- A rare handwritten manuscript of Emily’s poems, mentioned in the preface to Wuthering Heights, with pencil corrections by Charlotte (est. £800,000-1,200,000
- The well-loved Brontë family copy of a book immortalised in Jane Eyre (est. £30,000-50,000
- Presentation copies of novels gifted to family friend Martha Brown
- An exceptional letter from Charlotte to her publisher George Smith
- Three letters from Charlotte to her oldest friend Ellen Nussey in 1850
- Two letters from Branwell Brontë to Hartley Coleridge, 1840 (est. £6,000-8,000)
- The auction also offers eleven pages worth of letters written by fellow novelist Elizabeth Gaskell on Charlotte and Haworth in 1853 (est. £3,000-5,000), several of Charlotte’s drawings, including one of their aunt Elizabeth Branwell (est. £5,000-7,000), and charming notes passed between Anne and Emily, including a little sketch of them writing at the table – all of which provide evocative glimpses of life at Haworth parsonage
This is a blog about the Bronte Sisters, Charlotte, Emily and Anne. And their father Patrick, their mother Maria and their brother Branwell. About their pets, their friends, the parsonage (their house), Haworth the town in which they lived, the moors they loved so much, the Victorian era in which they lived.
Wuthering Heights
zaterdag 29 mei 2021
HIGHLIGHTS FROM THE HONRESFIELD LIBRARY COLLECTION.
The greatest highlight of this first selection from the Honresfield Library is an autograph manuscript volume of poetry by Emily Brontë.
The greatest highlight of this first selection from the Honresfield Library is an autograph manuscript volume of poetry by Emily Brontë. Written in her miniature hand between 1844 and 1846, this slim volume contains 31 poems, many with pencil revisions by her sister Charlotte, and is the sole manuscript witness to many of her greatest poems. Autograph material by Emily Brontë is exceptionally rare. Very little has appeared at auction in recent decades and this is much the most important manuscript to remain in private hands.
The sale also includes the finest copy of Emily Brontë’s masterpiece, Wuthering Heights, to have been seen at auction in recent decades: a first edition in original cloth inscribed by the Rev. Patrick Brontë to the family housekeeper Martha Brown.
Other Brontë treasures in the sale include the family copy of Bewick’s History of British Birds – the book that brings solace to the lonely young Jane at the beginning of Jane Eyre – and fascinating letters by Branwell Brontë to Hartley Coleridge.
vrijdag 28 mei 2021
Beginning next month, notes BBC News, literary lovers will be able to see items from the private collection at exhibitions in London, Edinburgh and New York.
“In the last 90 years, only one or two (very discreet) scholars have had access to slivers of the material, so essentially, only two people alive have seen any of it,” a Sotheby’s spokesperson tells the Guardian’s Alison Flood.
Beginning next month, notes BBC News, literary lovers will be able to see items from the private collection at exhibitions in London, Edinburgh and New York. Where the trove will end up after the auction remains to be seen, but as the Brontë Society notes in a statement, it “believes that the rightful home for these unique and extraordinary manuscripts, unseen for a hundred years, is at the Brontë Parsonage Museum, where they can be enjoyed by visitors, explored by scholars and shared with Brontë enthusiasts around the world for generations to come.”
Given the financial challenges posed by Covid-19, however, the society acknowledges that it is “faced with the very real possibility that this immensely significant collection will be dispersed and disappear into private collections across the globe.”
Other items in the Honresfield Library include:
Other items in the Honresfield Library include:
- Jane Austen first editions, including Emma, Northanger Abbey, Persuasion, Pride and Prejudice
- A copy of Don Quixote printed in 1620 for Shakespeare publisher Edward Blounte
- An annotated copy of Alfred Lord Tennyson's poems showing his changes
- The complete manuscript for Sir Walter Scott's 19th century novel Rob Roy
- Little-seen letters to and from the likes of novelist Elizabeth Gaskell, Hartley Coleridge (son of poet Samuel Taylor Coleridge), and George Smith - publisher and champion of The Bells, which was the Bronte's secret pseudonym
- Works from Homer, Ovid, the Grimm Brothers, Montaigne, Ann Radcliffe, Horace Walpole, Charles Dickens and Mary Wollstonecraft also make an appearance
Statement in response to Sotheby's announcement re the sale of the Honresfeld Library.
