I've dreamt in my life dreams that have stayed with me ever after, and changed my ideas: they've gone through and through me, like wine through water, and altered the color of my mind.
Emily Bronte
Wuthering Heights

dinsdag 8 juli 2014

London in the time of the Brontes

Yesterday during looking to the Tour de France in Yorkshire, I saw all those beautiful pictures from the modern London.


It brought me to the question:

What did Charlotte Bronte see of  London?
Which buildings and streets (and so on) did exists in the time of Charlotte Bronte?
 
The Victorian city of London was a city of startling contrasts. New building and affluent development went hand in hand with horribly overcrowded slums where people lived in the worst conditions imaginable.
 
 
 
The population surged during the 19th century, from about 1 million in 1800 to over 6 million a century later. A combination of coal-fired stoves and poor sanitation made the air heavy and foul-smelling. Immense amounts of raw sewage was dumped straight into the Thames River.
 
 
 In 1829 Sir Robert Peel founded the Metropolitan Police to handle law and order in areas outside the City proper. These police became known as "Bobbies" after their founder. uk-england-In Pictures: Police reform from watchmen to bobbies


Just behind Buckingham Palace the Grosvenor family developed the aristocratic Belgrave Square. In 1830 land just east of the palace was cleared of the royal stables to create Trafalgar Square, and the new National Gallery sprang up there just two years later.

When was the Square built?
Between 1825 and 1847. It was transformed from a large undeveloped area sometimes described as a swamp, a waste or a cess pit into one of the most fashionable districts of London. The marshy ground was partly filled with rubble from excavations in Dockland but the whole area is still not far above the level of the Thames.
What was here before it was built?
It was part of an uncultivated and marshy area between London and Knightsbridge, called the Five Fields which was thought to be very dangerous because of highwaymen.
 
 
 
The early part of the 19th century was the golden age of steam. The first railway in London was built from London Bridge to Greenwich in 1836, and a great railway boom followed. Major stations were built at Euston (1837), Paddington (1838), Fenchurch Street (1841), Waterloo (1848), and King's Cross (1850).

In 1834 the Houses of Parliament at Westminster Palace burned down. They were gradually replaced by the triumphant mock-Gothic Houses of Parliament designed by Charles Barry and A.W. Pugin.























literature11

For all the economic expansion of the Industrial Revolution, living conditions among London's poor were appalling. Children as young as 5 were often set to work begging or sweeping chimneys. Campaigners like Charles Dickens did much to make the plight of the poor in London known to the literate classes with his novels, notably Oliver Twist.

 

Upon this scene entered an unlikely hero, an engineer named Joseph Bazalgette. Bazalgette was responsible for the building of over 2100 km of tunnels and pipes to divert sewage outside the city. This made a drastic impact on the death rate, and outbreaks of cholera dropped dramatically after Bazlgette's work was finished. For an encore, Bazalgette also was responsible for the design of the Embankment, and the Battersea, Hammersmith, and Albert Bridges.

 
Regent Street rond 1850
 
 
 
 

Before the engineering triumphs of Bazalgette came the architectural triumphs of George IV's

favorite designer, John Nash. Nash designed the broad avenues of Regent Street&lt, Piccadilly Circus, Carlton House Terrace, and Oxford Circus, as well as the ongoing creation of Buckingham transformation of Buckingham House into a palace worthy of a monarch. victorian-london

zondag 6 juli 2014

Brontë Parsonage director Ann Sumner is leaving her post

Museums Association reports that Brontë Parsonage director Ann Sumner is leaving her post:
Ann Sumner has stepped down as executive director of the Brontë Society, which runs the Brontë Parsonage Museum in Howarth [sic], after 16 months in the role.  Her departure was announced at the society’s AGM last month. In a statement, the society said: “We regret to announce that Ann Sumner has decided to move on from the Brontë Society as she will be seeking a new part-time post. We thank Ann for her enthusiastic contribution to the society and wish her all the best for the future.”
A colleague described Sumner as a “breath of fresh air” who had done much to take the museum forward during her time in the role. Plans to recruit a replacement for the position are not yet clear. A spokeswoman from the institution said no further information was available. Museums Journal understands that Sumner’s departure comes at a time of upheaval in the Brontë Society. According to a source, some of the society’s members expressed concern about its direction and governance at last month's AGM, with a majority voting against two proposed motions to give the governing council greater power to expel members and extend the chairman of trustees’ term of office. (Geraldine Kendall)
bronteblog

Tour de France 2014 Haworth

 
 
 
The peloton rides up Main Street as stage two of the Tour de France passes through Haworth, Yorkshire. Pic: Martin Rickett/PA Wire

zaterdag 5 juli 2014

Tour de France is expected to attract more than a million people in Yorkshire

Even Bronte country has developed a taste for baguettes as Yorkshire gears up for the start of the 101st Tour de France in its backyard this weekend.
In Haworth, the village made famous by the Bronte sisters, the world-famous museum in their honour will close on Sunday because of the huge crowds expected along Main Street to see Chris Froome and Mark Cavendish climb up the cobbles.

