I've dreamt in my life dreams that have stayed with me ever after, and changed my ideas: they've gone through and through me, like wine through water, and altered the color of my mind.
Emily Bronte
Wuthering Heights

maandag 27 juni 2016

Gazette Series lists the advantages of adding a blue plaque to your historic home.

Gazette Series lists the advantages of adding a blue plaque to your historic home.

Also recently relisted are seven buildings that witnessed the life of Charlotte Brontë.
These include Grade I listed Haworth Parsonage, where Charlotte and her sisters Emily and Anne grew up and where her novels were written, and Grade II* listed Norton Conyers, the property that inspired Charlotte’s most famous novel Jane Eyre.

Also coming up in July

 

We endeavour to send these newsletters every 4-6 weeks, but there is so much going on at present, we thought you'd like to know you can also get the latest news by following us on twitter @BronteParsonage and @BronteShop, Instagram @bronteparsonagemuseum and facebook at BronteParsonageMuseum.
 
 
 


Our free Tuesday talk in July will focus on Villette, Charlotte Brontë's final (and some say greatest) novel. Head along to the Museum for 2pm on Tuesday 5 July to delve into the secrets of this haunting and deeply autobiographical novel.
Our friends at the National Media Museum in Bradford are hosting Jane Eyre: Afterlives on Saturday 9 July at 7.30pm. Samira Ahmed, of BBC Radio 4's Front Row, will lead a panel discussion on the Brontë phenomenon before a screening of the 1943 film version of Jane Eyre, starring Orson Welles and Joan Fontaine. Follow this link to purchase a ticket for this fascinating evening.

zondag 26 juni 2016

Poetry Festival at the Brontë Parsonage Museum

Keighley News announces the first Poetry Festival at the Brontë Parsonage Museum:
A field behind the Brontë Parsonage Museum is the setting for Haworth's first-ever poetry festival. Poetry at the Parsonage will bring dozens more than 100 poets and performers from across Yorkshire to Haworth on Saturday and Sunday, July 2 and 3.
The Word Club of Leeds has teamed up with the Brontë Society to organise a packed programme of readings and workshops. 
The festival has been organised on behalf of the Brontë Parsonage Museum by Matthew Withey. He said: “Poetry at the Parsonage will be the biggest gathering of poets anywhere in Britain this year.“It is a free-to-enter festival with sets by more than 100 performers, all coming together on the edge of the moors that inspired some of the finest poetry in the English language.“The weekend will be fabulous feast of words and we invite people to bring their families and share it with us.” 
Helen Mort, one of the headliners, said events like the festival created a sense of community and encouraged poets to support one another.“Yorkshire has a thriving poetry scene and it’s good to bring everyone together. ”Charlotte’s Stage, at the Old School Room next to the Brontë Parsonage Museum, will see performances by Mark Connors, Helen Mort and Alan Buckley on the Saturday, and Gaia Holmes, Clare Shaw, James Nash and Kate Fox on the Sunday. The Saturday line-up for Emily’s Stage at nearby West Lane Baptist Centre includes Ilkley Young Writers and Lorna Faye Dunsire, who appeared as part of Charlotte’s bicentenary celebrations in Haworth in April. 
Eddie Lawler, also known as the Bard of Saltaire, will headline Emily’s Stage on the Sunday. The event will be compered by Yorkshire favourites Craig Bradley, Geneviève L Walsh, Winston Plowes and Mark Connors of Word Club. Performances will begin at noon each day. Visit bronte.org.uk/whats-on for further information and tickets. (David Knights)

The Truth About The Illnesses Of Anne Brontë

Anne was the last of the six Brontë children to be born, and her mother Maria died just a year later. It’s easy to imagine how this could lead to her siblings, father and Aunt Elizabeth spoiling her and being extra protective of her. It seems as well that Anne suffered from asthma and was thought of as a fragile child, as it’s referred to in letters from Charlotte Brontë and from Anne herself.