The Brontë Society exists to collect and preserve Brontë manuscripts and artefacts for the public benefit. The manuscripts in the Honresfeld Library were written in Haworth and, as a collection, they bear witness to the intense collaboration and creativity that bound Emily, Charlotte, and Anne Brontë together and to their home at Haworth Parsonage.
The Society believes that the rightful home for these unique and extraordinary manuscripts, unseen for a hundred years, is at the Brontë Parsonage Museum, where they can be enjoyed by visitors, explored by scholars and shared with Brontë enthusiasts around the world for generations to come.
Regrettably, we are faced with the very real possibility that this immensely significant collection will be dispersed and disappear into private collections across the globe. We are determined to save as much as we can, but due to the dramatic financial impact of the pandemic, the timing is unfortunate. While Covid has reinforced the comfort and hope that we find in literature and culture, museum revenue has fallen away to almost nothing and competition for public funds has become fiercer than ever.
We all have a stake in these remarkable treasures. We need to look beyond the narrow commercialisation and privatisation of heritage and work together to protect and share what we all value. As our campaign takes shape, we urge all with an interest in saving this remarkable collection intact to contact us. bronte/rare-bronte-manuscripts-to-be-sold-at-auction
A Lost Brontë Library Surfaces A trove of manuscripts acquired from the Brontë family in the 19th century, all but unseen for the past century, will be auctioned at Sotheby’s.
The book is filled with annotations by Patrick Brontë, the Brontë sisters’ father, noting the tastiness of various species.Credit...via Sotheby’s
A trove of Brontë family manuscripts — all but unseen for a century — will be auctioned by Sotheby’s as part of what the auction house is billing as the sale of a legendary “lost library” of British literature treasures.
The Honresfield Library, a private collection assembled by two Victorian industrialists that vanished from public view in the 1930s, contains more than 500 manuscripts, letters, rare first editions and other artifacts from a number of canonical authors, including the manuscripts of Walter Scott’s “Rob Roy” and Robert Burns’s “First Commonplace Book.”
But it is the Brontë material — based on hoopla surrounding past Brontë auctions, and the estimates for this one — that is likely to cause the biggest stir. Highlights, which will be exhibited at Sotheby’s in New York from June 5 to 9, include a handwritten manuscript of Emily Brontë’s poems, with pencil edits by Charlotte. It carries an estimate of $1.3 million to $1.8 million.
The trove also includes family letters, inscribed first editions and other relics that offer a glimpse into life in the Brontë household, like the family’s heavily annotated copy of Bewick’s “History of British Birds” (which features in the opening scenes of “Jane Eyre”).
Gabriel Heaton, Sotheby’s specialist in English literature and historical manuscripts, called the Honresfield Library the finest he had seen in 20 years, and the Brontë cache the most important to come to light in a generation.
The Honresfield Library took shape not far from the parsonage at the edge of the West Yorkshire moors, where Charlotte, Emily, Anne and their brother, Branwell (born between 1816 and 1820), grew up creating elaborate shared imaginary worlds. It was assembled starting in the 1890s by Alfred and William Law, two self-made mill owners who had grown up less than 20 miles from the Brontë home in Haworth (which is now the Brontë Parsonage Museum).
The Laws’ collection, held in the library at their home, Honresfield House, included what Heaton called “grand country-house books” like a Shakespeare First Folio (long since sold off). But the brothers, less typically, were also keen collectors of manuscripts, acquiring the Brontë cache from a dealer who had bought them directly from Charlotte’s widower. William, the more serious collector, also paid frequent visits to Haworth to buy family relics that had been saved by neighbors and relatives.
After the deaths of the brothers (who never married), the collection passed to a nephew, who granted access to select scholars, and had facsimiles made of some items. But after his death in 1939, the originals fell out of public view.
zaterdag 8 mei 2021
We are pleased to welcome visitors back to the Brontë Parsonage Museum.
It's been a long time since we last welcomed visitors to the Parsonage, but the wait is almost over! We reopen on Wednesday 19 May and tickets will be released on Monday at 11am. We look forward to seeing you soon!
dinsdag 20 april 2021
maandag 19 april 2021
£600,000 'Bronte house' scheme is approved.