‘The sisters would have found it exciting — not a lot happened in Haworth in their day,’ says museum director Ann Insdale.  Charlotte in particular loved anything to do with France. She studied in Brussels and spoke fluent French. She’d have enjoyed having such an iconic event here.’ It seems Yorkshire’s current generation feel the same. Everywhere you look, the white rose county is turning yellow to mark the greatest endurance test in sport. Police anticipate at least a million people will turn up to watch Saturday’s opening 118-mile stage between Leeds and Harrogate — known as Le Grand Depart — and Sunday’s York-Sheffield leg, which measures 124 miles. A statue of Edward the Black Prince in Leeds’ City Square has had a yellow jersey planted on it. Read more: dailymail

donderdag 3 juli 2014

Helen MacEwan’s new Brontë book

Helen MacEwan’s new book is, indeed, a journey back in time to the Brussels the Brontë sisters would have known in the early 1840s. No one can dip into these sumptuous pages without escaping contemporary Brussels . Along with a wealth of colour illustrations from the period. The Brontës in Brussels presents a fascinating look at how this city influenced the two sisters’ hearts and imaginations. Cogent details transport the time-traveller immediately: we follow Charlotte on a ramble along the Rue de Louvain, where she refreshed herself with a coffee and currant bun; we slip into an illustration of a wide, leafy boulevard with views over the surrounding countryside, and find ourselves at once elated and heartsick to touch this Brussels we will never know. Thanks to Helen’s book, however, this vanished city still has a pulse. She guides us to those corners where, if we close our eyes, we might still detect a horse’s hoof or rustle of silk in the endless drone of traffic. Such moments bring a familiar frisson to those of us who have spent many years in Brussels and fallen in love with her enigmas.
Most moving of all is Helen’s inclusion of Charlotte’s letters to Constantin Heger. The stark intimacy of these confessions draws the reader far from Brussels, all the way to the moorland chill of Yorkshire and the grey-clad little woman who anguished there, in physical and emotional exile from her “promised land”. It is with a strange sort of clairvoyance that we read those letters, knowing as we do how Charlotte’s genius would eventually transform her despair into great art. brusselsbronte

woensdag 2 juli 2014

CHARLOTTE BRONTË made only £500 from her novel, Jane Eyre.

But now a rare a first edition copy of the book is set to fetch between £15,000 and £20,000 at an auction. Auctioneer Sotheby’s says the book, first published in three volumes in 1847 under Bronte’s pseudonym ‘Currer Bell’, is “an unusually clean first edition copy”. The auction takes place on July 15. Ann Dinsdale, collections manager at the Bronte Parsonage Museum in Haworth, said: “Charlotte was offered £100 for the copyright. With further editions and foreign rights her actual payments were in the region of £500. “There is a well-known account by the head of the firm, George Smith,describing how he started reading the manuscript of Jane Eyre and was so gripped by it that he cancelled all engagements for the day so that he could finish reading it. “ Last year a poem by Charlotte Brontë, I’ve been Wandering in the Greenwoods, sold for £92,450 more than double the £45,000 it had been expected to fetch . It meant that each word of the 16-line poem was worth more than £1,000. yorkshirepost

vrijdag 27 juni 2014

The Brontë Birthplace

Unitarian theology of the 19th century

North and South is a novel defined by the resolution of binary conflicts: heroine Margaret Hale is presented with a number of divisions of sympathy, between industrialists and the working class, between conflicting views of Mr. Thornton, and even between her conflicting views of her own intelligence.

Mr. Hale’s decision to leave the church due to “painful, miserable doubts” A key insight into Mr. Hale’s reasoning is found during his discussion with Margaret and Higgins, when he states that “your Union in itself would be beautiful, glorious, —it would be in itself—if it were but for an end which affected the good of all, instead of that of merely one class as opposed to another”. This statement directly mirrors the sentiment of Unitarian theology of the 19th century as primarily defined by 18th century scientist and philosopher Joseph Priestley, who famously described the Trinity as foremost of the corruptions of Christianity.

Elizabeth Gaskell, whose husband and father were Unitarian Ministers, would no doubt have been familiar with Priestley’s writing and was known to hold strong Unitarian opinions,  so the statement of the protagonist’s father in this key scene of the novel holds special weight.

