I've dreamt in my life dreams that have stayed with me ever after, and changed my ideas: they've gone through and through me, like wine through water, and altered the color of my mind.
Emily Bronte
Wuthering Heights

dinsdag 21 april 2015

An important press release by the Brontë Society. The first clues of what will be the 2016 Charlotte Brontë's bicentenary:

We often have visitors to the Museum who tell us that they were named after one of the
Brontë sisters, so we thought it would be fascinating to find women of all ages called
Charlotte who share her birthday.  We are asking Charlottes born on or near 21st April to
contact us at seekingcharlotte@bronte.org.uk so that we can invite them to share our
celebrations in 2016.”

To support the bicentenary programme, the Society is developing a dedicated website
www.bronte200.org which will serve as a hub for all events and activities connected to the
programme and a Brontë200 logo which will be available for use by other organisations
wishing to celebrate the bicentenaries.
Read all:
Brontë 200

vrijdag 17 april 2015

April is Charlotte’s month and we will be celebrating her 199th birthday at the museum on Tuesday. (April 21

SPRING has truly sprung in Haworth and the museum has welcomed lots of visitors over the Easter holiday. Our events and activities continue to be popular with families, and people of all ages enjoyed encountering Tabby - the Brontë family’s servant - and Charlotte’s friend Ellen Nussey during their visit. April is Charlotte’s month and we will be celebrating her 199th birthday at the museum on Tuesday. (April 21) Visitors to the museum on that day will have the opportunity to meet our collections manager, Ann Dinsdale, in the library and get a close-up view of some of Charlotte’s personal possessions. Sessions will be held at 11.30am, 1.30pm and 3.30pm and will be free with admission to the museum. Places will be limited and allocated on a first-come, first-served basis, so be sure not to time your visit too late!

We have a busy weekend in the run up to Charlotte’s birthday.
Tomorrow at 7.30pm, William Atkins, author of The Moor: Life, Landscape, Literature will be giving a talk at West Lane Baptist Centre in Haworth. The book is described as a mixture of history, literary criticism and nature writing, and Haworth Moor has a starring role! The event is part of our Contemporary Arts Programme and tickets cost £6.

On Saturday one of our museum assistants, Charissa Hutchins, is staging an opera concert at the Old School Rooms in Haworth. Charissa and other young professional opera singers will perform some light opera classics before giving a rare presentation of the final act of Bernard Herrmann’s Wuthering Heights. Half of the proceeds will be donated to the Bronte Society and tickets costing £7 (£5 concessions) can be ordered via charissa_bronte@outlook.com. On Sunday you can join Ann Dinsdale for cream tea at historic Ponden Hall, thought by many to be the inspiration for Thrushcross Grange in Wuthering Heights. Ann will be sharing the latest news from the museum in what is sure to be a real treat of an event. More information can be found at ponden-hall.co.uk. And finally, back to Charlotte’s birthday.

This year will mark 199 years since her birth in Thornton, which means that 2016 will be a very significant year for the Brontë Society.
Next year will see the commencement of a five-year programme celebrating the bicentenaries of all the Brontë siblings: Charlotte in 2016; Branwell in 2017; Emily in 2018 and Anne in 2020.
During 2019, the Brontë Society will be celebrating Patrick Brontë and his role in the parish of Haworth. It’s a very busy and exciting time for everyone at the museum and we will be working with some very interesting partners over the next five years, so if you aren’t already on our mailing list, be sure to sign up soon! To launch the countdown to the Charlotte’s bicentenary, we are hosting a celebration at 6pm on Tuesday at her Thornton birthplace, now Emily’s by De Luca Boutique.
This will be a very special occasion and we will be unveiling some of our plans for 2016 and beyond. Visit our website bronte.org.uk for full details and booking information. keighleynews

woensdag 15 april 2015

Happy birthday Maria Bronte


Today is the anniversary of the birth of Maria Branwell, mother to the six Bronte children. We're sure she would have been very proud of this quilt sewn by Charlotte, Emily and Anne. It's too fragile to be displayed but staff have been fortunate enough to have a rare glimpse of it in the Library this morning. facebook./photos Facebook page of the parsonage.
 
