This is a blog about the Bronte Sisters, Charlotte, Emily and Anne. And their father Patrick, their mother Maria and their brother Branwell. About their pets, their friends, the parsonage (their house), Haworth the town in which they lived, the moors they loved so much, the Victorian era in which they lived.
I've dreamt in my life dreams that have stayed with me ever after, and changed my ideas: they've gone through and through me, like wine through water, and altered the color of my mind.
Emily BronteWuthering Heights
maandag 14 oktober 2013
vrijdag 11 oktober 2013
Haworth
From the Bronte blog:
The Telegraph and Argusdevotes its leading article to celebrating the fact that Haworth has been taken out of the Heritage at Risk register.
The supposed decline of Haworth was blamed on modern, jarring signage being put up on historic buildings, advertising boards cluttering the streets and older buildings falling into disrepair.And another article in the same newspaper focuses on the news as well.
Now, thankfully, English Heritage has withdrawn Haworth from its at-risk register after a solid three years of efforts by the local community to improve the village.
Many old buildings have been returned to their original glory, there has been a clean-up of advertising signs and clutter, and a lot of work has been done to restore the stone setts on Main Street and spruce up the Bronte schoolroom attraction.
English Heritage, though, does warn that there is still plenty of work that needs to be done to bring Haworth up to the standard that the village truly deserves.
It is a salutary warning, and one which needs to be taken seriously, but at the same time it shouldn’t detract from the hard work that has been carried out to improve this historic village.
It is a prime example of a community working together with the local authority and other agencies to take pride in their environment and improve the village for both residents and visitors, and should be applauded.
Programmes that helped remove the village from the list include works to improve the Bronte schoolroom, a £622,887 programme to re-lay setts on Main Street, and returning several buildings to their original state.The Yorkshire Post also mentions the news.
The work has been carried out with help from organisations including English Heritage, Bradford Council and Haworth Parish Council.
The Council today announced they will review the Haworth Conservation Area, involving the community to develop a strategy to make sure the village never slides back on to the “at risk” list.
Haworth Parish Council vice-chairman Peter Hill said: “The fact that we’re not on the list any more is a move in the right direction towards Haworth being recognised as an iconic place to visit.
“And it’s important it’s understood that for Haworth to remain one of the leading tourist attractions in the north of England it must not suffer from over-development.”
Councillor Val Slater, executive member for planning at Bradford Council, said: “Haworth is one of Bradford’s gems and the local community is rightly very proud of it.
“We made a big investment in new setts to help improve the condition of the village and we are committed to working with local people to review the Conservation Area and to ensure people understand how they can play their part in keeping Haworth unique.”
Averil Kenyon, a member of Bronte Spirit, who worked to improve the Bronte Schoolroom, said: “Haworth does seem improved, but I think the schoolroom is still vulnerable.”
Bronte Society chairman Sally McDonald said: “That Haworth is to be taken off the at risk register is a credit to what has been achieved by English Heritage, everyone in the village and Bradford Council in recent years.”
Trevor Mitchell, regional director for planning at English Heritage visited Haworth in August, when he pleaded with businesses and local organisations to keep up the good work. After the announcement he said: “The turnaround was very quick, and I think that was because of the very active local community.
“Putting Haworth on the register was a necessary thing to do, at the time it looked like it was getting worse. Now it looks like it is getting better, and we’re optimistic it will keep getting better.
“It is good news the council have announced they will carry out a new conservation area appraisal, that will help decide what still needs to be done. We certainly think advertising signs is a big issue that needs dealing with.” (Chris Young)
woensdag 9 oktober 2013
In Brontë footsteps
At the time Haworth was quite a prosperous place and, situated only a few miles from Keighley, was certainly not completely removed from society and culture. Haworth itself had a Philosophical Society, formed in 1780 and later a Mechanics Institute was established in the village offering a library, newsroom and lecture hall. Both Charlotte and Patrick Brontë were strong supporters of the Institute which moved in 1853 to new premises, now the Villette café in Main Street. “There was a lot going on,” says Christine. “There was the brass band, formed in 1854, and there were orchestral and choral concerts – the Messiah was performed in the church for the inauguration of the new organ. Most people in the village had multiple occupations, mostly connected with the textile industry. So you would have a farmer who was also a handloom weaver or an ironmonger who was also a yarn twister.”