Read more"the-concept-of-unity-in-elizabeth-gaskells-north-and-south

donderdag 26 juni 2014

Emily's by De Luca Boutique - The Brontë Birthplace (BBC Look North 12.0...


Branwell, was born in the early hours of the morning on this day in 1817.


Patrick Branwell Brontë, more commonly known as Branwell, was born in the early hours of the morning on this day in 1817.




On 26 June, 1817, the fourth child of Patrick Bronte and Maria Branwell Bronte was born during the early hours of the morning in Thornton. This newborn boy was given the honour of two names because for Patrick and Maria having a son was a particularly welcome moment. He was named Patrick, after his father, and Branwell, after his mother’s maiden name. Though, there always seemed to be some confusion over which name came first. The day after his birth, his three sisters: Maria, Elizabeth and Charlotte, were invited down to Penzance to the Kipping House so they could join a large party of ladies who fussed over the little girls. In no time the parents sorted out the confusion over their son’s name and on 23 July,1817, at a ceremony at the Old Bell Chapel Patrick Branwell Bronte was baptized. His godparents were Elizabeth Firth’s father and stepmother, close friends of The Bronte’s. 
He was small for his age but good looking, with his father’s nose and a high forehead. He had poor eyesight, he wore glasses and he wore his hair, the reddest in the family, long in an artistic fashion.
Read more about Branwell: kimberlyevemusings

woensdag 25 juni 2014

Keeper

Haworth’s stationer, John Greenwood, recorded in his diary a violently protective scene in which Emily broke up Keeper’s encounter with another dog:
She never spoke a word, nor appeared the least at a loss what to do, but rushed at once into the kitchen, took the pepper box, and away into the lane where she found the two savage brutes each holding the other by the throat. In deadly grip, while several other animals, who thought themselves men, were standing looking on like cowards as they were, afraid to touch them—there they stood gaping, watching this fragile creature spring upon the beasts—seizing Keeper ’round the neck with one arm, while with the other hand she dredges their noses with pepper, and separating them by force of her great will, driving Keeper, that great powerful dog, before her into the house, never once noticing the men, so called, standing there thunderstruck at the deed. From: the-animalistic-emily-/

maandag 23 juni 2014

Charlotte completed this pencil drawing, entitled "The Cross of Rivaulx"

Charlotte completed this pencil drawing, entitled "The Cross of Rivaulx", on this day in 1836. It is a copy of an illustration of the grounds of Rievaulx Abbey, by John Gilpin.
 

woensdag 18 juni 2014

The Brontës' early writings: Combining fantasy and fact


Ponden Hall turned into a B & B

 
 
 
Hi, everyone! It's official, and we are now accepting bookings for our newly opened elegant and comfortable bedrooms at Ponden Hall, the Brontes' inspiration.

Come and stay the night in the room where Cathy's ghost beat at the window, struggling to get in - in the beautiful replica box bed, just like the one in 'Wuthering Heights'.

Contact us at stay@ponden.force9.co.uk, or on 01535 648608 for more details. We still have spaces left for the Tour de France weekend on July 5-6, and we're only just off the route!
 

The Parlour

The Parlour

Parsonage

Parsonage

Charlotte Bronte

Presently the door opened, and in came a superannuated mastiff, followed by an old gentleman very like Miss Bronte, who shook hands with us, and then went to call his daughter. A long interval, during which we coaxed the old dog, and looked at a picture of Miss Bronte, by Richmond, the solitary ornament of the room, looking strangely out of place on the bare walls, and at the books on the little shelves, most of them evidently the gift of the authors since Miss Bronte's celebrity. Presently she came in, and welcomed us very kindly, and took me upstairs to take off my bonnet, and herself brought me water and towels. The uncarpeted stone stairs and floors, the old drawers propped on wood, were all scrupulously clean and neat. When we went into the parlour again, we began talking very comfortably, when the door opened and Mr. Bronte looked in; seeing his daughter there, I suppose he thought it was all right, and he retreated to his study on the opposite side of the passage; presently emerging again to bring W---- a country newspaper. This was his last appearance till we went. Miss Bronte spoke with the greatest warmth of Miss Martineau, and of the good she had gained from her. Well! we talked about various things; the character of the people, - about her solitude, etc., till she left the room to help about dinner, I suppose, for she did not return for an age. The old dog had vanished; a fat curly-haired dog honoured us with his company for some time, but finally manifested a wish to get out, so we were left alone. At last she returned, followed by the maid and dinner, which made us all more comfortable; and we had some very pleasant conversation, in the midst of which time passed quicker than we supposed, for at last W---- found that it was half-past three, and we had fourteen or fifteen miles before us. So we hurried off, having obtained from her a promise to pay us a visit in the spring... ------------------- "She cannot see well, and does little beside knitting. The way she weakened her eyesight was this: When she was sixteen or seventeen, she wanted much to draw; and she copied nimini-pimini copper-plate engravings out of annuals, ('stippling,' don't the artists call it?) every little point put in, till at the end of six months she had produced an exquisitely faithful copy of the engraving. She wanted to learn to express her ideas by drawing. After she had tried to draw stories, and not succeeded, she took the better mode of writing; but in so small a hand, that it is almost impossible to decipher what she wrote at this time.