PLANS to transform a house with Bronte links into luxury holiday accommodation have received the seal of approval. Proposals for a major refurbishment of the Grade II* listed former Red House museum, at Gomersal, won all-party support at a meeting of Kirklees Council’s cabinet.
Dating back to 1660, the property and grounds are considered an important heritage asset. They are associated with Luddite activities and the Taylor family – particularly Mary Taylor, a writer and early feminist. And the house is revered by Bronte fans. Charlotte – a friend of Mary – was a regular guest at the property in the 1830s and gave it a starring role as Briarmains in her novel, Shirley.
Kirklees Council plans to invest £600,000 in the site to bring the historic house – and a neighbouring cart shed – back into use. Red House operated as a community museum, but falling visitor numbers and rising costs led to its closure in 2016.
A decision to allow the property to be marketed for private sale prompted a petition from Red House Heritage Group in 2019, which resulted in the council’s cabinet agreeing to explore alternative uses for the site which could maintain it in public hands.
Under the new plan, designed to appeal to the luxury tourism market, the house will accommodate ten guests. And once the business is established, it may also host weddings. The cart shed will be split into four self-catering apartments.
Revenue generated from holiday stays is expected to be sufficient to cover the cost of operating the scheme and to enable a series of open days/weekends to take place, ensuring community access to the site.
Senior councillor Graham Turner told cabinet colleagues: “It’s important we recognise this project has been a challenge due to its complexity and its historical links with the Brontes, but I am sure it will be a great success and will pave the way forward on how we deal with similar buildings in the future. I suspect other councils will be keeping a keen eye on this, as it’s groundbreaking for a local authority to develop this type of project.”
Colin Parr, strategic director for environment and climate change, said the scheme would allow the council to retain the property in public ownership without incurring huge operating costs.
Grandfather clock part of evening ritual for father of Brontë sisters restored at Haworth Parsonage.
Staff at the Brontë Parsonage Museum are busy checking the condition of items in their collection inreadiness for the reopening of the museum when the UK's coronavirus restriction are eased.
For Patrick Brontë, his habits were as precise as the time-keeping of the towering long-case clock that stood on the staircase of his family’s home. The 19th century clock was part of the evening ritual for the father of Britain’s most famous literary family, as he would stop religiously every evening to wind it up on the stroke of 9pm as he made his way upstairs to bed.
And the 6ft tall timepiece, which was made by Barraclough of Haworth, has taken on an added resonance in the museum that is now housed in the former Brontë family home. It has just been returned to the Brontë Parsonage in Haworth after being restored, an annual task that was abandoned last year as the first lockdown was imposed.
woensdag 14 april 2021
The Parsonage garden in bloom.
Our team of volunteer gardeners have been hard at work for the past year, coming in when they've been able to do so safely to maintain the Parsonage garden. We think they're absolute stars - here are some pics of the beautiful blooms we're able to enjoy due to their hard work! facebook/BronteParsonageMuseum/photos/
zaterdag 3 april 2021
And We’ve Got a House. Yes! We really have.’
So writes Elizabeth Gaskell in April 1850 about 42, Plymouth Grove, the house that was to become the Gaskells’ family home for the next sixty-three years. Over the years, visitors to Elizabeth Gaskell’s House have shown a great deal of interest in the building and the development of the Manchester suburbs. Attempts have previously been made to date the house, with a consensus settling on a period between 1837 and 1840. However, using the Manchester Rate Books, which give a year-by-year account of properties and their owner/occupiers, it is possible to make a more accurate calculation. Furthermore, these documents give a clear picture of the development of Manchester as an industrial city.