Often thought of as being weak and permanently unwell, was that really the case and was asthma actually the cause of her complaints? Read the answer on: annebronte

zaterdag 25 juni 2016

“Since 1857, when Elizabeth Gaskell published her famous Life of Charlotte Brontë, hardly a year has gone by without some form of biographical material on the Brontës appearing

“Since 1857, when Elizabeth Gaskell published her famous Life of Charlotte Brontë, hardly a year has gone by without some form of biographical material on the Brontës appearing—from articles in newspapers to full-length lives, from images on tea towels to plays, films, and novelizations,” wrote Lucasta Miller in The Brontë Myth, her 2001 history of Brontëmania. This year the Brontë literary-industrial complex celebrates the bicentennial of Charlotte’s birth, and British and American publishers have been especially busy. In the U.S., there is a new Charlotte Brontë biography by Claire Harman; a Brontë-themed literary detective novel; a novelistic riff on Jane Eyre whose heroine is a serial killer; a collection of short stories inspired by that novel’s famous line*, “Reader, I married him”; and a fan-fiction-style “autobiography” of Nelly Dean, the servant-narrator of Wuthering Heights. Last year’s highlights included a young-adult novelization of Emily’s adolescence and a book of insightful essays called The Brontë Cabinet: Three Lives in Nine Objects, which uses items belonging to Charlotte, Emily, and Anne as wormholes to the 19th century and the lost texture of their existence. Don’t ask me to list the monographs.

As we open Jane Eyre once more we cannot stifle the suspicion that we shall find her world of imagination as antiquated, mid-Victorian, and out of date as the parsonage on the moor, a place only to be visited by the curious, only preserved by the pious. So we open Jane Eyre; and in two pages every doubt is swept clean from our minds. Read the article: theatlantic

Why are Japanese women still bewitched by the Brontes?

Japan

seem to be besotted with the three Bronte sisters: Charlotte, Emily and Anne. It’s a fascination that goes beyond reading and imagining. A disproportionately high number of Japanese women visit the Bronte’s home village of Haworth in the north of England each year, a pilgrimage that has recently been turned into the subject of a novel by Man Booker Prize-shortlisted author Mick Jackson, “Yuki Chan in Bronte Country.”

Charlotte’s “Jane Eyre” may have bewitched generations of Japanese readers, but Emily’s “Wuthering Heights” (rendered as “Arashigaoka” in Japanese) arguably stands as the most influential novel in Japan written by a non-Japanese woman. It inspired a 1988 Japanese film adaptation, which replaces the wild Yorkshire moors with a rocky Japanese volcano, but has also had a profound influence on some of the country’s most important 20th-century women writers, such as Yuko Tsushima and Taeko Kono.
Read all the article: japantimes
Photo: fukuoka

vrijdag 24 juni 2016

Neighbours of the Brontes.

Read all of this interesting article of Nick Holland on: Anne Bronte

Looking further around Haworth we find hundreds of other names, some of them familiar to Brontë fans and some ghosts from the past: John Feather, manufacturer; William Garnett, innkeeper; James Hudson, shoe maker; Thomas Parker, overlooker of power loom; Joseph Mosley, clock maker; Zilla Wright, worsted maker; Ellis Hird, wool comber; John Winterbottom, Baptist minister; Tabitha Aykroyd (staying with her sister Susanna Wood and listed as ‘independent’, and incidentally one of three unrelated ‘Tabitha Aykroyd’s living in Haworth at that time); William Wood, joiner and cabinet maker (and also the nephew of Tabby and the coffin maker who commented on how thin Emily Brontë’s coffin was); Enoch Thomas, innkeeper of the King’s Arms (friend of Branwell, and also at one time innkeeper of the Black Bull); Mary Whitaker, pauper. These are people who would have come into contact with the Brontës regularly, whether at the church or whilst walking through the streets, but of course they would little have guessed at their hidden talents, and could never imagine how they would put their village on the map for ever.