A lot of the work was done in factories – the biggest in Haworth was Bridgehouse Mills in the valley below the village and features on the trail – but some of the processes, like woolcombing, could be carried out in people’s homes.
Another big industry in Haworth was beers, wines and spirits – reflected in the fact that for a relatively small place there were four inns.
“The industry was mostly in the hands of the Thomas family,” says Christine. “They had a lot of the property at the top of the village and owned and managed all four of the pubs. There is a small group of cottages – Gaugers Croft – which were known locally as ‘Brandy Row’ because the Thomases, who owned them, would give bottles of brandy to their tenants for Christmas.”
One of the sons, Enoch Thomas, was a drinking partner of Branwell’s and died of inflammation of the liver within a year of his friend. His widow went on to marry the local physician Dr John Wheelhouse who attended both Anne and Branwell in their last months (Emily refused to see him but he signed her death certificate) and about whom Branwell once wrote a scurrilous piece of doggerel, one of his last poems.
“In it he appears to be praising Wheelhouse but he is actually highlighting his faults,” says Christine. “The doctor had obviously upset him in some way – he had probably advised him to stop drinking.
Read more: yorkshirepost
maandag 7 oktober 2013
I received this nice letter of someone who visited The Bronte Parsonage Museum.
I love your blog on the Brontes and wanted to write to let you know how much pleasure it has given me to browse through the immense amount of material you have collected.
I visited the Parsonage at Haworth for the first time last month and their story has haunted me ever since. My girlfriend and I arrived there just after lunch on a typically overcast, dull and windy Yorkshire day. The house was just being 'invaded' by a large party of American and Japanese tourists but we were able to slip quietly in before them as they stood waiting for their guide outside. The house completely entranced me. To stand in the room where the sisters used to walk around the table and see the sofa where poor Emily breathed her last breath made me feel slightly giddy. 
We were particularly fascinated by Charlotte's tiny dresses, stockings and shoes and by the tiny handwriting. To learn that Branwell, Emily and Anne all died within such a very short space of time was a real shock to us.
One can only imagine how their poor father, often unjustly labelled an uncaring tyrant, must have grieved for them all and how empty that big house must have felt with just himself and Charlotte living there for a while.
Afterwards, we walked into the town for coffee and then, with the light beginning to fade, drove along the road and followed the signs to Top Withens. Unfortunately, with the weather closing in and the need to get back home to Buxton in Derbyshire, we had to cut our walk short.
We could see the tree and the ruined cottage around half a mile distant. Frustrating! But we will be back. It was certainly lonely up there on the moors. Just ourselves, a blustery, dark and cloudy day and the huge expanse of the moors around us.
Picture Top Withens: pilgrimchris
Andrew Heaton, a descendant of the Heatons of Haworth
The Yorkshire Post tells the story of Andrew Heaton, a descendant of the Heatons of Haworth who has written a book, Never had a better, tracing his origins:
“My father was a well-respected sheepdog trial enthusiast and was also the first sheepdog trial winner of the new millennium when on January 1, 2000, high on the moors above Brontë country at Moor Lodge Farm, Oakworth he won the New Year’s Day trial with his dog Ben. Ironically I was to return to Brontë country many times in this past year as I uncovered stories that linked my family with both Emily and Patrick Brontë.” (...)Old Age and the End of the World
While Andrew has been able to find actual references and dates for over 500 years worth of Heaton family history, none is likely to capture the imagination more than a romantic entwinement with Robert Heaton of Ponden Hall and Emily Brontë. And there is enough conjecture for Andrew to mount an extremely plausible storyline.
The Heatons are inextricably linked with Haworth via the inscription on the bottom of the stained glass window in the Brontë chapel of Haworth Parish Church of St Michael and All Angels. It reads: “In memory of the Heatons of Ponden – Trustees of Haworth.”
While that proves very little, Andrew ventures further that the link between Ponden Hall, three miles west of Haworth, and Thrushcross Grange of Emily’s Wuthering Heights is feasible.
“In the 19th century, not many houses on the desolate moors surrounding Haworth could compare with Ponden. Like Thrushcross, the hall was attractive and well furnished and was inhabited by gentlemen of good standing, the educated Heaton brothers.”