Maria Branwell (15 April 1783 – 15 September 1821) was the mother of British writers Emily Brontë, Anne Brontë and Charlotte Brontë, and of their brother, Branwell Brontë, who was a poet and painter.[1]
 
Maria was the eighth of eleven children of Thomas Branwell and Anne Carne of Penzance, Cornwall, born April 15, 1783. Her father was a prosperous merchant with extensive property holdings in the town, and the family was involved in local politics as well as trade, Maria's brother Benjamin serving as the town's Mayor in 1809. The Branwells and Carnes were leading members of the Wesleyan Methodist community in Penzance cornwall-calling/methodism, and the Branwells were instrumental in building the town's first purpose-built Wesleyan chapel in 1814...
 
Maria was petite, plain, pious, intelligent and well-read with a ready wit. She made friends easily, and the friends she had made from Thornton remained life-long friends to Patrick and his children. Her only extant written work, apart from letters, is the unpublished tract The Advantages of Poverty In Religious Concerns. bronte.//family-and-friends/mrs-bronte
 
 
 
Maria, let us walk, and breathe, the morning air,
And hear the cuckoo sing,-
And every tuneful bird, that woos the gentle spring.
Troughout the budding grove,
Softly coos the turtle-dove,
The primrose pale,
perfumes the gale
The modest daisy, and the violet blue,
Inviting, spread their charms for you.

15 april 1813
 Patrick Bronte for Maria Branwell
 
 

Parsonage needs to pack a “harder punch”

The Yorkshire Post resumes the story of the Brontë Society's inner debate.

A film-maker and a retired deputy headteacher are planning to help “modernise” a Yorkshire literary society by taking on unpaid leadership roles - just six months after they were branded “agitators”.
John Thirlwell, a film producer/director, and Janice Lee, a former deputy head, are seeking election to the ruling council of the Brontë Society.The pair, who both live in Yorkshire, hit the headlines last year when they and 50 disgruntled members forced an extraordinary general meeting of the Society after claiming it had “lost its way” In September they called on the ruling council to step aside “to bring greater levels of professionalism and experience to the Society.""They said the Society needed fresh, modernising leadership to replace those who were “micro-managing” the Brontë Parsonage Museum, owned by the Society. In October they were criticised by outgoing chairman Christine Went as “agitators” who were “behaving irresponsibly” in seeking power for themselves.
Six months later Mr Thirlwell and Mrs Lee are seeking election to the ruling council. It is understood that at least five of the 12 council members are due to stand down at the annual meeting in June.
And it now emerged that the Brontë Society was so worried about a lack of Council nominees that it took legal advice on relaxing the rules to allow people to stand after being members for less than two years. A message to members on April 2 said “exceptional circumstances” had arisen as “an insufficient number of nominations have been received and a skills gap has been identified.”
The message added: “If this situation is left unaddressed and further nominations are not received, this would mean that the minimum number of trustees would not be reached which would lead to a breach of the charity’s articles which must be avoided if at all possible.” Mr Thirlwell said that, if elected, he wanted to “support innovation” in telling the Brontë story. “We have a fantastic story but maybe we are missing out some of the newer ways of telling it.” Also standing is Peter Mayo-Smith, priest in charge at Haworth Parish Church, who has a background in business and believes Haworth is failing to make the most of its tourism potential. “The more tourists we have, the greater the income it generates for the area. An awful lot of my parishioners get their income through tourism.”
He said Parsonage needed to pack a “harder punch”. Opening up nominations to newer members would “throw up a lot more talent,” he believes. A spokeswoman for the Brontë Society said a sufficient number of members had put their names forward by Saturday April 11, the deadline for nominations. “Relaxing the two year membership rule allows the Society to ensure Council has the best possible skill set,” she added. “It has been done before, even as recently as 2012 and this was the reason for the extension in this instance.” The spokeswoman said membership numbers had risen since the beginning of the year “and we expect this trend to continue as we move towards the bicentenaries next year.” Bonnie Greer, President of the Brontë Society: “It’s great that new members are coming forward to join Council and we hope that any new members on the Brontë Society Council will continue the work and dedication of the present one.”m She said the Council “saw the need to refresh its skill base.” Ms Greer added: “I’m working to help diversify membership and bring on younger members
. bronteblog