The shops that we see on Haworth Main Street today were at the time mainly housing, although there were stores such as Barraclough’s ironmongers and Hartley’s grocery. When looking through the census the thing that strikes us is how many of the residents are employed in the wool industry, either as worsted makers, combers, weavers or bobbin makers. These people lived mainly in an area called Piccadilly, or the Pick, and it rapidly became an unhealthy slum with large families living in one room that was always kept warm to aid the wool combing process. The tightly packed houses of the 1840s  that made up the Pick are gone now and have been replaced by modern housing and a new health centre. Even so, you can see where it stood by looking through the archway that lies across from the Black Bull Inn known as gauger’s croft.

John Feather

boards.ancestry/John Feather.  John was a worsted manufacturer in Keighley and employed at least 20 workers.

William Garnett

oldwhitelionhotel William Garnett bought the White Lion in the 1820s and ran it for about twenty years. He died in 1859 after a long retirement and is buried in St. Michael’s churchyard nearby

Greenwood

Effectively the family of Joseph Greenwood (1786–1856), second son of James Greenwood Sr of Bridgehouse, who acquired, or perhaps was given, Springhead Mill when quite young. Though he did not remain in the cotton trade long, letting the mill from 1822 onwards, he remained a strong force in Haworth until the early 1850s, and one that usually worked contrary to the interests of his own brothers. He became an Anglican, a church land trustee, and a Tory, and was thus a natural supporter of Patrick Brontë on most, but not all, issues (he supported Richard Butterfield’s petition to annul elections to the local Board of Health, a move that was a grievous set-back to the cause of sanitary reform). Patrick went to great lengths in the mid-1830s to have him made a magistrate, eventually succeeding in June 1836. The basis of Joseph Greenwood’s local power was land and presumably rent from his mill, which was let to the Merralls. In 1853 he and his sons went bankrupt, and he moved to Utley, near Keighley. Branwell mentioned the elder son disrespectfully in a letter to John Brown in 1840, calling William Greenwood “Prince William at Springhead” (described as “fat”) and ridiculing his “godly” friend Parson Winterbottom, minister of the West Lane (not the Hall Green of the other Greenwoods) Baptist Church at that time, suggesting William may have reverted to a branch of the family’s old faith.  blackwellreference

dinsdag 14 juni 2016

Angry rows sour Judi Dench's Bronte Society yet again

After trying to put the simmering tensions between traditionalists and modernisers behind them, following a string of resignations that included president Bonnie Greer after last year’s AGM, the warring factions soon re-emerged at yesterday’s gathering in West Yorkshire.
The members of the world’s oldest literary society, whose new president is Dame Judi Dench, who was absent due to filming commitments, were stunned to be told another five guiding lights of the organisation had stepped down from the governing council since Christmas. In a further blow, staff from the Bronte Museum in Haworth, who had formed a senior management committee to help run the society because it was so light on trustees, have also quit. As a result they have handed management duties back to the council. Members have accused the council of acting like the Stasi in the way they have compiled lists of regulations for the society to make it more inclusive. A woman in the audience shouted: “When I read all these rules and regulations I felt like I had come into the Stasi. We need fresh air and openness.” New chairman John Thirlwell was clearly rattled as he tried to present his report to the meeting held in a Baptist Hall across the road from the Bronte Parsonage Museum in Haworth. When interrupted by one member he snapped back: “I’m just trying to deliver my report, if that’s all right with you.” There were then furious exchanges as members fought to be heard over each other, with society bosses threatening to expel the protesters. Alexandra Lesley, who quit as chairman after only six months in the post, was determined to be heard, with a man supporting her screaming, “let her finish” over and over. Vice president Patsy Stoneman, who was chairing the meeting in Dame Judi’s absence, told the man: “If you continue in this manner I will ask you to leave the room. I’m in charge of this meeting.” Members were aghast at the sheer number of resignations and wanted to know why people had stepped down. They were unimpressed by the reply from the platform: “You will just have to ask them.” Member Richard Wilcox said: “I’m looking at this big swathe of resignations and wondering why is this? “Why have so many people resigned? It’s not entirely a mystery but can we have an explanation?” There were also cries that the new council had been elected to find a “harmonious way forward” but had instead “presided over a catastrophe”.
Mr Thirlwell said the resignations had been for a number of different reasons. He said: “It knocked us back but we rallied. I was very sorry indeed to see some of these people resign.” When it was found a journalist working for the Sunday Express, who is a member of the society, was present at the meeting a vote was held to exclude him. Treasurer the Rev Peter MayoSmith said his presence represented a “conflict of interests” and the meeting was private. Members voted 56 to 46 for him to stay. The Bronte Society was established in 1893 and opened its museum in 1895.
It is open to all those with an interest in the lives and works of the Bronte sisters, Emily, Anne and Charlotte. express/angry-rows-Bronte-Society