When Emily was writing her book she often visited Ponden and he believes there is plenty of evidence to suggest that she and Robert were more than just friends.
“The plot of her novel concerns an inheritance and from what is known of the Heatons at the time, inheritance was what their life revolved around.
“The character of Heathcliff is based around a strange and sinister figure. At the time there was a man called Henry Casson who married into the Heaton family and tried to acquire her wealth.”
Copies of Andrew’s Never Had a Better can be obtained through visiting www.annbowes.co.uk
Mrs. Tabitha Ratcliffe
This beautiful picture of Mrs. Tabitha Ratcliffe
I found on facebook/Bronte-Parsonage-Museum
Mrs. Ratcliffe was the sister of the Brontës' servant, Martha Brown. In the Brontës' time, she 'used often to spend the evening with her sister at the Parsonage . . . as well as in the Sunday school, where she was taught by both Charlotte and Anne Brontë'. In the early 1900s, she was interviewed by one C. Holmes Cautley who wished her to recall all she could of the Brontë family. In the interview, she told Cautley 'I used to think Miss Anne looked the nicest and most serious like'. mick-armitage
zaterdag 5 oktober 2013
Maney Publishing.
The Leeds-based firm is behind academic journals which aim to provide answers to life, the universe and almost everything.
By the end of 2013, Maney will have published its 150th journal, and chief executive Michael Gallico has his sights set on further expansion into Australia and China.
By the end of 2013, Maney will have published its 150th journal, and chief executive Michael Gallico has his sights set on further expansion into Australia and China.
“The journals maintain academic dialogues between subject specialists on an international basis,” he said. “We’re the largest publisher of archaeology journals worldwide. Viking archaeology in North America has parallels with work being done in Scandinavia.”
All this helps to add to the sum total of human knowledge. There’s also a place for more offbeat lines of research.
The journal Textile History carried an article with the arresting headline – Did Sergeant Pepper really just want to give peace a chance? – which attempted to analyse why so many rock and pop bands chose to wear military uniform in the 1960s. Another article – What do you want to be when you grow up, Mr Doctor? – described how people’s names can influence their career choice. This article appeared in the aptly titled Names: A Journal of Onomastics.
The company was founded in the heart of Leeds in 1900 by Walter Maney, as a specialist typesetter and printer.
It was bought by the Huddersfield-based Charlesworth family in 1995, who hired Mr Gallico as CEO in 1997. It entered the world of academic publishing the following year, with Bronte Studies, which is dedicated to the lives and works of the Bronte sisters of Haworth, West Yorkshire.
“It’s a very successful journal,” said Mr Gallico. “The Brontes are a perennial subject of interest.”
"Wuthering Heights" by Emily Brontë
Freda Warrington chooses for The Huffington Post her favourite Gothic romance novels, among which is
"Wuthering Heights" by Emily BrontëThe Peninsula Pulse also selects the novel as one of 'Three Fantastic Fall Reads'.
What is there left to say about "Wuthering Heights"? We studied this in school and I loved it, despite the convoluted structure: Instead of a straight narrative, we have a visitor being told the story by a housekeeper. (Does anyone else feel like screaming at Victorian novels, “Oh, please get on with it?”) But what a story – the wonder of "Wuthering Heights" is that the characters are so scandalously horrible, selfish, even violent. Cathy and Heathcliff demonstrate their love by being as vile as possible to each other. Jane Austen this isn’t. And we love them for it.
• Wuthering Heights by Emily Brontë
This book has captivated me since it was assigned in a sophomore English class. Heathcliff! "What a hottie?" I thought, "I hope someday somebody loves me like that." I've since changed my mind…he's a bit too clingy and goes a bit crazy, like digging-up-dead-bodies crazy.
The famous novel is set in 1801, in the barren, stormy landscape of the Yorkshire Moors. Young Heathcliff, an orphan boy, and Catherine, the daughter of the wealthy Mr. Earnshaw, are inseparable, in love.
But class, jealousy, and selfishness keep them apart and what ensues is a dark, sinister and tragic drama that has nearly every character experiencing despair at the hand of Catherine and Heathcliff's passion for one another – that continues beyond the grave. (Sally Slattery)
And it also makes it into The Roanoke Times' The Back Cover. It is a book 'to curl up by the fire with'.