woensdag 8 april 2015

Castration, Moral Management and Self-Discovery

Pre- Oedipal Lucy Snowe: Isis Unbound Over Castrated Male Body
Onur Ekler
Electronic International Journal of Education, Arts, and Science,  Vol 1, No 1,  77-84 (2015)

Illegible Minds: Charlotte Brontë’s Early Writings and the Psychology of Moral Management in Jane Eyre and Villette
Beth Tressler
Studies in the Novel, Volume 47, Number 1, Spring 2015, pp. 1-19

Lucy’s Quest for Self-discoveryKevser Ates
Electronic International Journal of Education, Arts, and Science,  Vol 1, No 1,  55-61 (2015)

Read more: Castration, Moral Management and Self-Discovery

zaterdag 4 april 2015

Haworth History Tour

Amberley Publishing has just published a new book about Haworth:
Haworth History Tour
Steven Wood, Ian Palmer
Amberley Publishing
ISBN: 9781445646275
168 x 124 mm | Paperback | 96 pages | 120 illustrations | February 2015

Haworth is a picturesque Pennine village that is now famed for the Brontë family and the steam railway. Behind the tourist village of today lies a long history of people making a living from the uncompromising moorland of this area. Haworth History Tour takes the reader on a journey through the many changes the village has undergone in its long history. While some areas will seem relatively unchanged, many are now unrecognisable. The curious and nostalgic alike will delight in uncovering or rediscovering the roots of Haworth with the help of this wonderfully illustrated guide.

BBC News celebrates the London Letters Live season with a Charlotte Brontë letter:
In celebration of London's Letters Live season, BBC Newsnight invited actress Louise Brealey to read a letter written by Charlotte Brontë following the loss of her sister Emily.
It was composed on Christmas day 1848, six days after the Wuthering Heights author's death, in response to a letter from publisher W S Williams.

vrijdag 3 april 2015

Charlotte Bronte in Brussels

In Villette then, Miss Bronte pictures Lucy Snowe's arrival  in Brussels much as it occurred to herself on her second visit. Now let us follow her, step by step " for the first time " to her predestined home. " Having left behind us the miry Chaussee "hat is to say, the Chaussec de Gand " the diligence rattled over the pavement, passed through the Porte de Flandre, and stopped at the bureau. Hence Dr. John Bretton courteously conducted Miss Snowe along the boulevards, on foot, through darkness, fog, and rain, past the Alice Verte " at that time "

almost a civic pleasaunce, referred to in The Professor^ but now an arid waste of sand and stone, a mere eastern quay to the Canal de Willebroeck " until by the Rue Ducale or the Rue de la Loi the north-east gate of the Park was reached, and the park " crossed " to an opening into the Rue Royale opposite the Montagne du Pare, which descends to the Lower Town. Here her guide left her, after having instructed her how to reach a decent inn by descending the Belliard steps.It has been supposed that this would in reality have been too long a walk; but in the author's eyes it must have been a mere ramble, for in The Professor the newly affianced Crims worth and Frances Henri celebrate their engagement by making *' a tour of the city by the Boulevards " " a jaunt of twice the distance which tired the lady but *'a little." Lucy's progress from this point to the Pensionnat has created some difficulty in readers' minds, yet it is clear enough. Misunderstanding her instructions, she missed the Belliard steps ' to the Rue d'Isabelle, wherein, at its junction with the Rue des Douze Apotres and the Rue de la Chancellerie was supposed to stand the inn of ' The opening in the Rue Royale would not reveal to the passer-by, particularly at night-time, the existence of the Belliard steps, because the head of the stairway is masked by the pedestal of the General's statue. forgottenbooks