zondag 12 juni 2016

To Write Invisible – The Brontë Lecture



Interesting article from Nick Hollands weblog Anne Bronte

Yesterday, I attended the annual lecture at the Brontë Society summer festival, this time delivered by acclaimed biographer of Charlotte Brontë, Claire Harman. The venue, Haworth’s large and impressive Hall Green Baptist Church, was packed to the rafters, so much so that I had to take a seat on the upper balcony. There were initial microphone problems, and at one pound a battering noise on the door as if somebody was trying to break in (reminiscent of Cathy at the window of Wuthering Heights), but Claire carried on like the professional she is and delivered a very interesting lecture. Read on: Anne Bronte

zaterdag 11 juni 2016

And more beautiful photographes.

A few images taken on the Main Street set for "To Walk Invisible". Shops in the Bronte sisters time.


Pictures from
 
 
 
 
The Brontës knew a village that was a scene of constant building activity: new houses and shops were always in the course of construction and old houses were replaced by new.
 
In the time of the Brontës it had booksellers, grocers, tailors, drapers, a clockmaker and surgeons.  Around the miniature square at the church steps (8) were an apothecary, a wine and spirit merchant, an ironmonger (who doubled as a postmaster), a temperance hotel and four inns (the Black Bull, the Old White Lion, the Cross, and the King’s Arms).  In among these businesses were more humble trades: many boot and clog makers, a blacksmith and joiners, plasterers and stone masons.   Many of the buildings on Main Street were built as shops, with large display windows – some with handsome stone surrounds – to attract customers.  The village had a Cooperative Society with a shop, once in the central ‘square’ but later further down Main Street, where its premises, built in 1897, proudly display the inscription ‘Haworth Industrial Cooperative Society Limited Central Stores’ (15).  The village also had a branch of the Yorkshire Penny Bank, which opened in 1860 and by 1894 had moved to what is now the Visitor Information Centre (7), adding the prominent turret on the older building to proclaim its importance. In the time of the Brontës, Haworth was very much a working village.  The main industry was the production of worsted yarn and cloth: worsteds were fine cloths using long-fibre wool.  The work was mainly carried out in factories: the biggest in Haworth was Bridgehouse Mills (24), on the Bridgehouse Beck in the valley below the village. Haworth - Historic England
 


When Mrs. S. A. J. Moore died in August, 1950, a link with a family closely associated with the Brontës was snapped. She was the grand-daughter of John Greenwood, the Haworth stationer who supplied the Brontë sisters with the notepaper which they used for their voluminous writings. Mrs. Moore's mother, Mrs. Jane Ellen Widdop, often came into contact with the Brontës when she was a little girl. tandfonline

Originally a woolcomber, John Greenwood became the stationer and bookseller from whom the Brontës obtained their writing paper. oxfordindex


Barraclough's first shop in Haworth was opposite the Black Bull Inn, at the top of the main street. It is claimed that amongst others who stopped to peer into the shop window was the Revd.Patrick Bronte. Read more: archiver.rootsweb.ancestry/BARRACLOUGH/



 

 

See how Haworth's Main Street was transported back to 1840s for a new BBC drama

HAWORTH'S most visited street has been transformed to resemble the way it looked in the 1840s as part of a major new BBC drama about the Bronte Family. The team responsible for To Walk Invisible has been busy installing replica 19th century style shopfronts and laying compost down on the street to make it look bleaker and grubbier. Preparation work on Main Street began late last month but the "set dressing" intensified last week. A section of the street was then closed to both vehicles and pedestrians from Monday and will reopen at 7pm on Thursday. The closure will allow filming to take place between the Post Office and Croft Street. Several shops have temporarily closed and will re-open at the end of this week. Traffic diversions have been put in place, with pedestrian routes between the upper and lower parts of Main Street signposted.