“Wuthering Heights,” by Emily Brontë
No one does bleak like a Brontë sister, especially Emily. “Wuthering Heights” is not so much a love story as a passionate one. This book has a great atmosphere to read about, yet not inhabit — wild and fraught and crazed. It’s full of characters you don’t want to meet, moors you don’t want to roam and houses you don’t want to enter. “Wuthering Heights” is great to curl up with not just because of its intense characters, but the intense emotions it spurs in readers. Most people love or hate this book, and it’s easy to see why: Heathcliff, Cathy and the rest of the Earnshaws and Lintons themselves stagger along the thin line between love and hate, taking readers along for the ride. Like the wind that rattles the treetops and the whirling snow, Heathcliff is himself a chaotic force and nature — fun to watch, not to experience. (Suzanne Wardle)
donderdag 3 oktober 2013
Charlotte Bronte and Thackeray
"There is a man in our own days whose words are not framed to tickle delicate ears: who, to my thinking, comes before the great ones of society, much as the son of Imlah came before the throned Kings of Judah and Israel; and who speaks truth as deep, with a power as prophet-like and as vital - a mien as dauntless and as daring. Is the satirist of 'Vanity Fair' admired in high places? I cannot tell; but I think if some of those amongst who he hurls the Greek fire of his sarcasm, and over whom he flashes the levin-brand of his denunciation, were to take his warnings in time - they or their seed might yet escape a fatal Ramoth-Gilead. Read more on:
woensdag 2 oktober 2013
Blue plaque installed at railway station to celebrate Brontë links
The Friends of Sowerby Bridge Railway Station commissioned the plaque as part of a wider project by the group to promote the Brontë link and the work was supported with a Calderdale Council grant.
The original railway station was around 500 yards away from the existing one and Brontë was employed there as assistant clerk in charge, after his attempt to join the Royal Academy of Art had failed in 1836.
The appointment was confirmed in board papers of 1840 and after a spell there he was promoted and moved to Luddenden Foot by the Manchester and Leeds Railway. His connection with the railway ended when he was sacked
in 1842 over a financial discrepancy.
The plaque has been installed on the exterior wall of the Jubilee Refreshment Rooms, which are part of the original present railway station and close to the newly created Brontë garden, another
initiative from the “friends” group, which will be planted with
species which featured in Brontë novels.
The group was formed in 2010 with the intention of improving the station and the 50 volunt-
eers currently involved work in close partnership with Northern Rail.
They hold regular meetings, with regular Saturday morning work sessions where volunteers tidy up the station and maintain its planted flower tubs. yorkshirepost
zondag 29 september 2013
Trail Guide, a new initiative from English Heritage, the Brontë Society and Bradford Council:
Yorkshire Post presents the Haworth Village of the Brontës’ Trail Guide, a new initiative from English Heritage, the Brontë Society and Bradford Council:
“The idea of the trail was that it would highlight areas of the town that people don’t know so well,” says Deborah Wall of English Heritage. “And we wanted to give people a sense of what it would have been like when the Brontës were here.” Featuring 27 places of interest, it’s designed to take visitors a little off the beaten track and prove that there is more to the place than just Jane Eyre.“The Brontës are just a part of Haworth,” says Christine Went, heritage and conservation officer with the Brontë Society. “And they saw their own history as much bigger than that. Haworth was an important part of the textile industry in the 19th century but when Elizabeth Gaskell wrote Charlotte Brontë’s biography she portrayed the sisters as living in an isolated place. Charlotte, for her own reasons, perpetuated that idea – I think she was trying to make excuses for the writing of the novels which had been poorly received by some.” (...)
The new trail and and booklet are part of a wider project to preserve and enhance Haworth for future generations. The conservation project has involved replacing frontages of shops and businesses in the village in keeping with the 19th-century heritage of the village, maintaining the cobbles, or setts, on the Main Street and installing new windows into the old Schoolhouse, which played such an important part in the Brontë siblings’ lives. It was built in 1832 as a Sunday school with funds from the National Society and from public subscriptions generated through the efforts of Patrick Brontë.
“Charlotte, Anne and Branwell would all have taught at the Sunday school – there is some doubt about whether Emily did because she had strong views of her own on religion,” says Christine.
