s curate Rev. Arthur Bell Nichols, wanted the letters destroyed after Charlotte’s death, fearing that they would somehow tarnish her reputation. Nussey refused, bless her forever for that. For the rest of her life — she died at the age of 80 in 1897 — Ellen considered herself a custodian of Charlotte’s personal and literary legacy, and biographers from Elizabeth Gaskell onward sought Ellen out for her recollections and correspondence.

After her death, the letters were sold, many of them ending up in the Haworth museum collection. These particular six were lent to Elizabeth Gaskell who apparently put them between the covers of the first edition of her biography of Charlotte and forgot about them. They were only recently rediscovered when the volumes, then in a private collection, were opened and the letters found out. They’ve only been known from poorly made transcripts until now, all of them inaccurate, so having the originals is an important addition to Brontë scholarship.
The letters cover the entire span of their friendship.
Read all: thehistoryblog

The Parlour

The Parlour

Parsonage

Parsonage

Charlotte Bronte

Presently the door opened, and in came a superannuated mastiff, followed by an old gentleman very like Miss Bronte, who shook hands with us, and then went to call his daughter. A long interval, during which we coaxed the old dog, and looked at a picture of Miss Bronte, by Richmond, the solitary ornament of the room, looking strangely out of place on the bare walls, and at the books on the little shelves, most of them evidently the gift of the authors since Miss Bronte's celebrity. Presently she came in, and welcomed us very kindly, and took me upstairs to take off my bonnet, and herself brought me water and towels. The uncarpeted stone stairs and floors, the old drawers propped on wood, were all scrupulously clean and neat. When we went into the parlour again, we began talking very comfortably, when the door opened and Mr. Bronte looked in; seeing his daughter there, I suppose he thought it was all right, and he retreated to his study on the opposite side of the passage; presently emerging again to bring W---- a country newspaper. This was his last appearance till we went. Miss Bronte spoke with the greatest warmth of Miss Martineau, and of the good she had gained from her. Well! we talked about various things; the character of the people, - about her solitude, etc., till she left the room to help about dinner, I suppose, for she did not return for an age. The old dog had vanished; a fat curly-haired dog honoured us with his company for some time, but finally manifested a wish to get out, so we were left alone. At last she returned, followed by the maid and dinner, which made us all more comfortable; and we had some very pleasant conversation, in the midst of which time passed quicker than we supposed, for at last W---- found that it was half-past three, and we had fourteen or fifteen miles before us. So we hurried off, having obtained from her a promise to pay us a visit in the spring... ------------------- "She cannot see well, and does little beside knitting. The way she weakened her eyesight was this: When she was sixteen or seventeen, she wanted much to draw; and she copied nimini-pimini copper-plate engravings out of annuals, ('stippling,' don't the artists call it?) every little point put in, till at the end of six months she had produced an exquisitely faithful copy of the engraving. She wanted to learn to express her ideas by drawing. After she had tried to draw stories, and not succeeded, she took the better mode of writing; but in so small a hand, that it is almost impossible to decipher what she wrote at this time.

I asked her whether she had ever taken opium, as the description given of its effects in Villette was so exactly like what I had experienced, - vivid and exaggerated presence of objects, of which the outlines were indistinct, or lost in golden mist, etc. She replied, that she had never, to her knowledge, taken a grain of it in any shape, but that she had followed the process she always adopted when she had to describe anything which had not fallen within her own experience; she had thought intently on it for many and many a night before falling to sleep, - wondering what it was like, or how it would be, - till at length, sometimes after the progress of her story had been arrested at this one point for weeks, she wakened up in the morning with all clear before her, as if she had in reality gone through the experience, and then could describe it, word for word, as it had happened. I cannot account for this psychologically; I only am sure that it was so, because she said it. ----------------------She thought much of her duty, and had loftier and clearer notions of it than most people, and held fast to them with more success. It was done, it seems to me, with much more difficulty than people have of stronger nerves, and better fortunes. All her life was but labour and pain; and she never threw down the burden for the sake of present pleasure. I don't know what use you can make of all I have said. I have written it with the strong desire to obtain appreciation for her. Yet, what does it matter? She herself appealed to the world's judgement for her use of some of the faculties she had, - not the best, - but still the only ones she could turn to strangers' benefit. They heartily, greedily enjoyed the fruits of her labours, and then found out she was much to be blamed for possessing such faculties. Why ask for a judgement on her from such a world?" elizabeth gaskell/charlotte bronte



Poem: No coward soul is mine

No coward soul is mine,
No trembler in the worlds storm-troubled sphere:
I see Heavens glories shine,
And faith shines equal, arming me from fear.


O God within my breast.
Almighty, ever-present Deity!
Life -- that in me has rest,
As I -- Undying Life -- have power in Thee!


Vain are the thousand creeds
That move mens hearts: unutterably vain;
Worthless as withered weeds,
Or idlest froth amid the boundless main,


To waken doubt in one
Holding so fast by Thine infinity;
So surely anchored on
The steadfast Rock of immortality.


With wide-embracing love
Thy Spirit animates eternal years,
Pervades and broods above,
Changes, sustains, dissolves, creates, and rears.


Though earth and man were gone,
And suns and universes ceased to be,
And Thou wert left alone,
Every existence would exist in Thee.


There is not room for Death,
Nor atom that his might could render void:
Thou -- Thou art Being and Breath,
And what Thou art may never be destroyed.


--
Emily Bronte

Family tree

The Bronte Family

Grandparents - paternal
Hugh Brunty was born 1755 and died circa 1808. He married Eleanor McClory, known as Alice in 1776.

Grandparents - maternal
Thomas Branwell (born 1746 died 5th April 1808) was married in 1768 to Anne Carne (baptised 27th April 1744 and died 19th December 1809).

Parents
Father was Patrick Bronte, the eldest of 10 children born to Hugh Brunty and Eleanor (Alice) McClory. He was born 17th March 1777 and died on 7th June 1861. Mother was Maria Branwell, who was born on 15th April 1783 and died on 15th September 1821.

Maria had a sister, Elizabeth who was known as Aunt Branwell. She was born in 1776 and died on 29th October 1842.

Patrick Bronte married Maria Branwell on 29th December 1812.

The Bronte Children
Patrick and Maria Bronte had six children.
The first child was Maria, who was born in 1814 and died on 6th June 1825.
The second daughter, Elizabeth was born on 8th February 1815 and died shortly after Maria on 15th June 1825. Charlotte was the third daughter, born on 21st April 1816.

Charlotte married Arthur Bell Nicholls (born 1818) on 29th June 1854. Charlotte died on 31st March 1855. Arthur lived until 2nd December 1906.

The first and only son born to Patrick and Maria was Patrick Branwell, who was born on 26th June 1817 and died on 24th September 1848.

Emily Jane, the fourth daughter was born on 30th July 1818 and died on 19th December 1848.

The sixth and last child was Anne, born on 17th January 1820 who died on 28th May 1849.

Top Withens in the snow.

Top Withens in the snow.

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