 

Rue Ducale 13 – the house where Zoë Parent died



Late in the evening of 9 January 1890, Claire Zoë Parent (b.1804) passed away at Rue Ducale 13, suffering from double pneumonia. In the Brussels Brontë story, she holds a prominent role of course, as directrice of the Rue d'Isabelle pensionnat which Charlotte and Emily attended in 1842–43, and as part model for the characters of Madame Beck (Villette) and Zoraïde Reuter (The Professor) in Charlotte's novels.

In May 1889, Zoë and her husband, Constantin Heger, accompanied by their daughter Louise, left Rue d’Isabelle for Rue Ducale 13. Their new home was a three-storied, neoclassical maison particulière, modest in size compared to other, more palatial houses on the street, but no less elegant. They had not bought their new house, they were only renting it out. Doubtless it was an expensive place to rent, but at this stage the Hegers were a relatively prosperous middle-class family, and were well able to permit themselves some luxury. After Zoë's death, Heger and his daughter remained at Rue Ducale until June 1892, before moving to Rue Montoyer 72 in the nearby Quartier Leopold.
For anyone looking for Rue Ducale 13 today, there is a surprise in store. As one goes along Rue Ducale from the Royal Palace towards Rue Zinner, the house numbers pass from 11 to 15, with no number 13 in between. Yet, with the help of some Brussels City Archives documents, this missing number can be explained. During the period 1892–1912, houses 9, 11, and 13, owned by the Comte t'Kint de Roodenbeke, underwent a series of transformations. As a result, house number 13 was incorporated into number 11. The number 13 was formally cancelled by Brussels City authorities with effect from 28 January 1913. Read more: brusselsbronte


 

dinsdag 24 maart 2015

Daughters of 1920s film actress visit Brontë Parsonage Museum to see Wuthering Heights pictures

by
TWO YORKSHIRE sisters had a special treat when they visited the Brontë Parsonage Museum in Haworth and took a trip back in time to their mother’s childhood stardom.
Jill Freeman and Anne Powell are the daughters of Florence ‘Twinks’ Hunter, the Yorkshire-born actress who played young Cathy in the 1920s silent film production of Wuthering Heights.
Last year, the Brontë Society acquired the full script of Albert Victor Bramble’s 1920s production which includes 22 pages of director’s notes including details of costumes and locations.
The script, together with original stills showing the film crew and members of the cast, are now on display to the public, but Mrs Freeman and Mrs Powell made an appointment to view it at close quarters in the museum library. Mrs Powell said: “It’s just wonderful to see these pages detailing what mum had to do. There is no surviving copy of the film, but this script gives us a glimpse of what it might have been like.” Mrs Freeman added: “It’s very special to see this and imagine our mother as a six-year-old actress.” Florence Hunter was one of the most successful child stars during the early British film industry. She became known as ‘Twinks’ after her screen billing of ‘Baby Twinkles’. She died in Ripon in January 2000. Rebecca Yorke, communications officer at the museum, added: “One of the central aims of the Brontë Society is to share its world class collection with people of all ages and from all over the world. “Museum staff are always happy to welcome to the library by arrangement, guests who have a personal or academic link to a particular item and not a week goes by when we don’t have a visitor who feels a special ‘connection’ to the museum and the collection.
“Earlier this week, we had a visit from someone who has been visiting the museum for 55 years and had had their wedding photographs taken in the Parsonage garden! “The comments we receive in our visitor's book and via social media reinforces the fact that the Brontës continue to have contemporary relevance and worldwide appeal.
“Our recent acquisitions of the Brontë family dining table, where the novels where written, and the Wuthering Heights film production script have really captured the imagination and attracted many visitors, all of which is good news for the museum, the society and the local economy.” keighleynews
 

zondag 22 maart 2015

Cottage Poems by Patrick Brontë

A new paperback edition of Patrick Bronté's Cottage Poems:
Cottage Poems
by Patrick Brontë
Paperback: 76 pages
Publisher: Leopold Classic Library (March 20, 2015)