I asked her whether she had ever taken opium, as the description given of its effects in Villette was so exactly like what I had experienced, - vivid and exaggerated presence of objects, of which the outlines were indistinct, or lost in golden mist, etc. She replied, that she had never, to her knowledge, taken a grain of it in any shape, but that she had followed the process she always adopted when she had to describe anything which had not fallen within her own experience; she had thought intently on it for many and many a night before falling to sleep, - wondering what it was like, or how it would be, - till at length, sometimes after the progress of her story had been arrested at this one point for weeks, she wakened up in the morning with all clear before her, as if she had in reality gone through the experience, and then could describe it, word for word, as it had happened. I cannot account for this psychologically; I only am sure that it was so, because she said it. ----------------------She thought much of her duty, and had loftier and clearer notions of it than most people, and held fast to them with more success. It was done, it seems to me, with much more difficulty than people have of stronger nerves, and better fortunes. All her life was but labour and pain; and she never threw down the burden for the sake of present pleasure. I don't know what use you can make of all I have said. I have written it with the strong desire to obtain appreciation for her. Yet, what does it matter? She herself appealed to the world's judgement for her use of some of the faculties she had, - not the best, - but still the only ones she could turn to strangers' benefit. They heartily, greedily enjoyed the fruits of her labours, and then found out she was much to be blamed for possessing such faculties. Why ask for a judgement on her from such a world?" elizabeth gaskell/charlotte bronte



Poem: No coward soul is mine

No coward soul is mine,
No trembler in the worlds storm-troubled sphere:
I see Heavens glories shine,
And faith shines equal, arming me from fear.


O God within my breast.
Almighty, ever-present Deity!
Life -- that in me has rest,
As I -- Undying Life -- have power in Thee!


Vain are the thousand creeds
That move mens hearts: unutterably vain;
Worthless as withered weeds,
Or idlest froth amid the boundless main,


To waken doubt in one
Holding so fast by Thine infinity;
So surely anchored on
The steadfast Rock of immortality.


With wide-embracing love
Thy Spirit animates eternal years,
Pervades and broods above,
Changes, sustains, dissolves, creates, and rears.


Though earth and man were gone,
And suns and universes ceased to be,
And Thou wert left alone,
Every existence would exist in Thee.


There is not room for Death,
Nor atom that his might could render void:
Thou -- Thou art Being and Breath,
And what Thou art may never be destroyed.


--
Emily Bronte

Family tree

The Bronte Family

Grandparents - paternal
Hugh Brunty was born 1755 and died circa 1808. He married Eleanor McClory, known as Alice in 1776.

Grandparents - maternal
Thomas Branwell (born 1746 died 5th April 1808) was married in 1768 to Anne Carne (baptised 27th April 1744 and died 19th December 1809).

Parents
Father was Patrick Bronte, the eldest of 10 children born to Hugh Brunty and Eleanor (Alice) McClory. He was born 17th March 1777 and died on 7th June 1861. Mother was Maria Branwell, who was born on 15th April 1783 and died on 15th September 1821.

Maria had a sister, Elizabeth who was known as Aunt Branwell. She was born in 1776 and died on 29th October 1842.

Patrick Bronte married Maria Branwell on 29th December 1812.

The Bronte Children
Patrick and Maria Bronte had six children.
The first child was Maria, who was born in 1814 and died on 6th June 1825.
The second daughter, Elizabeth was born on 8th February 1815 and died shortly after Maria on 15th June 1825. Charlotte was the third daughter, born on 21st April 1816.

Charlotte married Arthur Bell Nicholls (born 1818) on 29th June 1854. Charlotte died on 31st March 1855. Arthur lived until 2nd December 1906.

The first and only son born to Patrick and Maria was Patrick Branwell, who was born on 26th June 1817 and died on 24th September 1848.

Emily Jane, the fourth daughter was born on 30th July 1818 and died on 19th December 1848.

The sixth and last child was Anne, born on 17th January 1820 who died on 28th May 1849.

Top Withens in the snow.

Top Withens in the snow.

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