To Walk Invisible has been written and directed by Yorkshire woman Sally Wainwright and is due to be shown by the BBC at Christmas. Main Street trader Simon Packham, whose shop And Chocolate has been made to look like an 1840s ironmonger's, said he was deeply impressed by what the set makers have achieved. "I'm amazed by the work they've done here, it's incredible," he added.
"I'm really looking forward to seeing this screened." thetelegraphandargus

donderdag 9 juni 2016


You have to use your imagination here.


First is Tony's book shop (the old Cobbles and Clay), all local produce;
Then there is Daisy Days like you have never seen it, purveyors of fine meats;
Next along, and the only shop with a vague hint of familiarity, is my chocolate shop, er, ironmongers;...
and finally, bright turquoise window frames extinguished, is Catkins, stationers;

The film crew really have done an amazing job here. Even if you saw the changes over the weekend, the transformation today has been fantastic.

I think the only thing left is for me to attempt some 'innocent' and surreptitious product placement amongst the rat traps and knife grinders. Don't tell Auntie Beeb

The Bronte Society Summer Festival 2016.

This weekend, from Friday 10th to Monday 13th June, marks the 2016 Brontë Summer Festival in Haworth. This annual event revolves around the Brontë Society conference, which this year will be held on Saturday at 2pm, but there’s a lot of other great events taking place as well for society members and members of the public alike.

Read more on Nick Holland's blog: annebronte
 

dinsdag 7 juni 2016

The Parlour

The Parlour

Parsonage

Parsonage

Charlotte Bronte

Presently the door opened, and in came a superannuated mastiff, followed by an old gentleman very like Miss Bronte, who shook hands with us, and then went to call his daughter. A long interval, during which we coaxed the old dog, and looked at a picture of Miss Bronte, by Richmond, the solitary ornament of the room, looking strangely out of place on the bare walls, and at the books on the little shelves, most of them evidently the gift of the authors since Miss Bronte's celebrity. Presently she came in, and welcomed us very kindly, and took me upstairs to take off my bonnet, and herself brought me water and towels. The uncarpeted stone stairs and floors, the old drawers propped on wood, were all scrupulously clean and neat. When we went into the parlour again, we began talking very comfortably, when the door opened and Mr. Bronte looked in; seeing his daughter there, I suppose he thought it was all right, and he retreated to his study on the opposite side of the passage; presently emerging again to bring W---- a country newspaper. This was his last appearance till we went. Miss Bronte spoke with the greatest warmth of Miss Martineau, and of the good she had gained from her. Well! we talked about various things; the character of the people, - about her solitude, etc., till she left the room to help about dinner, I suppose, for she did not return for an age. The old dog had vanished; a fat curly-haired dog honoured us with his company for some time, but finally manifested a wish to get out, so we were left alone. At last she returned, followed by the maid and dinner, which made us all more comfortable; and we had some very pleasant conversation, in the midst of which time passed quicker than we supposed, for at last W---- found that it was half-past three, and we had fourteen or fifteen miles before us. So we hurried off, having obtained from her a promise to pay us a visit in the spring... ------------------- "She cannot see well, and does little beside knitting. The way she weakened her eyesight was this: When she was sixteen or seventeen, she wanted much to draw; and she copied nimini-pimini copper-plate engravings out of annuals, ('stippling,' don't the artists call it?) every little point put in, till at the end of six months she had produced an exquisitely faithful copy of the engraving. She wanted to learn to express her ideas by drawing. After she had tried to draw stories, and not succeeded, she took the better mode of writing; but in so small a hand, that it is almost impossible to decipher what she wrote at this time.