“Every year the Brontës would hold a tea party for the Sunday school teachers at the Parsonage – most of the other teachers were mill girls.”
Another point of interest on the trail is the home of carpenter William Wood who made much of the furniture still in the Brontë Parsonage and was employed by Patrick to do odd jobs including painting and decorating. “He also made all the Brontës’ coffins,” says Christine. “And he made cases for Barraclough clocks – the Barraclough family lived in Haworth. There is a Barraclough clock in the Parsonage and Ellen Nussey, Charlotte’s great friend, wrote how, after the death of her siblings, Charlotte would sit alone in the parlour with just the sound of the clock ticking.”
Christine and Deborah both acknowledge that the legacy of the Brontës is one of the main attractions for visitors to Haworth but they hope the trail and booklet bring out other aspects. “Really we want to broaden people’s understanding of its history,” says Deborah. “Down to a certain point on Main Street not much has changed really – Charlotte could walk up the hill today and still recognise it.”Haworth Village of the Brontës’ Trail Guide is free and available from Brontë Parsonage Museum, the Tourist Information Office and other shops in the village. bronteblog
“The idea of the trail was that it would highlight areas of the town that people don’t know so well,” says Deborah Wall of English Heritage. “And we wanted to give people a sense of what it would have been like when the Brontës were here.” Featuring 27 places of interest, it’s designed to take visitors a little off the beaten track and prove that there is more to the place than just Jane Eyre.“The Brontës are just a part of Haworth,” says Christine Went, heritage and conservation officer with the Brontë Society. “And they saw their own history as much bigger than that. Haworth was an important part of the textile industry in the 19th century but when Elizabeth Gaskell wrote Charlotte Brontë’s biography she portrayed the sisters as living in an isolated place. Charlotte, for her own reasons, perpetuated that idea – I think she was trying to make excuses for the writing of the novels which had been poorly received by some.” (...)
The new trail and and booklet are part of a wider project to preserve and enhance Haworth for future generations. The conservation project has involved replacing frontages of shops and businesses in the village in keeping with the 19th-century heritage of the village, maintaining the cobbles, or setts, on the Main Street and installing new windows into the old Schoolhouse, which played such an important part in the Brontë siblings’ lives. It was built in 1832 as a Sunday school with funds from the National Society and from public subscriptions generated through the efforts of Patrick Brontë.
“Charlotte, Anne and Branwell would all have taught at the Sunday school – there is some doubt about whether Emily did because she had strong views of her own on religion,” says Christine.
“Every year the Brontës would hold a tea party for the Sunday school teachers at the Parsonage – most of the other teachers were mill girls.”
Another point of interest on the trail is the home of carpenter William Wood who made much of the furniture still in the Brontë Parsonage and was employed by Patrick to do odd jobs including painting and decorating. “He also made all the Brontës’ coffins,” says Christine. “And he made cases for Barraclough clocks – the Barraclough family lived in Haworth. There is a Barraclough clock in the Parsonage and Ellen Nussey, Charlotte’s great friend, wrote how, after the death of her siblings, Charlotte would sit alone in the parlour with just the sound of the clock ticking.”
Christine and Deborah both acknowledge that the legacy of the Brontës is one of the main attractions for visitors to Haworth but they hope the trail and booklet bring out other aspects. “Really we want to broaden people’s understanding of its history,” says Deborah. “Down to a certain point on Main Street not much has changed really – Charlotte could walk up the hill today and still recognise it.”Haworth Village of the Brontës’ Trail Guide is free and available from Brontë Parsonage Museum, the Tourist Information Office and other shops in the village. bronteblog
The Masonic Lodge at Haworth, known as the Three Graces, underwent something of a revival in the 1830s. Kenneth Emsley wrote (BST, v. 20, pt 5, 1992) that the lodge contained “a wide cross-section of members from the local community,” especially skilled artisans. Branwell was initiated, probably through the instigation of John Brown, while still under age, in February 1836. The society no doubt ministered to the love of secret organizations which is seen in the juvenilia and is part of the underbelly of Romanticism. Branwell was a regular attendant in 1836–7, thereafter an occasional one – one of many examples in his life of an early enthusiasm which exhausted itself. The fact that Branwell was willing to act for a time as secretary (probably one of few in Haworth capable of doing so) and that Patrick was willing to preach a special sermon for them, illustrates the loss of that revolutionary impulse in the movement that had attracted men such as Mozart. The Lodge met first in the Black Bull, then in the King’s Arms, and later had a permanent home in what is now Lodge Street, then known as Newell Hill. This tiny cul-de-sac was also home to the Haworth Mechanics’ Institute, and to William Wood, the Parsonage’s carpenter and cabinet-maker. blackwellreference
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William Wood, village carpenter and nephew of Tabby. carpenter+William+Wood+of+haworth
vrijdag 27 september 2013
woensdag 25 september 2013
Dr Robert Barnard, a former chairman of the Bronte Society, author and compiler of the Bronte Encyclopaedia, has died.
