A candlelit tour of the Parsonage, and the chance to see items from the collection up close with Collections Manager, Ann Dinsdale
Bronte Parsonage Museum

Bronte Parsonage Museum

This is a blog about the Bronte Sisters, Charlotte, Emily and Anne. And their father Patrick, their mother Maria and their brother Branwell. About their pets, their friends, the parsonage (their house), Haworth the town in which they lived, the moors they loved so much, the Victorian era in which they lived.

The Telegraph & Argus announces of the events that will take place next weekend (Haworth 1940s weekend) at the Brontë Parsonage Museum:Treasures by candlelight are on offer to Bronte fans during an after-hours museum visit. The Brontë Parsonage Museum is taking part in the national Museums At Night event on Friday. Education officer Sue Newby will give people a guided tour of the parsonage’s rooms by candlelight, before collections manager Ann Dinsdale lets visitors have a rare close-up view of valuable Brontë items in the library – including manuscripts, pictures, and objects owned by the family during the 19th century. Sue said: “It’s the Haworth 1940s weekend so we will be speaking about things that happened during that time of the parsonage. “We know a lot about the Mitchells who were living here during the 1940s.”
A new art exhibition opens at the Brontë Parsonage Museum. The exhibition explores the connections between the Brontës and Methodism. Reverend Patrick Brontë's career was nurtured by John Wesley's friend Thomas Tighe and his wife Maria Branwell's family were devout Methodists from Penzance in Cornwall. Perhaps the most significant connection is that Patrick met his future wife because he was invited to be the examiner for the Wesleyan Methodist Boarding School. Aunt Branwell was a strict Methodist and was a powerful influence in the family's lives. Charlotte Brontë describes the Methodist Magazine as 'mad... full of miracles and apparitions, of preternatural warnings, ominous dreams and frenzied fanaticism' and it is this sense of the supernatural that influenced the Brontës' early writing. Ghosts, apparitions, and supernatural communication are features of both Jane Eyre and Wuthering Heights. The exhibition has been curated by Nick Cass, a Research Associate in the School of Fine Art, History of Art and Cultural Studies at the University of Leeds who is currently undertaking a research-based PhD on contemporary artistic responses to the Brontës' literary heritage. His selection for Artists of Faith makes thoughtful juxtapositions and reflections on the works. For example, Patrick Heron's Crucifix and Candles, highlights Patrick Brontë's fear of fire and concern for the safety of his family while Graham Sutherland's mediation on sacrifice, Deposition, highlights issues around mortality and loss. Professor Ann Sumner, Executive Director of The Brontë Society comments: "This exhibition coincides with new research on the Wesleyan Methodist Branwell and Carne families in Cornwall by Melissa Hardie-Budden. This summer our visitors will have the opportunity to view these outstanding paintings by major Modern British artists from this little known collection, within the unique setting of the Parsonage. We are delighted to be working with the Methodist Church in partnership for this exhibition as well as the University of Leeds'.Artists, Faith, Methodism and the Brontës