Leopold Classic Library is delighted to publish this classic book as part of our extensive collection. As part of our on-going commitment to delivering value to the reader, we have also provided you with a link to a website, where you may download a digital version of this work for free. Many of the books in our collection have been out of print for decades, and therefore have not been accessible to the general public. Whilst the books in this collection have not been hand curated, an aim of our publishing program is to facilitate rapid access to this vast reservoir of literature. As a result of this book being first published many decades ago, it may have occasional imperfections. These imperfections may include poor picture quality, blurred or missing text. While some of these imperfections may have appeared in the original work, others may have resulted from the scanning process that has been applied. However, our view is that this is a significant literary work, which deserves to be brought back into print after many decades. While some publishers have applied optical character recognition (OCR), this approach has its own drawbacks, which include formatting errors, misspelt words, or the presence of inappropriate characters. Our philosophy has been guided by a desire to provide the reader with an experience that is as close as possible to ownership of the original work. We hope that you will enjoy this wonderful classic book, and that the occasional imperfection that it might contain will not detract from the experience.

The Parlour

The Parlour

Parsonage

Parsonage

Charlotte Bronte

Presently the door opened, and in came a superannuated mastiff, followed by an old gentleman very like Miss Bronte, who shook hands with us, and then went to call his daughter. A long interval, during which we coaxed the old dog, and looked at a picture of Miss Bronte, by Richmond, the solitary ornament of the room, looking strangely out of place on the bare walls, and at the books on the little shelves, most of them evidently the gift of the authors since Miss Bronte's celebrity. Presently she came in, and welcomed us very kindly, and took me upstairs to take off my bonnet, and herself brought me water and towels. The uncarpeted stone stairs and floors, the old drawers propped on wood, were all scrupulously clean and neat. When we went into the parlour again, we began talking very comfortably, when the door opened and Mr. Bronte looked in; seeing his daughter there, I suppose he thought it was all right, and he retreated to his study on the opposite side of the passage; presently emerging again to bring W---- a country newspaper. This was his last appearance till we went. Miss Bronte spoke with the greatest warmth of Miss Martineau, and of the good she had gained from her. Well! we talked about various things; the character of the people, - about her solitude, etc., till she left the room to help about dinner, I suppose, for she did not return for an age. The old dog had vanished; a fat curly-haired dog honoured us with his company for some time, but finally manifested a wish to get out, so we were left alone. At last she returned, followed by the maid and dinner, which made us all more comfortable; and we had some very pleasant conversation, in the midst of which time passed quicker than we supposed, for at last W---- found that it was half-past three, and we had fourteen or fifteen miles before us. So we hurried off, having obtained from her a promise to pay us a visit in the spring... ------------------- "She cannot see well, and does little beside knitting. The way she weakened her eyesight was this: When she was sixteen or seventeen, she wanted much to draw; and she copied nimini-pimini copper-plate engravings out of annuals, ('stippling,' don't the artists call it?) every little point put in, till at the end of six months she had produced an exquisitely faithful copy of the engraving. She wanted to learn to express her ideas by drawing. After she had tried to draw stories, and not succeeded, she took the better mode of writing; but in so small a hand, that it is almost impossible to decipher what she wrote at this time.