The Telegraph and Argus has published an obituary of Robert Barnard:
A former chairman of the Bronte Society, author and compiler of the Bronte Encyclopaedia, has died.
Dr Robert Barnard was also a prolific crime writer as well as being a “mine of information” on Haworth’s most famous residents.
He died on Friday at Grove Court Nursing Home in Leeds, at 76.
Along with his wife Louise, he compiled The Bronte Encyclopaedia in 2007, referred to by the society as “a cornerstone for modern Bronte scholarship.”
He was chair of the society twice and also wrote a book on Emily Bronte’s life.
Essex born and Leeds based, Mr Barnard spent lots of time at the Bronte Parsonage and around Haworth.
He started writing crime novels in the 1970s, writing over 40 books and short stories and receiving the Cartier Diamond Dagger award in 2003 for services to crime fiction.
Marcel Berlins, critic at The Times, called Mr Barnard: “One of our most original and versatile bloodspillers.”
The Bronte Society’s Richard Wilcocks said: “Well known in the Bronte Society, he was a professor, a scholar and an award-winning crime writer.” bronteblog
From the Treasure Trove: warming pan.
From the Treasure Trove: warming pan.
We recently received this warming pan on a loan.
On cold nights, the Brontes would have filled it with coal to keep their beds warm.
Bronte Society e-newslett er 30.9.13
Another item on loan to us is the Brontës’ brass warming pan, which was sold at the 1861 sale of the Brontës' posessions after Patrick Brontë's death. The Brontës would have used it to warm their sheets before getting into bed and we're delighted to have an object that would have brought the Brontës so much comfort in cold times! It is in need of conservation work so won't be going on display right away. We will keep you updated on its progress.
Another item on loan to us is the Brontës’ brass warming pan, which was sold at the 1861 sale of the Brontës' posessions after Patrick Brontë's death. The Brontës would have used it to warm their sheets before getting into bed and we're delighted to have an object that would have brought the Brontës so much comfort in cold times! It is in need of conservation work so won't be going on display right away. We will keep you updated on its progress.
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The Parlour
Parsonage
Charlotte Bronte
Presently the door opened, and in came a superannuated mastiff, followed by an old gentleman very like Miss Bronte, who shook hands with us, and then went to call his daughter. A long interval, during which we coaxed the old dog, and looked at a picture of Miss Bronte, by Richmond, the solitary ornament of the room, looking strangely out of place on the bare walls, and at the books on the little shelves, most of them evidently the gift of the authors since Miss Bronte's celebrity. Presently she came in, and welcomed us very kindly, and took me upstairs to take off my bonnet, and herself brought me water and towels. The uncarpeted stone stairs and floors, the old drawers propped on wood, were all scrupulously clean and neat. When we went into the parlour again, we began talking very comfortably, when the door opened and Mr. Bronte looked in; seeing his daughter there, I suppose he thought it was all right, and he retreated to his study on the opposite side of the passage; presently emerging again to bring W---- a country newspaper. This was his last appearance till we went. Miss Bronte spoke with the greatest warmth of Miss Martineau, and of the good she had gained from her. Well! we talked about various things; the character of the people, - about her solitude, etc., till she left the room to help about dinner, I suppose, for she did not return for an age. The old dog had vanished; a fat curly-haired dog honoured us with his company for some time, but finally manifested a wish to get out, so we were left alone. At last she returned, followed by the maid and dinner, which made us all more comfortable; and we had some very pleasant conversation, in the midst of which time passed quicker than we supposed, for at last W---- found that it was half-past three, and we had fourteen or fifteen miles before us. So we hurried off, having obtained from her a promise to pay us a visit in the spring... ------------------- "She cannot see well, and does little beside knitting. The way she weakened her eyesight was this: When she was sixteen or seventeen, she wanted much to draw; and she copied nimini-pimini copper-plate engravings out of annuals, ('stippling,' don't the artists call it?) every little point put in, till at the end of six months she had produced an exquisitely faithful copy of the engraving. She wanted to learn to express her ideas by drawing. After she had tried to draw stories, and not succeeded, she took the better mode of writing; but in so small a hand, that it is almost impossible to decipher what she wrote at this time.