In the nineteenth century most people rented houses and a wealthy landlord might hold a large number of properties in his portfolio. Such was the case with William Occleshaw, a lead manufacturer with leasehold and freehold manufacturing properties in Lees-street, Whittle’s Croft, Junction-street, Mather-street, and Aqueduct-street, in Piccadilly, central Manchester. When Elizabeth Gaskell moved into 42, Plymouth Grove in 1850, Occleshaw’s estate ( he died in 1848) owned 25 properties in Plymouth Grove, including what was later to become the Elizabeth Gaskell House. Read all: gaskellsociety/building-plymouth-grove/
maandag 29 maart 2021
The Parlour
Parsonage
Charlotte Bronte
I asked her whether she had ever taken opium, as the description given of its effects in Villette was so exactly like what I had experienced, - vivid and exaggerated presence of objects, of which the outlines were indistinct, or lost in golden mist, etc. She replied, that she had never, to her knowledge, taken a grain of it in any shape, but that she had followed the process she always adopted when she had to describe anything which had not fallen within her own experience; she had thought intently on it for many and many a night before falling to sleep, - wondering what it was like, or how it would be, - till at length, sometimes after the progress of her story had been arrested at this one point for weeks, she wakened up in the morning with all clear before her, as if she had in reality gone through the experience, and then could describe it, word for word, as it had happened. I cannot account for this psychologically; I only am sure that it was so, because she said it. ----------------------She thought much of her duty, and had loftier and clearer notions of it than most people, and held fast to them with more success. It was done, it seems to me, with much more difficulty than people have of stronger nerves, and better fortunes. All her life was but labour and pain; and she never threw down the burden for the sake of present pleasure. I don't know what use you can make of all I have said. I have written it with the strong desire to obtain appreciation for her. Yet, what does it matter? She herself appealed to the world's judgement for her use of some of the faculties she had, - not the best, - but still the only ones she could turn to strangers' benefit. They heartily, greedily enjoyed the fruits of her labours, and then found out she was much to be blamed for possessing such faculties. Why ask for a judgement on her from such a world?" elizabeth gaskell/charlotte bronte
Poem: No coward soul is mine
No trembler in the worlds storm-troubled sphere:
I see Heavens glories shine,
And faith shines equal, arming me from fear.
O God within my breast.
Almighty, ever-present Deity!
Life -- that in me has rest,
As I -- Undying Life -- have power in Thee!
Vain are the thousand creeds
That move mens hearts: unutterably vain;
Worthless as withered weeds,
Or idlest froth amid the boundless main,
To waken doubt in one
Holding so fast by Thine infinity;
So surely anchored on
The steadfast Rock of immortality.
With wide-embracing love
Thy Spirit animates eternal years,
Pervades and broods above,
Changes, sustains, dissolves, creates, and rears.
Though earth and man were gone,
And suns and universes ceased to be,
And Thou wert left alone,
Every existence would exist in Thee.
There is not room for Death,
Nor atom that his might could render void:
Thou -- Thou art Being and Breath,
And what Thou art may never be destroyed.
-- Emily Bronte
Family tree
Grandparents - paternal
Hugh Brunty was born 1755 and died circa 1808. He married Eleanor McClory, known as Alice in 1776.
Grandparents - maternal
Thomas Branwell (born 1746 died 5th April 1808) was married in 1768 to Anne Carne (baptised 27th April 1744 and died 19th December 1809).
Parents
Father was Patrick Bronte, the eldest of 10 children born to Hugh Brunty and Eleanor (Alice) McClory. He was born 17th March 1777 and died on 7th June 1861. Mother was Maria Branwell, who was born on 15th April 1783 and died on 15th September 1821.
Maria had a sister, Elizabeth who was known as Aunt Branwell. She was born in 1776 and died on 29th October 1842.
Patrick Bronte married Maria Branwell on 29th December 1812.
The Bronte Children
Patrick and Maria Bronte had six children.
The first child was Maria, who was born in 1814 and died on 6th June 1825.
The second daughter, Elizabeth was born on 8th February 1815 and died shortly after Maria on 15th June 1825. Charlotte was the third daughter, born on 21st April 1816.
Charlotte married Arthur Bell Nicholls (born 1818) on 29th June 1854. Charlotte died on 31st March 1855. Arthur lived until 2nd December 1906.
The first and only son born to Patrick and Maria was Patrick Branwell, who was born on 26th June 1817 and died on 24th September 1848.
Emily Jane, the fourth daughter was born on 30th July 1818 and died on 19th December 1848.
The sixth and last child was Anne, born on 17th January 1820 who died on 28th May 1849.
Top Withens in the snow.
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