I asked her whether she had ever taken opium, as the description given of its effects in Villette was so exactly like what I had experienced, - vivid and exaggerated presence of objects, of which the outlines were indistinct, or lost in golden mist, etc. She replied, that she had never, to her knowledge, taken a grain of it in any shape, but that she had followed the process she always adopted when she had to describe anything which had not fallen within her own experience; she had thought intently on it for many and many a night before falling to sleep, - wondering what it was like, or how it would be, - till at length, sometimes after the progress of her story had been arrested at this one point for weeks, she wakened up in the morning with all clear before her, as if she had in reality gone through the experience, and then could describe it, word for word, as it had happened. I cannot account for this psychologically; I only am sure that it was so, because she said it. ----------------------She thought much of her duty, and had loftier and clearer notions of it than most people, and held fast to them with more success. It was done, it seems to me, with much more difficulty than people have of stronger nerves, and better fortunes. All her life was but labour and pain; and she never threw down the burden for the sake of present pleasure. I don't know what use you can make of all I have said. I have written it with the strong desire to obtain appreciation for her. Yet, what does it matter? She herself appealed to the world's judgement for her use of some of the faculties she had, - not the best, - but still the only ones she could turn to strangers' benefit. They heartily, greedily enjoyed the fruits of her labours, and then found out she was much to be blamed for possessing such faculties. Why ask for a judgement on her from such a world?" elizabeth gaskell/charlotte bronte



Poem: No coward soul is mine

No coward soul is mine,
No trembler in the worlds storm-troubled sphere:
I see Heavens glories shine,
And faith shines equal, arming me from fear.


O God within my breast.
Almighty, ever-present Deity!
Life -- that in me has rest,
As I -- Undying Life -- have power in Thee!


Vain are the thousand creeds
That move mens hearts: unutterably vain;
Worthless as withered weeds,
Or idlest froth amid the boundless main,


To waken doubt in one
Holding so fast by Thine infinity;
So surely anchored on
The steadfast Rock of immortality.


With wide-embracing love
Thy Spirit animates eternal years,
Pervades and broods above,
Changes, sustains, dissolves, creates, and rears.


Though earth and man were gone,
And suns and universes ceased to be,
And Thou wert left alone,
Every existence would exist in Thee.


There is not room for Death,
Nor atom that his might could render void:
Thou -- Thou art Being and Breath,
And what Thou art may never be destroyed.


--
Emily Bronte

Family tree

The Bronte Family

Grandparents - paternal
Hugh Brunty was born 1755 and died circa 1808. He married Eleanor McClory, known as Alice in 1776.

Grandparents - maternal
Thomas Branwell (born 1746 died 5th April 1808) was married in 1768 to Anne Carne (baptised 27th April 1744 and died 19th December 1809).

Parents
Father was Patrick Bronte, the eldest of 10 children born to Hugh Brunty and Eleanor (Alice) McClory. He was born 17th March 1777 and died on 7th June 1861. Mother was Maria Branwell, who was born on 15th April 1783 and died on 15th September 1821.

Maria had a sister, Elizabeth who was known as Aunt Branwell. She was born in 1776 and died on 29th October 1842.

Patrick Bronte married Maria Branwell on 29th December 1812.

The Bronte Children
Patrick and Maria Bronte had six children.
The first child was Maria, who was born in 1814 and died on 6th June 1825.
The second daughter, Elizabeth was born on 8th February 1815 and died shortly after Maria on 15th June 1825. Charlotte was the third daughter, born on 21st April 1816.

Charlotte married Arthur Bell Nicholls (born 1818) on 29th June 1854. Charlotte died on 31st March 1855. Arthur lived until 2nd December 1906.

The first and only son born to Patrick and Maria was Patrick Branwell, who was born on 26th June 1817 and died on 24th September 1848.

Emily Jane, the fourth daughter was born on 30th July 1818 and died on 19th December 1848.

The sixth and last child was Anne, born on 17th January 1820 who died on 28th May 1849.

Top Withens in the snow.

Top Withens in the snow.

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