I asked her whether she had ever taken opium, as the description given of its effects in Villette was so exactly like what I had experienced, - vivid and exaggerated presence of objects, of which the outlines were indistinct, or lost in golden mist, etc. She replied, that she had never, to her knowledge, taken a grain of it in any shape, but that she had followed the process she always adopted when she had to describe anything which had not fallen within her own experience; she had thought intently on it for many and many a night before falling to sleep, - wondering what it was like, or how it would be, - till at length, sometimes after the progress of her story had been arrested at this one point for weeks, she wakened up in the morning with all clear before her, as if she had in reality gone through the experience, and then could describe it, word for word, as it had happened. I cannot account for this psychologically; I only am sure that it was so, because she said it. ----------------------She thought much of her duty, and had loftier and clearer notions of it than most people, and held fast to them with more success. It was done, it seems to me, with much more difficulty than people have of stronger nerves, and better fortunes. All her life was but labour and pain; and she never threw down the burden for the sake of present pleasure. I don't know what use you can make of all I have said. I have written it with the strong desire to obtain appreciation for her. Yet, what does it matter? She herself appealed to the world's judgement for her use of some of the faculties she had, - not the best, - but still the only ones she could turn to strangers' benefit. They heartily, greedily enjoyed the fruits of her labours, and then found out she was much to be blamed for possessing such faculties. Why ask for a judgement on her from such a world?" elizabeth gaskell/charlotte bronte
I asked her whether she had ever taken opium, as the description given of its effects in Villette was so exactly like what I had experienced, - vivid and exaggerated presence of objects, of which the outlines were indistinct, or lost in golden mist, etc. She replied, that she had never, to her knowledge, taken a grain of it in any shape, but that she had followed the process she always adopted when she had to describe anything which had not fallen within her own experience; she had thought intently on it for many and many a night before falling to sleep, - wondering what it was like, or how it would be, - till at length, sometimes after the progress of her story had been arrested at this one point for weeks, she wakened up in the morning with all clear before her, as if she had in reality gone through the experience, and then could describe it, word for word, as it had happened. I cannot account for this psychologically; I only am sure that it was so, because she said it. ----------------------She thought much of her duty, and had loftier and clearer notions of it than most people, and held fast to them with more success. It was done, it seems to me, with much more difficulty than people have of stronger nerves, and better fortunes. All her life was but labour and pain; and she never threw down the burden for the sake of present pleasure. I don't know what use you can make of all I have said. I have written it with the strong desire to obtain appreciation for her. Yet, what does it matter? She herself appealed to the world's judgement for her use of some of the faculties she had, - not the best, - but still the only ones she could turn to strangers' benefit. They heartily, greedily enjoyed the fruits of her labours, and then found out she was much to be blamed for possessing such faculties. Why ask for a judgement on her from such a world?" elizabeth gaskell/charlotte bronte
Poem: No coward soul is mine
No coward soul is mine,
No trembler in the worlds storm-troubled sphere:
I see Heavens glories shine,
And faith shines equal, arming me from fear.
O God within my breast.
Almighty, ever-present Deity!
Life -- that in me has rest,
As I -- Undying Life -- have power in Thee!
Vain are the thousand creeds
That move mens hearts: unutterably vain;
Worthless as withered weeds,
Or idlest froth amid the boundless main,
To waken doubt in one
Holding so fast by Thine infinity;
So surely anchored on
The steadfast Rock of immortality.
With wide-embracing love
Thy Spirit animates eternal years,
Pervades and broods above,
Changes, sustains, dissolves, creates, and rears.
Though earth and man were gone,
And suns and universes ceased to be,
And Thou wert left alone,
Every existence would exist in Thee.