I asked her whether she had ever taken opium, as the description given of its effects in Villette was so exactly like what I had experienced, - vivid and exaggerated presence of objects, of which the outlines were indistinct, or lost in golden mist, etc. She replied, that she had never, to her knowledge, taken a grain of it in any shape, but that she had followed the process she always adopted when she had to describe anything which had not fallen within her own experience; she had thought intently on it for many and many a night before falling to sleep, - wondering what it was like, or how it would be, - till at length, sometimes after the progress of her story had been arrested at this one point for weeks, she wakened up in the morning with all clear before her, as if she had in reality gone through the experience, and then could describe it, word for word, as it had happened. I cannot account for this psychologically; I only am sure that it was so, because she said it. ----------------------She thought much of her duty, and had loftier and clearer notions of it than most people, and held fast to them with more success. It was done, it seems to me, with much more difficulty than people have of stronger nerves, and better fortunes. All her life was but labour and pain; and she never threw down the burden for the sake of present pleasure. I don't know what use you can make of all I have said. I have written it with the strong desire to obtain appreciation for her. Yet, what does it matter? She herself appealed to the world's judgement for her use of some of the faculties she had, - not the best, - but still the only ones she could turn to strangers' benefit. They heartily, greedily enjoyed the fruits of her labours, and then found out she was much to be blamed for possessing such faculties. Why ask for a judgement on her from such a world?" elizabeth gaskell/charlotte bronte



Poem: No coward soul is mine

No coward soul is mine,
No trembler in the worlds storm-troubled sphere:
I see Heavens glories shine,
And faith shines equal, arming me from fear.


O God within my breast.
Almighty, ever-present Deity!
Life -- that in me has rest,
As I -- Undying Life -- have power in Thee!


Vain are the thousand creeds
That move mens hearts: unutterably vain;
Worthless as withered weeds,
Or idlest froth amid the boundless main,


To waken doubt in one
Holding so fast by Thine infinity;
So surely anchored on
The steadfast Rock of immortality.


With wide-embracing love
Thy Spirit animates eternal years,
Pervades and broods above,
Changes, sustains, dissolves, creates, and rears.


Though earth and man were gone,
And suns and universes ceased to be,
And Thou wert left alone,
Every existence would exist in Thee.


There is not room for Death,
Nor atom that his might could render void:
Thou -- Thou art Being and Breath,
And what Thou art may never be destroyed.


--
Emily Bronte

Family tree

The Bronte Family

Grandparents - paternal
Hugh Brunty was born 1755 and died circa 1808. He married Eleanor McClory, known as Alice in 1776.

Grandparents - maternal
Thomas Branwell (born 1746 died 5th April 1808) was married in 1768 to Anne Carne (baptised 27th April 1744 and died 19th December 1809).

Parents
Father was Patrick Bronte, the eldest of 10 children born to Hugh Brunty and Eleanor (Alice) McClory. He was born 17th March 1777 and died on 7th June 1861. Mother was Maria Branwell, who was born on 15th April 1783 and died on 15th September 1821.

Maria had a sister, Elizabeth who was known as Aunt Branwell. She was born in 1776 and died on 29th October 1842.

Patrick Bronte married Maria Branwell on 29th December 1812.

The Bronte Children
Patrick and Maria Bronte had six children.
The first child was Maria, who was born in 1814 and died on 6th June 1825.
The second daughter, Elizabeth was born on 8th February 1815 and died shortly after Maria on 15th June 1825. Charlotte was the third daughter, born on 21st April 1816.

Charlotte married Arthur Bell Nicholls (born 1818) on 29th June 1854. Charlotte died on 31st March 1855. Arthur lived until 2nd December 1906.

The first and only son born to Patrick and Maria was Patrick Branwell, who was born on 26th June 1817 and died on 24th September 1848.

Emily Jane, the fourth daughter was born on 30th July 1818 and died on 19th December 1848.

The sixth and last child was Anne, born on 17th January 1820 who died on 28th May 1849.

Top Withens in the snow.

Top Withens in the snow.

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