There is not room for Death,
Nor atom that his might could render void:
Thou -- Thou art Being and Breath,
And what Thou art may never be destroyed.
-- Emily Bronte
No trembler in the worlds storm-troubled sphere:
I see Heavens glories shine,
And faith shines equal, arming me from fear.
O God within my breast.
Almighty, ever-present Deity!
Life -- that in me has rest,
As I -- Undying Life -- have power in Thee!
Vain are the thousand creeds
That move mens hearts: unutterably vain;
Worthless as withered weeds,
Or idlest froth amid the boundless main,
To waken doubt in one
Holding so fast by Thine infinity;
So surely anchored on
The steadfast Rock of immortality.
With wide-embracing love
Thy Spirit animates eternal years,
Pervades and broods above,
Changes, sustains, dissolves, creates, and rears.
Though earth and man were gone,
And suns and universes ceased to be,
And Thou wert left alone,
Every existence would exist in Thee.
There is not room for Death,
Nor atom that his might could render void:
Thou -- Thou art Being and Breath,
And what Thou art may never be destroyed.
-- Emily Bronte
Family tree
The Bronte Family
Grandparents - paternal
Hugh Brunty was born 1755 and died circa 1808. He married Eleanor McClory, known as Alice in 1776.
Grandparents - maternal
Thomas Branwell (born 1746 died 5th April 1808) was married in 1768 to Anne Carne (baptised 27th April 1744 and died 19th December 1809).
Parents
Father was Patrick Bronte, the eldest of 10 children born to Hugh Brunty and Eleanor (Alice) McClory. He was born 17th March 1777 and died on 7th June 1861. Mother was Maria Branwell, who was born on 15th April 1783 and died on 15th September 1821.
Maria had a sister, Elizabeth who was known as Aunt Branwell. She was born in 1776 and died on 29th October 1842.
Patrick Bronte married Maria Branwell on 29th December 1812.
The Bronte Children
Patrick and Maria Bronte had six children.
The first child was Maria, who was born in 1814 and died on 6th June 1825.
The second daughter, Elizabeth was born on 8th February 1815 and died shortly after Maria on 15th June 1825. Charlotte was the third daughter, born on 21st April 1816.
Charlotte married Arthur Bell Nicholls (born 1818) on 29th June 1854. Charlotte died on 31st March 1855. Arthur lived until 2nd December 1906.
The first and only son born to Patrick and Maria was Patrick Branwell, who was born on 26th June 1817 and died on 24th September 1848.
Emily Jane, the fourth daughter was born on 30th July 1818 and died on 19th December 1848.
The sixth and last child was Anne, born on 17th January 1820 who died on 28th May 1849.
Grandparents - paternal
Hugh Brunty was born 1755 and died circa 1808. He married Eleanor McClory, known as Alice in 1776.
Grandparents - maternal
Thomas Branwell (born 1746 died 5th April 1808) was married in 1768 to Anne Carne (baptised 27th April 1744 and died 19th December 1809).
Parents
Father was Patrick Bronte, the eldest of 10 children born to Hugh Brunty and Eleanor (Alice) McClory. He was born 17th March 1777 and died on 7th June 1861. Mother was Maria Branwell, who was born on 15th April 1783 and died on 15th September 1821.
Maria had a sister, Elizabeth who was known as Aunt Branwell. She was born in 1776 and died on 29th October 1842.
Patrick Bronte married Maria Branwell on 29th December 1812.
The Bronte Children
Patrick and Maria Bronte had six children.
The first child was Maria, who was born in 1814 and died on 6th June 1825.
The second daughter, Elizabeth was born on 8th February 1815 and died shortly after Maria on 15th June 1825. Charlotte was the third daughter, born on 21st April 1816.
Charlotte married Arthur Bell Nicholls (born 1818) on 29th June 1854. Charlotte died on 31st March 1855. Arthur lived until 2nd December 1906.
The first and only son born to Patrick and Maria was Patrick Branwell, who was born on 26th June 1817 and died on 24th September 1848.
Emily Jane, the fourth daughter was born on 30th July 1818 and died on 19th December 1848.
The sixth and last child was Anne, born on 17th January 1820 who died on 28th May 1849.
Top Withens in the snow.
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